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2006 release ** "Savage Altars alternates rather abruptly between spooky and harrowing sections of rhythmic choral chanting and drop-dead gorgeous interlocking scalar passages that almost seem to float in suspended bliss. Its structure is somewhat episodic: one section begins and ends, followed by the next section, and so forth, which creates the feel of an unfolding procession or ritual (and does so more effectively in its concise 20 minutes than John Taverner's bloated The Veil Of The Temple d…
1990 release ** Luciano Berio: Ricorrenze Salvatore Sciarrino: Quintettino #2 Luca Francesconi: Attesa Ludovico Einaudi: Ai margini dell' aria Armando Gentilucci: Cile 1973 Giorgio Federico Ghedini: Quintetto #1 "The collection here draws together pieces from the "hard" wing of post-World War II composers. The Arnold Quintet plays all this music with flair, wit, and understanding. Berio is probably the best-known name on the disc, and I enjoyed his Ricorrenze ("Recurrence") more than the other p…
1993 release (RARE) ** "This disc, which brings together recent works with two pieces from 1981, allows for a very interesting journey. It is here with Bernard Noël, a relentless questioner of our language, that these Mémoires d’oubli open. With a philharmonic orchestra at its best, which is not always the case when playing contemporary music, the singer Helen Merrill and Bernard Noël himself bring to life a text that goes from simple phonemes to a beautiful poem on the theme of the face. Instru…
2008 release ** "The composer Jørgen Plaetner (1930-2002) is well known as one of Scandinavia's electronic music pioneers. His electronic works from the 1960s remain among the most original of their kind. However, Plaetner also has a more traditional side and wrote a large number of acoustic works.One of the big chamber works from Plaetner's late period is the trio Episodes and Collisions. It was written in 1996 for LINensemble with its combination of clarinet, cello and piano. Jørgen Plaetner h…
For her new and most radical album "Electroacoustic Works for Halldorophone", Martina Bertoni used the electronic instrument at EMS Stockholm to create four pieces that are massive in scale and incredibly intimate, sonically restrained and emotionally overwhelming—almost ambient and always demanding your full attention.
The relationship between Ludwig van Beethoven’s "op. 132 string quartet" and Luigi Nono’s "Fragmente – Stille, an Diotima" spans 155 years while sharing several conceptual dimensions – among them, their respective composers’ intense idealism in the pursuit of art as a transformational, unifying experience; their utopian visions of political and social justice; and the struggle to translate a profound personal expression into a consequential public reality. - Art Lange
Eduardo Polonio (1941–2024) was one of the foundational figures in the emergence and development of electroacoustic music in Spain. The anthology "Eduardo Polonio: Obra electroacústica 1969–1981" revives his legacy with a selection of essential pieces from his early electroacoustic period. The album includes eight compositions created between 1969 and 1981, spanning from Polonio's early experiments at the Alea Electronic Music Laboratory in Madrid to his later work at the Phonos Laboratory in Ba…
*2025 stock* "Stefan Winter, head of the Winter & Winter boutique label, has a different attitude to popularising classical music. Rather than relying on the familiarity of old favourites, he believes that contemporary classical music is more accessible than its ascetic, atonal reputation suggests, and can find an audience outside its assumed intellectual elite. Hence this compilation of excerpts from the label's catalogue…" - The Independent"Winter & Winter is something of a special case when i…
*2025 stock* This Winter & Winter cd of 'Chorbuch' and 'Les Inventions d' Adolphe Sax', recorded in December 2007, was Mauricio Kagel’s last recording, delayed due to unexpected death in the year 2008. The centrepiece of the album, 'Les Inventions d' Adolphe Sax' was commissioned by the Nederlands Kamerkoor, who invited the acclaimed Raschèr Quartet to participate. As a premiere recording and with Kagel’s artistic participation a masterpiece was created. The Nederlands Kamerkoor and Mauricio Kag…
*2025 stock* “There is freshness, there is (self) irony, there is a desire - and for once let's say it without shame - to have fun with music. [...] Nature triumphs in all its aspects: noises and sounds of birds, pouring rain, thunder, animal cries, alternating on the lines of a fiddle violin.” - Corriere di Bologna
*2025 stock* "In composing a piano trio, I fulfilled a long-fostered desire. This is a genre which, like the string quartet tradition, can slightly intimidate any composer. I too waited patiently but anxiously to make my own contribution. The pre-history of the piece is closely tied to my Music Epic about the devil, La Trahison orale (Oral Betrayal), which I wrote in 1981-83. When conceiving this work, I had already decided to compose character pieces, relatively short numbers with a particular …
*2025 stock* Famous for his examination of unusual and exotic instrumental sounds, here Mauricio Kagel focuses on the most mundane of sound materials. While attending a music trade show, Kagel was taken by the many levels and orbits of sound activity emanating from the various booths and stages. In 'Playback Play' (subtitled 'News from the Music Fair, A Radio Piece') he has arranged a spatially sensitive tableau of crowd noises, sales pitches and fragments of the sort one hears in music store sh…
Returning to Die Schachtel with his forth full-length with the label, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, delivers “Lacinia”, a new, immersive cycle of compositions, delving deeper into the realm of metaphysical, spiritual, and divine meaning, weaving astounding arrangements of sonority from a palette of synths, strings, brass, organ, various electroacoustic instruments, and percussion. Resting at a refined intersection of the acoustic and electr…
In tönendes licht., Klaus Lang imagines the Gothic cathedral as a resonating body shaped by the architectural principles of hierarchy and proportion. Performed by Wolfgang Kogert and the Wiener Symphoniker conducted by Peter Rundel, the work creates a unique interplay between the physical structure of the cathedral and the ephemeral presence of the music, evoking the medieval understanding of light and sound as pathways to the divine. Inspired by the ideals of Gothic art, Lang explores the conce…
Johannes Kalitzke’s opera Captain Nemo’s Library weaves themes of identity, childhood and fantasy into a powerful poetic narrative. Inspired by Jules Verne’s 20,000 Leagues Under the Sea and Per Olov Enquist’s novel, it explores the intertwined fates of two boys in a Swedish village, their imaginary refuge aboard the Nautilus and the trials of their friendship. With a mixture of singing, puppetry and the integration of musical motifs by Bach as well as impressive electronics, Kalitzke creates a …