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Compositional /

I I
Nine new pieces with Latin titles by the Swiss accordionist and composer, his first album since the Invada diptych Introspectio and Repertio. Recorded and mixed by Nicola Jannuzzo at Veruston Studios.
Martine Joste, Piano Solo
The complete works for ordinary piano by microtonal pioneer Ivan Wyschnegradsky, mostly unpublished, from the late Étude sur le carré magique sonore back to preludes written in Petrograd in 1916. Played by Martine Joste, who knew him well.
Asiago
New music for cello from the Asiago plateau and its Cimbrian community, by De Marzi, Gárdonyi, Sollima, Schmitt, Dreyer, Ali-Zadeh and Silvestrov, played by Julius and Hyun-Jung Berger with guests; mostly first recordings.
Lifelines
Kirill Zvegintsov plays Heinz Holliger's Albumblätter (first complete recording) and Lifelines, Jürg Wyttenbach's Drei Klavierstücke and Beethoven's Sonata op. 109 with movements elaborated from Beethoven's sketches by Wyttenbach.
Hans Werner Henze Edition: Orchestra
Hans Werner Henze's orchestral works and concertos on four CDs, played by the NDR Sinfonieorchester under Peter Ruzicka, the BBC Symphony Orchestra under Oliver Knussen with Anssi Karttunen, and Daniele Roccato with the Orchestra Sinfonica Abruzzese;…
Hans Werner Henze Edition: Sinfonia
The ten symphonies of Hans Werner Henze (1947-2000), including the choral Ninth after Anna Seghers, played by the Rundfunk-Sinfonieorchester Berlin and Rundfunkchor Berlin under Marek Janowski, recorded 2008-2014; first box of Wergo's Henze centenary…
Out Into the Open
Four works written for Trio Accanto by Beat Furrer, Brice Pauset, Misato Mochizuki and Rebecca Saunders, recorded in 2024 by Marcus Weiss, Nicolas Hodges and Christian Dierstein, a WDR production.
New Orchestral Music from Mexico
Five world premiere recordings of orchestral works by Mexican composers Hilda Paredes, Ana Lara, Andrea Chamizo, Marcela Rodríguez and Georgina Derbez, with the Mexico City Philharmonic Orchestra conducted by Scott Yoo.
Feldman Edition 15: Morton Feldman Plays Feldman
Morton Feldman plays piano in a 1978 Deutschlandfunk concert recorded in Cologne, with flutist Eberhard Blum and percussionist Jan Williams: Why Patterns?, Extensions 3, Intermission 5 and The King of Denmark.
Music for Strings
Three string works written between 2020 and 2023, performed by Ensemble Modern: a nonet locked in seven-eight, a piece that splits sound the way a prism splits light, and a score written in mirror notation. Ikeda's electronic precision, played on bow…
Occam XIII, Occam River XI, Occam V
Three late acoustic works from Éliane Radigue's Occam cycle, written with and performed by bassoonist Dafne Vicente-Sandoval and cellist Charles Curtis: solos and a duo built on minute shifts of tone and resonance.
Lines We Gather
Sarah Saviet [violin] and Joseph Houston [piano] formed their duo in 2019 through a mutual devotion to an intimate, powerful, and transcendental sound language created by the violin and piano. In this album, the Saviet/Houston Duo trace a path throug…
Liturgie
Girolamo De Simone (Naples, 1964)—composer, pianist, music historian, proponent of "new music," and publisher of "new discourses" on music (through the magazine *KonSequenz*, established in 1994)—has recently released the CD *Liturgie*. The live reco…
The Electronic Works
Dutch Oscillation Series (DOS) proudly announces the release of a box set featuring the complete electronic works of Ton de Leeuw (1926–1996). This publication marks the first instalment in a new series that brings the history of Dutch electronic mus…
Yet
“Most times in trauma, there is no exit,” composer Sarah Genevieve Burghart Rice writes in her album introduction. “Yet every once in a while, a door is ajar and we are left to wonder if we really could leave. All the music of Yet revolves around suf…
New Colombian Music for Saxophone Quartet
Three first recordings of works for saxophone quartet by Colombian composers Juan Antonio Cuéllar, Carolina Noguera and Rodolfo Acosta, performed by the Madrid-based Sigma Project in composer-supervised sessions.
Crow on the Dark Side of Gloss
First recordings of two long microtonal works by Kraig Grady, The Molten Wind and Crow on the Dark Side of Gloss, built from individually recorded single notes played by an international group of soloists in Grady's just-intonation tunings.
The Story Of Moondog
Dating back to 1957, The Story Of Moondog followed up the previous year's More Moondog LP, setting its course for adventurous new sounds and homemade percussion meditations.The music is never a slave to any one fixed agenda and much of the material h…
Spaces
'Spaces' is an ode to the joy of live performance. It expresses Frahm’s love for experimentation and answers the call from his fans for a record that truly reflects what they have witnessed during his concerts. Breaking the convention of a traditiona…
Found Songs
In April 2009, Iceland’s neo-classical export Ólafur Arnalds created the 7-song series Found Songs – recording a song a day for 7 days and instantly making each track available via Twitter. With artwork contributions from fans via Flickr, this modern…
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