Morton Feldman
Beautiful collection of Morton Feldman's earliest, shorter piano works from the early 50s, going through the late 70s
Transición II. Phonophonie
This disc collects two early, forward looking works by Argentine born Mauricio Kagel, now living in Germany. Both works are constructed in such a way so that no two performances can ever be alike. Transición II was an early exploration of what "live electronics" are now being used to achieve. The score is in individual pages which can be placed in any order by the performers. It works on three levels. LIVE: The pianist performs on the keyboard while a percussionist performs inside the pian…
20 Jahre Inventionen V - live electronic
The live electronics that Nono worked with for the first time in the early 1980?s at the Freiburg Experimental Studio also serves the musical displacement: the music moves away from clear spatial and timbral assignations. Due to electronic processing, the sonic characteristics of both instruments, bass flute and cello, can hardly be recognized. Tones and gestures are lengthened into seeming infinity and move in space
44 Harmonies from Apartment House 1776
Cage's "44 Harmonies" were originally written to form part of the sprawling bicentennial commission "Apartment House 1776", and take as their starting point late 18th century anthems and hymn tunes by William Billings, Jacob French, Andrew Law, James Lyon and the wonderfully-named Supply Belcher. Cage's compositional - or rather decompositional - method was to remove certain tones and extend others, and as James Pritchett points out in the (excellent as always for Mode) liners, he was delighted …
Jani Christou (Enantiodromie / Praxis / Epicycle / Anaparastasis)
An expanded version of the previous rz LP by Jani Christou. All works by Christou, the late, legendary "freely-atonal" Greek composer. Features: "Enantiodromia" (1965-68, for orchestra); "Praxis" (1966-69, for string orchestra and piano), "Epicycle" (1968, for instruments, actors and voices); "Anaparastasis III" (1968-69, for soloist, ensemble and continuum [tapes]); "Mysterion" (1965-66, for narrator, actors, 3 choirs, orchestra and tapes)"Jani Christou tried to use and incorporate philosophica…
A Catalogue of Sounds
Jakob Ullmann's music realizes an infinite variety of gradations in all areas of musical formation. That the music of the "catalogue" is nearly always played very softly leads to the ear noticing the smallest differentiations; the listener is put into a state of constant, acute attentiveness. The musical stream is constantly subjected to small irritations, sometimes its flow quickens, sometimes there are brief splashes like those caused by pebbles thrown into water. Performers: Ensemble Oriol Be…
Still Lives
Three amazing works for pure waves and instruments. Lucier has pioneered in many areas of music composition and performance, including the notation of performers’ physical gestures, the use of brain waves in live performance, the generation of visual imagery by sound in vibrating media, and the evocation of room acoustics for musical purposes. His recent works include a series of sound installations and works for solo instruments, chamber ensembles, and orchestra in which, by means of close tuni…