Both compositions on that record related to (more or less) to the “tape music”. The piece of Argentinian experimental master Anla Courtis is solely based on manipulated sounds of geyzers, recorded in South America. Ukrainian Edward Sol works with weird cassette loops, lo-fi oscillations and some primitive tones from his vintage USSR-made analogue synth Polyvox. Generally speaking, the sound of this record belongs to the monolith dark drone music.