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Recorded live in July 1969 during the same sessions that gave birth to their classic debut album Monster Movie. The album contains rawer versions of classics tracks such as Yoo Doo Right and Outside My Door. This was Can at the very beginning of their career, before they would become widely known as one of the 70's Krautrock most iconic bands. A full catalogue of minimal grooves and extended song forms that would influence generations to come. Holger Czukay - bass, Jacki Liebezeit - drums, Micha…
These Soft Machine recordings for John Peel's Top Gear programme took place in December 1967 and June 1969 when the band was at the peak of their psychedelic revolution and during their first transition towards an unprecedented form of Psych Rock Jazz. These historical sessions, including a great version of Wyatt's masterpiece Moon in June, show the great potential of the band's early line ups featuring Hugh Hopper - bass, Kevin Ayers - vocals, guitar, bass, Robert Wyatt - vocals, drums and Mike…
Recorded Live at the BBC in spring 1971, the same year of In the Land of Grey and Pink release, this is the classic Caravan line-up playing music from the same iconic studio album, a true masterpiece in the '70s Rock history. A quintessential combination between Richard Sinclair's beautiful and timeless melodies and David Sinclair's fuzz-organ improvisations. A full immersion in deep Canterbury sound featuring, among others, a fifteen minutes epic version of Nine Feet Underground.
Masterful ‘60s pop by a jazz guitar guru! Not many jazz artists were interpreting popular songs in the late ‘60s, but Hungarian-born Gabor Szabo looked past the oft-covered standards to put his trademark jazz transformations on a set of fashionable tunes on 1969, including major hits for the Left Banke, the Beatles, and more songs that his contemporaries neglected. Guitar master Szabo’s 1969 platter of folk and pop music touchstones is highlighted by the rock’n bossa spin on Sealed With a Kiss! …
**Mort Garson’s cult 1976 album Mother Earth’s Plantasia officially reissued for the first time by Sacred Bones. Comes with fully restored original booklet with new liner notes by Andy Beta (Pitchfork). All vinyl copies come with seed paper download card – plant it and watch it sprout!** Mort Garson is well known as one of the pioneers of electronic music in the late '60s; some may have heard of his contributions to quite a few pop hits back in the day, when he wrote and conducted orchestral arr…
Japanese sound artist Toshiya Tsunoda is a master of the art of field recording who discovers the hidden properties of sound and vibrations in the material world, from road surfaces to the sea. Through acute mic placement, field recordist Toshiya Tsunoda captures the unusual vibrations of everyday spaces. The recordings contained in this amazing box open up an expansive soundfield of subtle modulating frequencies and dramatic suspensions of time and space. Sounds such as these would be the envy …
When Harry Bertoia's Sonambient label was resurrected, Important Records' intention was to tell the story of Bertoia's groundbreaking Sonambient work as revealed through his extensive collection of notes and recordings. When the first new LP was released in 2016, Important were only in possession of 1/20th of the archive. Now, in 2019, the label is excited to release the first LP of new material from the full archive and they present it to increase understanding of what Bertoia was doing in his …
Edition of 300 copies, historical recordings from 1991, as the composer wrote "the music was performed by myself, solo. Recorded live at my former apartment in New York". Composer, per former, conceptualist, improvisor, installation artist and violinist Takehisa Kosugi has been an important, though shadowy presence in the world of avant garde music since the beginning of the 1960s. This is one of the few authorized 'live' recordings - Kosugi has long been ambivalent about the value of audio docu…
**100 copies** Five editions plus an encore (German / English) by and with Robert Lax (1915 - 2000) in a slipcase, edited by Hartmut Geerken with previously unpublished materials, audio CDs, films, notes, letters, photos and poems. Robert Lax was born in 1915 near New York, the son of jewish immigrants from Austria. Soon he belonged to the literary scene in New York and wrote for magazines like „The New Yorker“ and „Time“ as well as working for radio and film. After the war he lived in Paris for…
**120 copies** Die Tödliche Doris was born out of West Berlin’s lively post-punk community in the early ‘80s. Along with Einstürzende Neubauten, Malaria, Sprung Aus Den Wolken and Frieder Butzmann, Die Tödliche Doris ranks amongst the Geniale Dilletanten – which roughly translates as “ingenious dilettantes” – who sought to democratize cultural productions beyond the grip of both Western capitalism and GDR socialism. The Geniale Dilletanten became synonymous with a free-for-all approach to music,…
The history of music is never concrete. It’s forever changing and rewriting itself. The past becomes the present and the present reforms the past. What was lost is found, and what was known is lost. Our era, defined by the reissue and archival release, will likely be regarded as a definitive period of historical reparisal and reevaluation. Monumental figures have fallen. The obscure and unheralded have finally received their rightful due. Dark Companion’s latest LP - Ron Geesin’s ExpoZoom 1969, …
