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"Flutist Roberto Fabbriciani continues his releases dedicated to the flute repertoire of single composers with works by Belgian composer Henri Pousseur (1929-2009). Previous releases on Mode featured Aldo Clementi and Bruno Maderna.As with Fabbriciani’s preceeding Clementi and Maderna releases, this Pousseur release marks the first time Pousseur’s works for flute have been collected in one recording. It is important to note that Fabbriciani had a long working relationship with the composer.The s…
"This piece and group developed over the course of a year. It was presented in concert over three initial phases. The concert recorded here (second phase) occurred six months into this process. However, this is not completely accurate; in different forms, the group continues to develop. This recording documents one of many possible manifestations."With: Marcia Bassett, Barry Weisblat, Ron Stabinsky, Che Chen, Laura Ortman, C. Spencer Yeh, Michael Bullock, Andrew Lafkas, Rick Brown, Ryan Sawyer, …
**200 copies** "This is a study version composed in the studio from a single recording of a violin glissando. It was never intended to be performed live. The final version for 7 violins was the result of this study.""A single recording of the violin glissando of Johnny Chang has been turned into a multi-track recording. Here one violin becomes sixteen. Peter Ablinger’s Augmented Study Serie is focused on 'tension between redundancy of material and complexity of experience'. Because this work is …
This CD offers the first recording of Frank Denyer's extraordinary hour-long piece for large ensemble The Fish That Became the Sun (Songs of the Dispossessed), composed between 1991 and 1996. The ensemble includes a huge number of home-made percussion instruments made from discarded materials, as well as obscure instruments such as eunuch flutes, ocarinas and crumhorns. The album comes with a booklet with notes by Frank Denyer and an essay by Michael Turnbull.Musicians include:Octandre Ensemble …
The Boundaries of Intimacy foregrounds works that are very restrained and quiet, but as always with Frank Denyer, there is a sense of tension or danger in the air that occasionally explodes and cuts across the music."Most of the music on this CD is soft, some of it very soft indeed. To achieve the optimal listening level, think of the musicians as being just over the other side of the room in which you are listening, rather than in another grander space. Imagine them performing intimately, witho…
**300 copies** "There have been quite a few releases of Antoine Beuger’s music over the past several years and it’s an odd, and very pleasurable thing to consider them en masse. On the one hand, his music is so diaphanous, so air-suffused that you’d think it might be difficult (not to mention unnecessary) to differentiate them mentally. On the other, they’re always very different. There’s that old AMM aphorism: “as alike or unalike as trees” that conveys something of my feelings about Beuger’s w…
**Edition of 500. 180 gram vinyl** Fantôme Phonographique present a reissue of Serenata I/Sonatine/Canteyodjaya/Zeitmasze, originally released in 1958. The avant-garde composer and conductor Pierre Boulez was a titan of post-war experimental classical music. Born in the small cheesemaking town of Montrbrison in central France in 1925, Boulez studied at the Paris Conservatoire with the composer and organist Charles Messiaen and received private tuition from pianist Andrée Vaurabourg; after moving…
The first piece composer Catherine Lamb has written specifically for acoustic guitar was commissioned by Chilean guitarist Christián Alvear. Extending concepts from an installation piece titled Secondary Rainbow with Bryan Eubanks, Lamb employs electronics over an infinite cycle of four "environmental chords" which overlap and resonate with one another.
Three compositions written by Francisco Meirino for ensembles. Utilizing pitch and timbre of traditional acoustic instruments Meirino’s unique compositional voice speaks out. Guiding the listener through tension and decompression, unease and malaise. Performed with Ensemble Vortex and Ensemble Phoenix in Basel, recorded during 2016-2019.Born in Spain in 1975, Meirino is active since 1994 (as Phroq until 2009) in experimental music and live performance. His music explores the tension between pro…
**Warehouse find, still sealed original copies 1987 edition** Gong action suported by catalan fussion percussionist Santi Arisa. Main attraction here is the percussions and electronics piece Secuencia I.
