Reissues
Digging Central Asia: Musical Archaeology along the Silk Road
Death Is Not The End collaborate with Uzbek label Maqom Soul to deliver an LP counterpart to last year's mixtape of the same title, compiling specially picked & fully licensed individual belters from the ex-soviet studios of Central Asian republics between 1978 and 1989 - incl. Uzbek, Tajik, Kurdish & Uyghur artists pulling traditional folk motifs together with pop & rock and psych elements.
"These recordings do not form a smooth or coherent history. They feel more like a sequence of discoveries…
Milano Undiscovered - Early 80s Electronic Disco Experiments
*Special discounted pricing. 2026 repress* 40 years after the beginnings of the Italo disco movement 'Milano Undiscovered' leads us to discover the first ferments of the Milanese post-punk dance scene. In the early 80's future producers began to veer towards a form of dance music not yet defined, what once seemed like an experimental form, today sounds like a cornerstone for future development in the club scene of key city as Berlin, Paris, Stockholm and Amsterdam.
Italo disco was first mistreat…
Muslimlahore
A powerful new archival release from the legendary experimental project Muslimgauze, titled Muslimlahore, is now available worldwide via Bandcamp. This album continues the ongoing posthumous excavation of Bryn Jones’ vast and politically charged body of work, offering listeners a fresh immersion into his unique blend of ethnic electronica, dub, and tape-based soundscapes.
Muslimlahore presents a suite of tracks that reflect Muslimgauze’s enduring fascination with South Asian and Islamic themes, …
Kachouzu
On Kachouzu, Merzbow compresses his late‑period harshness into four short movements, a 2×6″ lathe‑cut blast where metallic textures, searing feedback and dense midrange roar behave less like tracks than like successive cross‑sections of the same noise storm.
Antibox
With Antibes, The New Blockaders compress twelve years of activity into a fiercely curated 4CD set, 100 copies only, each hand‑signed and uniquely defaced. It plays like a late‑period labyrinth: alternates, rarities, and lost shards arranged as a single, anti‑retrospective.
Succès De Scandale
On Succès De Scandale, The New Blockaders exhume and reframe their own history, collaging a feral 1984 Morden Tower performance with later materials into a single, rust‑coloured slab of anti‑music that feels like the group’s original sabotage reactivated for the present.
Kronos Quartet Performs Philip Glass
On Kronos Quartet Performs Philip Glass, Kronos Quartet turns four string quartets into a self‑portrait of the composer, charting his path from theatre and film scores to music written directly for the group, all in a language of pulsed clarity and slowly deepening harmony.
Pierrot
At a time when most bands in the post-Group Sounds boom were gravitating toward British rock, Hiroshi Segawa stood out as one of the few artists exploring country and southern rock sung in Japanese. "Pierrot" represents a peak in that pursuit, backed by an all-star lineup from Japan’s New Rock movement: Hideki Ishima and Jun Kozuki from Flower Travellin’ Band, Tetsu Uchiyama and Hiromi Harada from Samurai, and Katsuo Ohno from PYG.
This reissue includes the bonus track "Kimi ga Ita Shiroi Heya…
Friction
The 1980 album Friction (軋轢, literally “friction”) stands as the moment Friction stop being a rumour from the Tokyo underground and become a fully formed threat on record. It is their first LP and the only one to feature singer Masatoshi Tsunematsu as a full member, with production by none other than Ryuichi Sakamoto, who helps translate the band’s live volatility into a lean, sharply contoured studio language. Coming out of the Tokyo Rockers milieu and carrying memories of time Reck and Chico H…
Michael Gibbs ★ Tanglewood 63
Talented jazz composer, conductor, arranger, trombonist and keyboardist Michael Gibbs’ two albums for Deram, dating from 1970 and 1971. Gibbs recorded with Graham Collier, Johnny Dankworth, Kenny Wheeler and in the late 60s, before starting his recording career. As a producer and arranger, Gibbs has worked with a who’s who of artists including Whitney Houston, Joni Mitchell, Pat Metheny, John McLaughlin, Peter Gabriel and many more. Digitally remastered and slipcased. Extensive new notes by Cha…
Live, Pass Tour '80
Live Pass Tour ’80 captures Friction at the precise moment their legend hardens into tape. Recorded during the Pass Tour at Kanagawa University in 1980, just as the band were releasing their first full‑length 軋轢 = Friction, this set has been described as the “definitive, fully edited document” of their early peak, preserving the original line‑up with singer Masatoshi Tsunematsu still fronting the group. Where studio takes tighten and cool their New York‑shaped no‑wave and Tokyo Rockers energy, t…
Change Is
The Don Rendell - Ian Carr quintet, created in 1963, was,a small Brit jazz group that took the country by storm and was well received in Europe and in limited circles in the United States. The band developed a unique sound that came out of hard bop and moved through many different phases, developing a unique musical language before they reached the mountain top of creative expresión.
Live at "Ex Mattatoio" in Roma
Recorded on 28 August 1984 at the Japan Japan Festival in Rome and originally issued the following year on the Marz label, Live At "Ex Mattatoio" In Roma captures Friction far from home but fully in their element. Playing inside the former abattoir of the Testaccio district - already a rough, resonant space in the city’s underground - Reck’s group bring the sharpened angles of Tokyo Rockers to a European audience, fusing serrated no‑wave guitar, thick, stalking bass lines, and clipped, incantato…
'79 Live
’79 Live catches Friction right as Japanese punk is mutating into something stranger and more angular, a December 1979 set that sounds like it was recorded with the mics pointed straight at the band’s collective nervous system. The trio are all attack and recoil: sharp, metallic guitar figures slashing across a rhythm section that alternates between locked‑groove insistence and sudden, collapsing turns. Vocals arrive in bursts of English and Japanese, more incantation and accusation than sing‑al…
Izipoh Zam (My Gifts)
Two years after the death of his mentor and boss, John Coltrane, and just before signing his own contract with Impulse!, Pharoah Sanders finally got around to releasing an album as a leader apart from the Impulse! family. Enlisting a cast of characters no less than 13 in number, Sanders proved that his time with Coltrane and his Impulse! debut, Tauhid, was not a fluke. Though hated by many of the jazz musicians at the time - and more jazz critics who felt Coltrane had lost his way musically the …
Pax
On Pax, Arvo Pärt’s most emblematic pieces are gathered into a single, quietly radiant anthology, turning his tintinnabuli language into a long meditation on stillness, vulnerability, and the possibility of peace in a noisy, fractured world.
Spirit of Eden
On Spirit Of Eden, Talk Talk dissolve the idea of a “band” into a hushed, slow‑burning soundscape, six long pieces where jazz, blues, chamber music, and near‑silence fuse into something that feels less like an album and more like a single, ritual act of listening.
Marquee Moon
On Marquee Moon, Television reinvent rock as tense, skeletal architecture, eight songs built from interlocking guitars, nervous poetry, and negative space, culminating in a title track that turns a ten‑minute solo into pure street‑lit vertigo.
Un Biglietto del Tram
On Un biglietto del tram, Stormy Six turn the Italian Resistance into living song, nine pieces where folk‑rock, progressive detail, and militant clarity fuse into one of the sharpest, most moving political albums of the 1970s.
Fun House
On Fun House, The Stooges tear rock down to its studs and rebuild it as a single, sweating organism: seven tracks of feral groove, free‑jazz squall, and Iggy Pop at maximum possession, a record that still feels like a room on the verge of imploding.