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Transversales Disques proudly presents the first official LP reissue of "Deserted Palace", studio album written & performed by Jean Michel Jarre in 1972, during his work experience at G.R.M. (Groupe de Recherches Musicales). In 1971, an order was placed with producer Francis Dreyfus to provide sound for public places such as airports and libraries. He decided to pass the project on to Jean-Michel, who had recently been signed by his record company.These fifteen tracks are made with only two synt…
Transparent turquoise vinyl / 180 grams, limited edition numbered to 300 copies. Mauro Pagani's first vinyl album, released in 1978, is a masterpiece of sonic cross-cultural contamination. After his experience with PFM, Pagani embraced Mediterranean sounds, mixing progressive rock, ethnic music and psychedelic atmospheres. Almost every of his former bandmates, anyway, plays in this record, together with other great guests such as Area - first of all, their incredible singer Demetrio Stratos - an…
Huge Tip! Deluxe CD edition, in tri-fold gatefold sleeve with outer case. This is a live recording of the Peter Brötzmann Trio (Peter Brötzmann, Sabu Toyozumi, and Jason Adasiewicz) from their performance at the 5th OCT-LOFT Jazz Festival at B10 Live, Shenzhen, in 2015. After the performance, the B10 Live team conducted a warm and friendly interview with the three musicians. The transcribed conversation has been edited and included in the liner notes of this vinyl album.Liu Ying Studio delivered…
Transparent red vinyl format / 180 grams, limited edition numbered to 500 copies. The soundtrack for “Non si Sevizia un Paperino” (1972), composed by Riz Ortolani for Lucio Fulci’s giallo masterpiece, is a work of extraordinary intensity and contrast. Ortolani, a master at balancing melodic beauty with unsettling atmospheres, perfectly captures the essence of a film that blends mystery and violence with the innocence of a small Southern Italian village. The film, one of Lucio Fulci’s most acclai…
“Vedo Nudo” is a comedy in episodes that explores the many facets of desire and Italian society in the 1960s. Starring the brilliant Nino Manfredi, the film ranges from irony to social critique, addressing themes of sexuality, taboos, and cultural changes with a light touch. The soundtrack adapts seamlessly to each episode, modulating its tone to suit the narrative and the characters. Armando Trovajoli demonstrates an extraordinary ability to create music that complements and enhances the mood o…
Beat Records Company is glad to present the expanded version of the original motion picture soundtrack of the movies L’Anticristo (Alberto De Martino, 1973), featuring the music by Ennio Morricone and Bruno Nicolai and Sepolta Viva (Aldo Lado, 1974) by Ennio Morricone, already available in the classic Collector Releases series, out of production since a while. This album, very popular among the two composer’s fans offers two OSTs realized for excellent movies, the first, on the Excorcist (Willia…
Beat Records is relaunching on the market the classic Western OST by Nora Orlandi and Robby Poitevin for the film La morte non conta i dollari (aka Death at Owell Rock), directed in 1967 by Riccardo Freda (under the pseudonym George Lincoln), with a screenplay by Giuseppe Masini and Riccardo Freda, photography by Gábor Pogány, editing by Anna Amidei, music by Nora Orlandi and Robby Poitevin, produced by Enrico Cogliati Dezza for Cinecidi, distributed by Warner Bros., and starring Mark Damon, Ste…
Long overdue, here is the fourth volume of the Mighty Mellow collection, from the editors of The Mood Mosaic series. Mushy funk, abstract jazz, with tracks by Pete Jolly, Annete Peacock, Dusty Springfield and many others.