The history of American avant-garde music is a snarled knot, twisting through the decades, spanning genre, practice, and approach. Most narratives plant its origins within the post-war period, orbiting around John Cage, Morton Feldman, and those artists springing from the movements of Fluxus and free-jazz. American creative innovation issued unquestionable influence over the later half of 20th century, but the root of its radicalism was earlier, with its origins often misplaced. Rather growing f…
An extended iterative, cycling, dissipating cloud of fragments, constantly shifting focus, which throws up detail, evolves, returns, settles and re-dissolves; it's a four-dimensional explosion in which stretches of baroque, folk themes and Byzantine liturgy exist contemporaneously alongside modern and (arguably) post-modern materials and techniques, all shaken loose out of the same experiential block, much as strata emerge as tectonic plates fold one time over another. Long, beautiful, to…
A beautifully recorded and produced cycle of pieces that combine complexity and precision with rich and unfamiliar timbres. The ensemble pieces amplify and enrich a core piano with various combinations of harmonium, double bass, violin, percussion, Hungarian zither, citara bassa, bowed cymbals, alto clarinet, melodica, sampler and field recordings, all sparsely but powerfully deployed. This is a deep and powerful music with both crystalline clarity and cinematic low frequency power. And no fat o…
Written for theatre in 1987 using a host of avian and mammalian voices, snippets of unidentified musical material and electroacoustic noise- sculpting, as well as invented and real instruments played by Fred Frith. This was a hard time and the mood is intense, lean and not cheerful, though there are some gruesomely cheery inserts. There's no fat but a lot of meat here.
In this episode, a number of short recordings of household objects and curious instruments become the core thematic material for a range of exquisitely conceived and realised pieces in which the recordings are shaped, stretched, tuned, combined and otherwise manipulated before being folded into a variety of musical structures with additional elements or parts added. Much use is made of rhythms derived from gravity – that is, dropping and bouncing - embedded into microtonal, poly-rhythmic and dee…
180 gram exact repro reissue, originally released in 1969. Classic Harry Partch, and the kind of record that's a great introduction to his music. There's lots of Partch's weird invented instruments – like chromelodeon, diamond marimba, mazda marimba, cloud-chamber bowls, gourd tree, and the crazy "spoils of war". "The World of Harry Partch collects three of his best short pieces. 'Daphne of the Dunes' (1967) is a side-long update of 'Windsong' written for dance. The melodic segments are given mo…
"For the occasion of Pierre Boulez' 90th birthday on 26 march 2015, Universal Classics France present a revised and enhanced version of the former edition celebrating his years at the helm of paris' legendary "Le domaine musical" concerts. Initially presented in two volumes, the recordings are now assembled in a single 10cd set, documenting the history of the domaine musical with a mixture of live concert recordings and studio sessions based upon the performances in the Théatre Marigny in Paris,…
A beautiful sound art compilation featuring works by Ellen Fullman, Horatio Vaggione, Fast Forward, Takehisa Kosugi, Mario Verandi, Olga Neuwirth, celebrating the 35 years of the Berliner Künstlerprogramm. Comes with 32-page booklet.
Ellen Fullman: Transmission Particle 1 for Long String Instrument and Oboe (2001; 9:00 min)[Ellen Fullman, long string instrument; Eliza Slavet, oboe]Horatio Vaggione: Scir for contrabass flute and tape (1988; 11:37 min)Beate-Gabriela Schmitt, contrabass fluteFast F…
Luc Ferrari -- along with Pierre Schaeffer, Pierre Henry, François Bayle, and others -- is one of the pioneers of the particular style of tape music known as 'musique concrète'. More significantly, he must be counted as one of the most complexly, most idiosyncratically compelling of post-War composers. Ferrari has time and again ranged far afield of musique concrète, and Interrupteur/Tautologos 3 is one such foray into instrumental music. But what a setting-forth! Mon dieu! These particular real…
Trifold glossy slipcase includes two CDs, label catalogue and 16-page booklet of liner notes and images. For new initiates and avant-garde fiends alike, this Iannis Xenakis collection renders a breathtaking survey of works by the radical composer, theorist, architect and engineer, spanning the period 1956-1974 and featuring some of the greatest works of the 20th century, including the awe-inspiring sonic architecture of ‘Persepolis’.Inarguably one of the most important composers to blend electro…