We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Compositional /

Brutal Mirrors
Felipe Lara’s music is driven by a visceral sense of presence and process. Beneath its notated clarity lies a deep trust in the performers: a shared language built over years of collaboration, where every sound becomes a negotiation between gesture, breath, and form. Lara’s work moves between the intimate and the monumental, but always seeks what lies behind the surface – where structure becomes porous, expression is embodied, and music emerges as a living tension between instability and control…
Chashitsu: Auditory Tea Room
Chashitsu: Auditory Tea Room is the debut album of original compositions by Japanese composer and violinist Midori Komachi. Inspired by the sonic journey of Chashitsu (Japanese Tea Room) and Chado (The Way of Tea), this album showcases Komachi's weaving together original compositions with field recordings by Nick Luscombe (MSCTY). Conceived and produced by Komachi in collaboration with London and Tokyo based MSCTY, known for their work at the forefront of music and architecture, the project refl…
Helmut Lachenmann: Mes Adieux
bastille musique presents its twenty-ninth release »Helmut Lachenmann: Mes Adieux« featuring Trio Catch, trio recherche, Karolina Öhman (cello), WDR Sinfonieorchester and Lin Liao (conductor). With Notturno (1966-1968), Allegro sostenuto (1986-1988) and the world premiere recording of Mes Adieux – Streichtrio Nr. 2 (2021-2022), the album brings together three outstanding works by Lachenmann from three different creative periods. The WDR recordings are complemented by a 48-page bilingual booklet …
plays Herzog | Muche | Nillesen
impakt Records presents the new record by T.ON "plays Herzog | Muche | Nillesen" with Constantin Herzog (double bass), Matthias Muche (trombone) and Etienne Nillesen (extended snare drum).
Gaps, Absences
A beautifully recorded and produced cycle of pieces that combine complexity and precision with rich and unfamiliar timbres. The ensemble pieces amplify and enrich a core piano with various combinations of harmonium, double bass, violin, percussion, Hungarian zither, citara bassa, bowed cymbals, alto clarinet, melodica, sampler and field recordings, all sparsely but powerfully deployed. This is a deep and powerful music with both crystalline clarity and cinematic low frequency power. And no fat o…
1