“Some of it sounds so pure and clear and I am picturing him huddled around all that gear, simply magical. In my memory he didn’t play ‘for’ the audience but was rather trying to perfect these various permutations of sound within himself…and a few of us just happened to be present.” – Tom Lee
Open Vocal Phrases, Where Songs Come in And Out & Sketches For World of Echo offers two intimate unedited Arthur Russell solo live performances recorded at Phill Niblock’s Experimental Intermedia Foundation …
100 copies on red vinyl w/ envelope including 14 extra inserts. Between 1978 and 1984, Fluxus artist Willem de Ridder did a weekly radio show called De Radiola Improvisatie Salon. Listeners were invited to send in cassettes recorded at home and would get guaranteed airtime. Willem never listened to any of the tapes in advance. No censorship or personal taste were involved, just total artistic freedom. Long before social media existed, he understood that just providing a platform could ignite bo…
200 copies. CD wallet with 8 page booklet including photos from a scrapbook, found in Willem de Ridder’s archive. The word Fanatic comes from the Latin fanum, temple. A fanatic is someone possessed, by God or the Devil. From 1985 until 1989 Willem de Ridder, Hessel Veldman, Cora Emens and Nick Nicole were the members of post-art ensemble Fanatic (or later FNTC). Willem and Hessel already worked together in the late 70s and early 80s on various radio shows and performed with musicians like Alvin …
Beat Records Compnay and Cabum Edizioni Musicali are glad to present the original motion picture soundtrack of Pandemonio – Switch, a movie directed by Giuseppe Colizzi (Dio perdona… io no!, I quattro dell’Ave Maria, La collina degli stivali, …più forte ragazzi, Arrivano Joe e Margherito) in 1978 featuring a soundtrack composed by Guido & Maurizio De Angelis. Switch, released after the death of its director, is the story of Dory, Renato, Sgomma and Solimano, four friends who dedicate themselves …
Second installment of this wonderful compilation of gems from the '60s and '70s Singapore music scene, focused on the amazing ladies that helped make it so vibrant. 14 gems of female fronted Pop Yeh Yeh, another eye-opening collection of amazing Singapore treasures. Be it as solo singers, backed by other bands or as band leaders, women had a huge presence on the Singapore music scene. All under the idiosyncratic Pop Yeh Yeh umbrella and each with her strong personality and musical tendencies, th…
2025 stock Moonmadness was originally released in March 1976. It was their fourth album and the last to feature the band's original line-up (Latimer, Bardens, Ferguson, Ward). After the success of the tightly structured, instrumental The Snow Goose in 1975, the band added vocals to their music again. The tracks that comprised the album were conceived as a loose concept based on the individual personalities that made up Camel; Air Born about Andrew Latimer, Lunar Sea about Andy Ward, Chord Change…
Lou Donaldson had been a Blue Note stalwart since his earliest recordings in 1952 and over the following 15 years produced numerous classic dates spanning bebop, hard bop, and soul jazz. But when the alto saxophonist hooked up with the funky drummer Leo Morris (aka Idris Muhammad) for 1967’s Alligator Bogaloo it began a run of great groove-oriented albums including Mr. Shing-A-Ling, Midnight Creeper, and 1968’s Say It Loud. Filling out the band were Donaldson’s fellow Blue Note labelmate trumpet…
2025 repress with revised booklet "We proudly present the repress of our first reissue, from 2011 - of a long o/p LP that urgently needed to be re-released since "Stürmer" is one of the most outstanding records in the history of german avantpop/punk. Originally released 1981 on the legendary ZickZack label, the debut LP by Munich's Freiwillige Selbstkontrolle soon reached cult status and became one of the most important NDW / german postpunk releases ever. Active since today F.S.K. were one of J…
2025 stock In 1976, Alf Emil Eik embarked on an extraordinary journey in a studio in Oslo. Armed with a 16-track MCI recorder and a vast array of instruments, including a couple of his precious bass guitars, he set out to create his musical masterpiece. Eik, a composer, musician, technician, and producer all in one, used the studio as his compositional playground and experimented with percussion, synthesizers, bass riffs, and tape phasing effects, pushing the boundaries of what was possible at t…
Moon Glyph is pleased to present a compilation of new, unreleased tunes from established veterans of the label and newcomers alike. Staying true to Moon Glyph’s transportive aesthetic, “Amethyst” spans across abstract genres from ambient, psychedelia, jazz, electronic, fourth world percussion and more. Across its 17 tracks, you’ll hear Cole Pulice’s hypnotic overlapping saxophones, Vic Bang’s intricate arrangements of micro samples, IE’s patient desert landscapes and Starbirthed’s shimmering cel…
*300 copies limited edition* "A new edition of the original statement first released by Nil By Mouth Records on cassette and immediately sold out. Old Europa Cafe is making available once again transmissions that refuse to be suppressed by the smothering hands of the seemingly ubiquitous audio platforms. Drawing inspiration from the forefathers of Power Electronics, but pushing the foundational doctrines into new territories, Terror Cell Unit are truly deacons shepherding over the flock of moder…