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On their self‑titled debut, Secos & Molhados compress poetry, glam‑theatre and electric Brazilian folk‑rock into a 1973 time bomb, turning MPB, Portuguese folklore and queer futurity into a mass‑market hallucination that still feels shockingly present.
On Live at Yoshi’s 1994, Mal Waldron and Steve Lacy turn a decades‑deep partnership into a single, extended act of listening, folding Monk, Ellington, Strayhorn and their own themes into a stark, tensile dialogue where every note feels earned.
On Jazz Flamenco, Pedro Iturralde forges a taut, singing dialogue between Andalusian cante and modal jazz, letting saxophone and flamenco guitar trade roles as soloist and accompanist in a music that sounds both inevitable and newly invented.
On Elis, Elis Regina crystallises everything that made her singular: a precision‑tooled voice riding the fault line between control and abandon, bringing samba, MPB and jazz‑tinged arrangements to a rolling boil of drama and nuance.
On Vida, Chico Buarque folds everyday scenes, political undercurrents and bruised intimacy into a suite of songs where conversational melodies and sly, shifting harmonies turn ordinary lives into quietly explosive dramas.
On Louvação, Gilberto Gil fuses Afro‑Bahian rhythms, Northeastern folk and sleek mid‑60s modernism into a luminous songbook where liturgical overtones, street poetry and swinging arrangements announce a new, restless MPB imagination.
Domingo is the groundbreaking debut album by legendary Brazilian singers Caetano Veloso and Gal Costa, released in 1967 by the renowned Polydor label. This album captures the essence of traditional bossa nova, presenting smooth melodies and sophisticated rhythms that define the genre's timeless appeal. Although Domingo predates the tropicalist movement that Caetano Veloso would later champion, it offers a captivating glimpse into the early artistry and vocal interplay between two of Brazil’s mos…
Raskovich (Giuliano Sorgini) refines a single idea to a razor’s edge: lean jazz‑funk frameworks animated by flute, Rhodes, electronics and blaxploitation‑style orchestration, finally back in circulation after decades as a cult library secret.
50th anniversary limited edition. First-ever 24Bit/192kHz remaster from the original tapes. 180g black vinyl, numbered. His father was an American soldier from North Carolina who left Naples when James Senese was eighteen months old and never came back. What remained was a saxophone, a surname that didn't fit the neighbourhood, and two musical worlds that Italian society had no language to reconcile. Senese found that language himself - first in the soul and R&B of the Showmen in the 1960s, the…
** First-ever 24Bit/192kHz remaster from the original tapes. 180g black vinyl, numbered, in a gatefold die-cut sleeve faithful to the 1973 original** Some records define an era. Io Sono Nato Libero is one of them - and perhaps, within the entire canon of Italian progressive rock, the one most resistant to any replica. December 1973. Banco del Mutuo Soccorso - the Rome-based group led by brothers Vittorio and Gianni Nocenzi, alongside vocalist Francesco Di Giacomo, guitarist Marcello Todaro, bass…
Double LP ltd to 300, black vinyl, 3 color (silver, dark blue & black) silkscreened jacket with obi (dark blue or paver red), with Miyanishi Keizo notes in French, English and Japanese, lyrics in Japanese and English and a postcard. Onna Last Live 1983 includes the final performance by the original line-up of Onna, the psych-rock project of revered Japanese manga artist, Keizo Miyanishi. Onna's legend has largely rested, until now, on one self-released and self-titled seven-inch from 1983. Reiss…
In 1961 John Coltrane joined the newly founded Impulse! label. The great saxophonist was coming off several impactful albums (Giant Steps) and a very notable — even commercial — success: that My Favorite Things which had made his soprano sax one of the “new sounds” that marked a turning year for jazz, the fateful 1959. Some people — despite obvious clues to the contrary — speculated a turn, if not toward commerciality, at least toward more palatable music: a Coltrane in some ways comparable to P…
Back in stock with a brand new edition the score for Emanuelle e gli ultimi cannibali (Emanuelle and the last cannibals), a movie featuring our beautiful Laura in new dangerous adventures! The wonderful score by Maestro Fidenco is influenced by the changement of the musical influences: we see the Maestro more funky oriented. The score opens with a wonderful danceable "Make love on the wing" that could have be composed by Change or Chic. The Maestro doesn't delude us preparing a variation on the …
Why did so many of the world’s most forward-thinking musicians gravitate toward Conny Plank’s studio at that time? Released in 1981, Phew was recorded at the legendary Conny’s Studio—home to seminal works by Kraftwerk, Neu!, D.A.F., and Brian Eno—featuring Phew, formerly of Aunt Sally.
The album brings together Can members Holger Czukay and Jaki Liebezeit, whose contributions, combined with Plank’s masterful engineering and Czukay’s innovative editing techniques, result in a strikingly original …
Taco weaponise the very idea of “tako” - octopus, kite, bunion, drunk, bald head - into a mutating post‑punk organism, a rotating guerrilla cell whose songs behave like incidents rather than compositions.
On Revolutionary Pekinese Opera, Ground Zero - under the ferociously precise direction of Otomo Yoshihide - detonates a cut‑and‑splice orchestra where free improv, noise, opera and plunderphonics collide with undimmed urgency.
Originally released in New York in 1968 on Baraka's own Jihad label, "Black and Beautiful Soule and madness" is a fiery document of the 1960s. It could be mistaken for a lost ESP-Disk release, sitting well between Sun Ra / the Fugs/ and Albert Ayler. The group was vocal in all the ways; sometimes singing, Doo-wop & Soul, sometimes rapping in a Last Poets-style, often doing both at the same time. Emotionally compelling and extremely powerful,we are proud to have it back in print on vinyl for the …
To mark 50-years since a 22 year old Michael Gregory Jackson recorded his groundbreaking first release, "Clarity / Circle / Triangle / Square", recorded with the mind blowing group of his contemporaries Oliver Lake, David Murray and Leo Smith. This album is like no other I know, a new world, finding a perfect balance between multiple genres. Moved-By- Sound is very excited and honored to be involved in releasing the first reissue authorized by Michael Gregory Jackson since the original release i…
In Sheep’s Clothing announces the long-awaited vinyl pressing of Marc Leclair’s beloved 2005 album Musique pour 3 femmes enceintes. The album will also be available on streaming for the first time via Community Music Group. For years after Marc Leclair released Musique pour 3 femmes enceintes, he heard from listeners who had lived with the record in an unusually intimate way. Many described how the music became part of the emotional landscape of the months leading to birth. “I never expected tha…
øjeRum is the moniker of Danish artist Paw Grabowski. Since 2007, his mostly tape-based works have unfolded like private diaries—intimate, textural, often centered around an vintage pump organ Paw found left abandoned in a dilapidated Danish home, and to which he would return, sometimes in the dead of winter, to play and record on. The works featured on this release are centered around this pivotal engagement and collect some of his earliest releases from around 2014 to 2017. These were then car…