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2007 release ** "Nad Spiro (Rosa Arruti), fetish artist on the Spanish experimental music scene, is back with her third solo offering. In Tinta Invisible she goes one step further stretching the sonic reach of her guitar and exploring unfrequented audioZones, using what she calls 'sound camouflage', not shy of employing her voice either. With her we discover new magnetizing horizons in the outer peripheries of electronica pulsing with deeply narcotic cadences. Possibly the least obscure of her t…
2009 release ** "The Wondrous Journey Through the Catacombs of Life is the second album of Musterion, following the highly acclaimed debut album The Black Lodge (2005), built upon complex and obscure composition techniques and musical innovation, and it drags the listener on a brilliantly imaginative and frightening journey that combines elements of dark ambient, surrealism, absurdity, Holyism with the help advanced structural and theoretical considerations in terms of the composition.Linking to…
2002 release ** "Andrew Lagowski's dark ambient soundscapes are nothing less than a penetration into the most hidden and sun-drenched aspects of human psycho-geography. Other projects include work for S.E.T.I., Lustmord, and Graeme Revell. "Zodiac" is Lagowski's fourth full-length album as Legion, which owes its name to the infamous "Zodiac Killer" of the 1970s. On five tracks, approximately 53 minutes long, Lagowski celebrates a highly fatal confrontation with himself and the forces of darkness…
'Once for my birthday, my mum offered to buy me vinyl even though she is not used to collecting or searching for records. She said she saw a musician on TV and it reminded her of the music I like. So she searched for Jan Jelinek on the web, found his discography and ordered "Loop-Finding-Jazz-Records" at an independent record shop in Paris, without telling me. I already knew the record and was truly surprised when she brought me to the store to pick it up, like two worlds meeting.' - Aude van Wy…
DOVS are the duo of Vienna’s Johannes Auvinen, aka Tin Man, and Mexico City’s Gabo Barranco, aka AAAA. Psychic Geography is their second album together, but it differs considerably from both their respective solo work and their 2019 debut LP together, Silent Cities: Where that album’s hardware-based acid kept its gaze focused squarely on the dancefloor, Psychic Geography is a strictly ambient affair. The album has its roots in a trio of beatless tracks that peppered Silent Cities; this time, the…
2012 release ** Limited edition of 100 copies. "Venta Protesix hates music. He and his laptop are between the foremost representatives of the global scene of lolicon noise purism, a micro-terrorist genre born on the deepest reaches of last.fm shoutboxes, where mysterious 14-old Japanese schoolgirls praise chemical drug abuse, Konata-worship and black metal. Among his peculiar influences are 山内大輔 Daisuke Yamanouchi’s ero-guro movies, AV idols, hentai and the concept of fan service as an ontologic…
2009 release ** "The works of Antanas Kučinskas collected on the album "Parasite" are based on the method of re-composition, i.e. processing material with a strong historical and stylistic identity using techniques that are completely "alien" to him. I am talking in particular about sampling, loops and scratches, which make up the aesthetics that Kučinskas himself called "parasitic music". I am an omnivorous parasite: my works feed on existing music and develop at its expense until the complete …
2006 release ** "There are a lot of spontaneous and “fortuitous” sounds from casual urban life in that music on the face of it. But it is impossible to be sure that these sounds are on the background of other elements or these sounds serve themselves as a background for something main… There are also some naive and unaffected chords played on acoustic guitar as well as some clinking and iridescent synth waves & gentle drones. Generally speaking, any tunes, any beats. But, on the whole the struct…
2016 release ** "Paul Roland’s obsession with the 1931 film White Zombie, starring Bela Lugosi, a true cult of voodoo cinema, led him in the 90s to write the basis of what should have been the film’s soundtrack, rewritten by Roland. It was mostly instrumental music, with songs and choirs that depicted the slavery of these men reduced by the mad scientist to zombies, automatons to increase the workforce in the factories. A rather current theme, outside of metaphor… Talking about it one evening at…
1996 release ** "In deference to this age of “environmental consciousness”, “Breathing”, says the insert, is “recycled and/or scavenged” pieces that once inhabited another form. The composer is Al Margolis, who appears on electronics, tapes, effects, piano, sampled flute, vocals, wind, cello and strings. He is joined by didjeridu, oboe and organ. The album beds itself in deep wind or breath like sounds, with an electronic, industrial, and dark edge."
2007 release ** "Ben Zeen's music is a combination of an analog modular synthesizer, controlled by Theremin antennas and a ribbon controller, laptops as a source of deconstructed, destroyed, processed loops and samples of various origins and used simultaneously as an effects center for other, external sound sources, prepared instruments and field recordings. The laptops are equipped with numerous controllers - knobs, touch, light."
2016 release ** ""X" as the unknown, "X" as a reference to time. "X" as a definite position between possibility and contingency. The album X by the Swiss band Strøm works with remix as a method, explores the potential of the origin. Or the result's? The work on the concept album started with an improvised piece by Gaudenz Badrutt (analog synthesizer) and Christian Müller (contra bass clarinet and live effects). In a process of intense live sampling by Badrutt and Müller the starting material was…
2008 release ** "Splendid debut of Testing Vault, project of dANi/Alvo, already active as a collaborator in other releases of the Italian industrial undergrowth, and produced by our own Final Muzik. The Laughing Torso makes no secret of its influences, above all the primordial industrial of the 80s in its less aggressive and more meditative expressions, those closest to certain ritual music accompanied by the use of the voice in the form of recitations / spoken word, but also the more shady Coil…
2010 release ** "The Album “Ianurek 5.0 x 100″ represents a metaphysical world made for interact with the listener. Shapes and colors fill the mind, bringing the listener in a condition where the contours are outlined by the various points of union between the tracks. The record born from a subject/form focused in the foreground, characterized by a plasma contortion. This movement becomes the pulsating heart of the tracks, and the concept need to be found between the interaction of the sounds, e…
2006 release ** "'Stage' is Steinbrüchel’s second full-length solo release on Line. The album contains 10 scenes that move between warm organic and melodic digitalised sounds and cold crystalline-like sparks. The sounds and compositions are even more detailed and have a more melodic approach then previous recordings by Steinbrüchel. Single isolated and stretched tones are structured together with smaller loops and particles of clicks and noises into dense atmospheres. Parts of the sounds used in…
Soave present an official reissue of Scorie, Tiziano Popoli and Marco Dalpane's minimal wonder from 1985. Long coveted and hunted by collectors, Scorie falls among the strange and definition resistant artifacts of Italy's remarkable avant-garde music scene of the '70s and '80s. An emblem of sonic diversity rendered through electronic sound, distilling a daunting number of traditions and ideas, while sculpting its own world of creative singularity, standing apart from the rest. While a great many…
Limited clear vinyl, edition of 100. The alchemist Bebo Baldan, accompanied by Steve James on violin and sarod (as well as on instruments of various geographical extractions) mixes, in a personal way, sounds from a bevy of different cultures – from Mediterranean and Indian, to South American – with synths, samples, and loops. The result is a boundless music that carries us, riding soft waves and bobbing between Balearic ambient, jazz and electronic, on islands that have been quietly, yet careful…
On ‘Cordial’, Ursula Sereghy traces the sensation of home; not as a place, but as something fleeting and deeply felt. Comfort appears in glimpses, nestled between moments of dissonance and unraveling structure. There is joy, but it carries the weight of absence, the quiet grief of realizing what was missing all along. A laughter that is both liberating and bittersweet.
Sereghy’s music moves with no fixed center, shedding hierarchies and opening itself to the unknown. Sounds unravel and reform: f…