This audio recording is a new experiment, and simultaneously recalls a line of inquiry from the early practice of Christine Sun Kim. By inviting her to make a record, the curators proposed a return to her work with audio—to a series of artworks that were characterized by the sensorial vibrations and bodily experience of sound, for which she often employed voice. “I can feel [my voice] inside of my body, and in this way it is accessible to me.” Alongside an embodied connection to Deaf culture, this aspect of her practice also reaches into the deepest registers of conceptual art, in that much of its production and presentation exist as a set of ideas and transmissions.

Christine Sun Kim is an US-American artist based in Berlin. Kim’s practice considers how sound operates in society, deconstructing the politics of sound and exploring how oral languages operate as social currency. Musical notation, written language, infographics, American Sign Language (ASL), the use of the body, and strategically deployed humor are all recurring elements in her practice. Working across drawing, performance, video and large-scale murals, Kim explores her relationship to spoken languages, to her built and social environments, and to the world at large.