Reissues
Osamu
This is the third album by Osamu Kitajima, one of Japan’s most prolific artists from the ethno rock, world music and progressive department. You can certainly not divide all the mentioned stylistic aspects from each other for they were all incorporated in a homogenious sound and complex arrangements. It is the same with his other albums like "Benzaiten“ and or his fourth "Masterless Samurai“; traditional Japanese music meets Western jazzrock and progressive sounds to form a new style unheard by …
Nihonjin 日本人
Some albums are certainly a kind of holy grail for music lovers and collectors of a certain genre, style and era. Far Out with their eponymous debut and unfortunately also farewell album from 1973 have created such a sacred gem. Original copies in good condition change hands for up to 2000 USD and there are certainly a few not so official reprints on vinyl and CD out on the market which do not even come close to do justice to the greatness of the old original black gold. But here we go with the …
Akustisches Abreaktionsspiel
**400 copies** Reissue of Hermann Nitsch’s very first release, originally published 48 years ago by Edition Galerie Klewan in a limited edition of 100 copies..Produced and recorded at the WDR Radio in Cologne, Germany, the Akustisches Abreaktionsspiel (Aktion 38b) is "neither a radioplay nor a work of music. it merely portrays the acoustic part of an "abreaktionsspiel“ (a play of abreaction). the special and specific usage of the acoustic possibilities are in the foreground, while the visual par…
Free Jazz Und Kinder
Restocked, last copies... Reissue of the rare & infamous double 7“ originally published by FMP in 1973. Recordings from a workshop at Akademie der Künste, Berlin, April 1972, featuring 15 children (aged 8-11) and Peter Brötzmann, Fred van Hove, and Han Bennink.At the beginning of the work, the fifteen invited children aged eight to ten years were asked to come for four days in a row, so that a fixed, unchanging group could be expected. In practice, this was difficult to carry out, since every af…
Shin Chugoku
A duo by Osamu Kitajima and Fumio Miyashita, formed at the end of 1971 when Osamu Kitajima returned from his trip to United Kingdom where he got influenced by exploding psychedelic rock scene that was happening at the time. After recording his debut under moniker of “Justin Heathcliff”, he got together with Fumio Miyashita of Far East Family Band and Far Out. Together they worked on an amazing psychedelic / progressive rock album, with a foly, yet pastoral, mellow approach.
Masterless Samurai
It’s impossible to define the genre behind Osamu Kitajima’s music. “Masterless Samurai” is another step in the ongoing career of Kitajima. It’s a very unique blend of Jazz Fusion with traditional Japanese music. There aren’t any other albums that would sound similar to this incredible effort by Kitajima. His knowledge in traditional Japanese music and his love for Progressive Rock and Jazz makes “Masterless Samurai” an incredible Fusion album and another highlight in his career. He left Space Ro…
Dragon King
Osamu Kitajima continuously experimented with various music genres that include Japanese traditional music, Ethno Jazz and Progressive Rock elements. “Dragon King” is a very well recorded album that contains Funky tunes and mellow Soul songs, as well as Jazzy elements. It’s his last album that would end a certain chapter in Mr. Kitajima’s career. After “Dragon King” he stopped working in Progressive / Funk / Soul / Jazz / Fusion and started his second career with Electronic / Ethno / New Age mus…
Raks Raks Raks
Compilation Concept Licensed from Grey Past Records. Finally back on Vinyl! This is one of the most anticipated as well as unexpected compilations from the global depths of 60s and 70s rock’n’roll: The Persian scene. Let alone coming across with a representative compilation, even solid evidences of such a scene has not been seen until now and has been largely suspected, maybe save for a select few of eager garage and psychedelic record collectors and enthusiasts of worldwide rock, who have been …
The "Bayan Mongol" Variety Group (Эстрадын “Баян Монгол” Чуулга)
The Bayan Mongol Variety Group existed from the early ’70s to the late ’80s. After the collapse of the USSR, the ensemble began to experience serious difficulties with funding and booking concerts, and finally disintegrated, after which the participants lost contact with each other. Fortunately, thanks to efforts from the fans, some old contacts were reestablished, key records and sound sources were dug up, and now this historical record is released again. File under funk, jazz rock, prog rock, …
Soyol Erdene
Now this might be exotic for ears used to Western pop and rock music but probably not for too long if these ears have a fondness for deep and haunting melodies. Formed in 1971 as the first ever Mongolian rock band at the behest of the ministry of culture, that wanted to establish Mongolia’s very own Beatles, it took about ten years to get an album out, which is their sole record up to today and fetches prices up to 500 € and more for a copy in great condition. Here we finally have a reissue on t…
Gunesh (Гунеш)
**High class ethno jazzrock with Central Asian and Turkmen elements**Unique 1980 album, progressive, yet traditional style, lyrics in Turkmen language.The Gunesh Ensemble was founded in 1970 in Ashkhabad, Turkmen Soviet Socialist Republic, then part of the Soviet Union. They started out as a vocal group with supporting musicians from Turkmenistan State Radio and TV. Later several young musicians came to play with them and the band’s music became much more modern. The group began to play jazz-roc…
Musa
A passionate and personal album, more or less a piano only instrumental work that will attract all kinds of music lovers from jazz, classical music, avantgarde and progressive rock. Excellent performance with a great flow in the composition and breathtaking improvisations. Some kind of jazz version of Keith Emerson.