Performing throughout the 1980s as Art Carnage to the gloomy hipsters of Portland, Attilio Panissidi III decided he needed a vacation. The result of his creative escape became Art Takes a Holiday, an album of fabricated FM synthscapes and MIDI environments that embrace elements of smooth jazz, new age, and pop. Attilio had been playing in bands since he was thirteen, and had opened live shows for countless acts, from The Shangri-Las to Bruce Hornsby. The experience of producing, performing, as w…
Politico dub-collage practitioners Guerilla Welfare came from Edmonton, Alberta, coincidentally the birthplace of prophetic media sage Marshall McLuhan. Armed with vanguard ideas taken from Steve Reich, Fela Kuti, Robert Fripp and Material, the duo of Curtis Ruptash and Brian Schultze adopted the “studio as instrument” mindset of Brian Eno and King Tubby creating complex textural and polyrhythmic sonic insurgencies. They overdubbed drum computers, guitar, bass, noise-makers, mallet percussion, s…
Chen Yi aimed for a collective approach of art. As an isolated group of humans/numbers operating directly from a secret place in Chelmsford (UK), they developped a personnal and "bizarre" utilisation of guitars, machines, voices, distortion, giving as result an unconventional regroupment of compositions amongst a lot of lost or unreleased recordings. This is likely what got John Peel interested which brought to an inexplicable contract with CBS. Due to their raw and alternative 'self-made' music…
**250 copies** Selected Works is a 2xLP compilation highlighting the definitive material of the cassette releases of Juma, a project led by hyper-prolific Hiroshima artist K. Yoshimatsu that existed from 1981-1982. Yoshimatsu released six cassettes with his Juma project (as well as 20+ under his own name) on the legendary cult industrial/experimental label DD. Records run by prophetic artist T. Kamada. While attending Yamaguchi University in 1978, Yoshimatsu was introduced by classmate and futur…
Edition of 300 copies. Lovely archival recording by this incredible due comprised of Midori Takada - percussion and Kang Tae Hwan - alto saxophone. Recorded live on the 14nd March 1995 at Café Amores, Hofu, Yamaguchi, Japan by Takeo Suetomi. Concert produced by Takeo Suetomi. Mastered by Arūnas Zujus at MAMAstudios. Photos by Akihiro Matsumoto. Design by Oskaras Anosovas.
**300 copies** Original, limited LP-only edition released as Super Secret Sound (3SLP010) in 1997. Sunny Murray - drums, Bob Dickie - bass, bass clarinet, Robert Andreano - guitar, bass. Recorded 30 May, 1994 at 816 South St. Philadelphia, PASpecial assistance - Cowboy Keith Thompson. Artwork - Wayne Hamilton (1966-2009).Engineered and mixed by Robert Andreano - Photographs of Sunny and Robert taken 11th June, 1994 at St. Stephen’s Church 19 S. 10th Street, Philadelphia, PA by Thomas V. Hartmann…
Recorded 3rd June, 1971 at the Jazz Workshop, Boston. Sam Rivers - tenor and soprano saxophones, flute, piano, Cecil McBee - bass and Norman Connors - drums. "Musician discographies are like icebergs. Commercially released recordings often only represent a surface-visible and procurable fraction of actual output; a reflection of those comparatively few instances when resources, fortitude, and good fortune aligned to yield salable product. Samuel Carthorne Rivers situation was no different. Despi…
Recorded at Staccato Studios, Stavanger, Norway on 12th October, 1982 by Kjell Arne Jensen - with Frode Gjerstad - tenor and soprano saxophones, Johnny Mbizo Dyani - double bass and John Stevens - drums. Re-mastered by Arūnas Zujus at MAMAstudios. Cover drawing by Tora Fredrikke Helle, photos by Judith Sørvik, liner notes by Frode Gjerstad.
Cien Fuegos present a reissue of Schlippenbach Quartet's Three Nails Left, a classic mid-1970s originally released on FMP in 1975 and showing Schlippenbach is in sublime form. It features a stellar line-up, with Evan Parker - soprano and tenor saxophone; Peter Kowald - double bass and Paul Lovens - percussion. Side A was recorded live at 3rd Jazz Festival Moers June 2nd, 1974 by Michael Krause. Side B was recorded live at the Quartier Latin Berlin, February 2nd, 1975 by Jost Gebers with the FMP…