Field of Action / contraposition
Two duos with piano by composer Eric Wubbels: Field of Action, made with Charmaine Lee on voice, microphones and electronics, and contraposition for trombonist Weston Olencki and prepared piano.
Avant-Garde Organ
*2026 stock* The connection between these works is subtle. Nevertheless, there is an incessant search for a new sonic language, breaking an imposed norm of a secular legacy. The organ, an apparatus that is the sum total of wind, pipes and keys, becom…
New Colombian Music for Saxophone Quartet
Three first recordings of works for saxophone quartet by Colombian composers Juan Antonio Cuéllar, Carolina Noguera and Rodolfo Acosta, performed by the Madrid-based Sigma Project in composer-supervised sessions.
Piano Studies
*75 copies limited edition* Piano Studies is a set of pieces recorded on a salvaged piano body at Elektronmusikstudion (EMS) in Stockholm. Using free-floating metal preparations and various mallets, these works use this alternative hammer escapement …
Antología 2 : Obras para la Orquesta Experimental de Instrumentos Nativos
Buh Records presents Anthology 2: Works for the Experimental Orchestra of Native Instruments, a double album that deepens the exploration of the work of Bolivian composer Cergio Prudencio (La Paz, 1955) and his inseparable bond with the Experimental …
z DNA
*2025 stock* "The latest album by innovative Slovak composer, Barbora Tomášková, offers a unique suite of sounds, where boundaries between acoustic traditions and exploratory electronics dissolve. The Slovak composer and performer’s practice revolves…
Star Trail
In Star Trail, José Luis Hurtado sculpts a luminous universe of sound—music that resembles light itself: expanding, reflecting, distorting. Through multilayered “parametric counterpoint,” space triumphs over time, revealing textures that shimmer betw…
Naturstudium III
In Naturstudium III, Luis Tabuenca, together with Les Percussions de Strasbourg, explores the sonic worlds of the Baschet sound sculptures—resonant bodies of metal, glass, and wood that oscillate between instrument and architecture. From their dialog…
Betsy Jolas: Femme le soir
Femme le soir immerses listeners in Betsy Jolas’s world of memory, inquisition, and fleeting radiance, performed by Anssi Karttunen (cello) and Nicolas Hodges (piano). These pieces unravel at the tempo of spoken thought, suspending lyrical lines in u…
Sarah Nemtsov: Tzimtzum
Tzimtzum imagines four sweeping new orchestral canvases from Sarah Nemtsov, weaving Ensemble Nikel’s hybrid-electric force with WDR Sinfonieorchester’s expressive palette under Peter Rundel. Her music traces broken cycles - rupture, echo, and repair …
Brutal Mirrors
Felipe Lara’s music is driven by a visceral sense of presence and process. Beneath its notated clarity lies a deep trust in the performers: a shared language built over years of collaboration, where every sound becomes a negotiation between gesture, …
Chashitsu: Auditory Tea Room
Chashitsu: Auditory Tea Room is the debut album of original compositions by Japanese composer and violinist Midori Komachi. Inspired by the sonic journey of Chashitsu (Japanese Tea Room) and Chado (The Way of Tea), this album showcases Komachi's weav…
Helmut Lachenmann: Mes Adieux
bastille musique presents its twenty-ninth release »Helmut Lachenmann: Mes Adieux« featuring Trio Catch, trio recherche, Karolina Öhman (cello), WDR Sinfonieorchester and Lin Liao (conductor). With Notturno (1966-1968), Allegro sostenuto (1986-1988) …
plays Herzog | Muche | Nillesen
impakt Records presents the new record by T.ON "plays Herzog | Muche | Nillesen" with Constantin Herzog (double bass), Matthias Muche (trombone) and Etienne Nillesen (extended snare drum).
The Musical Railism Of Anne LeBaron
Portrait of harpist-composer Anne LeBaron: two solo pieces for prepared and electric harp, excerpts from her blues-opera The E&O Line to a libretto by Thulani Davis, and two chamber works, one conducted by Leon Fleisher.
Tempi Agitati
Katharina Rosenberger's Tempi Agitati, a vocal work for Neue Vocalsolisten Stuttgart that sets Petrarch's texts alongside madrigals by Willaert and Rore, using extended vocal techniques. Complete Petrarch texts are included.
Makrokosmos
George Crumb's Makrokosmos, Books I and II (1972-73), both complete on one disc, in composer-supervised recordings by pianist Margaret Leng Tan, a leading exponent of extended piano techniques.
On the Edges
Three works for large chamber ensemble by Hamburg-based composer Gerald Eckert, who conducts ensemble reflexion K in music that works on the edges of sound, between near silence and explosion.
Zwei Gefühle and Solo Works
Helmut Lachenmann performs with and supervises Ensemble Signal in Zwei Gefühle, Musik mit Leonardo for speaker and ensemble, and plays three of his own piano works, recorded after a four-concert tour of the programme.