Stanley Cowell, born in 1941, is a living legend as jazz pianist and his skills can be witnessed on his 1974 solo effort “Musa: Ancestral streams”. This record already fetches high p…
A Safe Return
Everland Jazz have picked a real gem for a reissue here! Originally released in 1980, “A Safe Return” is the second album by the Surinam jazz flutist Ronald Snijders. It is a strong alloy of soul, funk, jazz and smooth disco sounds! Mersmerizing musical craftsmanship! “Lenox” the opening track, has a playful haze escaping from every groove,with a solid hypnotical rhythmical base and haunting flute melodies that have the character of the lead vocals. Despite the slower pace, the jazzy approach of…
Vocal Studies #6
Volume 6 in Econore’s Vocal Studies series. Edition of 50 numbered copies. Milan Sandbleistift also known as Licht-ung is a noise / anti-sound artist from Burscheid
Vocal Studies #5
Volume 5 in Econore’s Vocal Studies series. Edition of 50 numbered copies. Darcy Spidle has long used the moniker chik white for various art projects. His latest efforts centre around the jaw harp, a pancultural, ancient instrument steeped in mystical allure. Inspired by sound poetry, noise, free improvisation, Dada, nature, and the human voice, chik white harp explorations aim to conjure visceral experiences.
Vocal Studies #3
Volume 3 in Econore’s Vocal Studies series. Edition of 50 numbered copies. Natalia Kamia is a musician and sound artist born in Russia in 1961. She lives and work in Gothenburg, Sweden.
Vocal Studies #4
Edition of 50. Killer! Sigtryggur Berg Sigmarsson (b. 1977) is an Icelandic musician and sound artist, founding member of Stilluppsteypa. Sigmarsson was born in Akureyri, Iceland and studied sound art at the Fachhochschule in Hannover, Germany from 1998 to 2003. "Here are two men who are working very often together; in fact, I was thinking they could have chosen a band name by now. I am a big fan of their work, either in collaboration or solo. Playing drone-based music is what they do, perhaps, …
Zero Kama
**Deluxe collectors edition box-set, 500 copies** Zero Kama was an experimental music project founded by Zoe DeWitt in 1983. The first release of Zero Kama was the title V.V.V.V.V., recorded for the Nekrophile Rekords cassette compilation The Beast 666. In 1984 followed the cassette release of the album The Secret Eye of L.A.Y.L.A.H., which is commonly regarded as one of the key albums of the industrial-subgenre 'ritual'. The fact that all instruments used for this recording were exclusively mad…
California Infernal: Anton LaVey & Jayne Mansfield
Satanism and the silver screen: the bizarre friendship of Anton LaVey and Jayne Mansfield Movie star Jayne Mansfield and notorious Satanist Anton LaVey met in 1966. Both were publicity conscious and made the most of the meetings, which evolved into a friendship. Almost always present was German paparazzo Walter Fischer, stationed in Hollywood and catering to image- and scandal-hungry photo magazines all over the world. Fischer’s unique collection of photos takes us straight into the ritual cha…
Return of the Repressed: Destroy All Monsters 1974–1977
**2020 stock** The influential Detroit “anti-rock” group Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw) made raucous music, irreverent art and legendary zines, performing and disseminating their activities through an elaborate self-mythology. The Destroy All Monsters zines have been reprinted in facsimile editions, but the art objects made by the members have never been examined as independent works. Return of the Repressed: Destroy All Monsters 1974–1977 is the first retrospe…