Folly Seeing All This
Michael Mantler's chamber pieces for trumpet, the Balanescu Quartet, guitar, alto flute, vibraphone and piano, ending with a setting of Samuel Beckett's last poem sung by Karen Mantler and Jack Bruce. Recorded June 1992, Angel Studios, London. ECM 1485, 1993.
Q.E.D.
Two concert works by Terje Rypdal for electric guitar and ensemble, Q.E.D. Opus 52 and Largo Opus 55, played by Rypdal with the Borealis Ensemble conducted by Christian Eggen. Recorded August and December 1991, Rainbow Studio, Oslo. ECM 1474, 1993.
In memoriam Haydée / Játékok - Games and Transcriptions for piano solo and four hands
Concert film by Isabelle Soulard: Márta and György Kurtág play pieces from Játékok and Kurtág's Bach transcriptions for piano four hands, Cité de la musique, Paris, 22 September 2012, in memory of Haydée Charbagi.
Elegy of the Uprooting
Concert film of Eleni Karaindrou's 'scenic cantata' at the Megaron, Athens, 27 March 2005: music from 13 film and theatre scores with Maria Farantouri, the Camerata Orchestra under Alexandros Myrat and the ERT Choir.
Ever Present
Five works by Alvin Lucier for solos and trios on beating tones and microtones: Piper for bagpipe, Fan for four kotos, 947 for flute, Silver Streetcar for triangle and Ever Present for flute, piano and alto saxophone.
Navigation for strings. Small waves
Two microtonal works by Alvin Lucier written for the performers: Navigations for Strings, played by the Arditti Quartet, and Small Waves for string quartet, trombone, piano and two water pourers, with Hildegard Kleeb and Roland Dahinden.
Still Lives
Three amazing works for pure waves and instruments. Lucier has pioneered in many areas of music composition and performance, including the notation of performers’ physical gestures, the use of brain waves in live performance, the generation of visual imagery by sound in vibrating media, and the evocation of room acoustics for musical purposes. His recent works include a series of sound installations and works for solo instruments, chamber ensembles, and orchestra in which, by means of close tuni…
punctum contra punctum
Aldo Clementi marks out the distance with an absolute refusal to provide narratives, whether of tension resolved, or simply of that logically unending succession of states of being so dear to many of his contemporaries. His materials, whether gathered from a tonal past, generated as a jeu d'esprìt from the names of dedicatees, or produced by a purely abstract process, are projected into a rotational steady state that has no logical end or beginning. (David Osmond-Smith, 2005)
On the occasion of …
Melody, Ergodicity and Indeterminacy
First recordings of James Tenney's Poem, Monody, Seegersong #1 and #2 and the Ergodos series for computer music, with string, instrumental and percussion responses, played by the Barton Workshop and soloists.