Electronic / Contemporary Classical

Tip! This compilation offers a first overview of the early works of electronic and tape music created by Peruvians between 1964 and 1984. This period marks a technical and aesthetic evolution that allows us to understand the development of electronic music in the Peruvian context, from an initially internationalist model to a more situaded one. The first phase occurs in the 1960s, when many composers migrated outside Peru in search of advanced training and access to knowledge and infrastructure …

*300 copies limited edition* Yamila presents her second album on Umor Rex, Noor. Following Visions, Yamila returns with a work that merges nature-experience listening with expansive musicality. Noor was born from her time in an ecologist community, where she sought refuge in stillness, learned from animals, and tried to forget the human. In this communion with nature, she discovered a new compositional approach: reducing acoustic noise to allow unheard voices to emerge, transforming music into a…

Tip! ‘Kyo Mu’ and ‘Hochtöner’ both reveal a mesmerizing symbiosis of innovative sound exploration and visionary interior music, a sublime compound of fine-drawn intricate arrangements skillfully projected in space and time, or perhaps beyond space and time. Johannes Fritsch (1941–2010) was an award-winning composer, musician, publisher, studio owner, author and music teacher. He studied viola and composition with Bernd Alois Zimmermann and was member of the Stockhausen Ensemble from 1964 to 1970…

Big Tip! Sukegawa's environmental music was heard by thousands of people, none of whom were listening. For more than a decade from the late 1980s he wrote music that played in the offices and research buildings of a large Japanese construction firm, composed by calculating backward from the response of the ceiling speakers it would emerge from, tested against questionnaires filled in by three thousand employees. It was never released, never performed in concert, never reviewed. It filled a space…

Twenty-five years on, Warp returns Aphex Twin's Drukqs to physical formats. Thirty tracks across a hundred minutes: prepared piano miniatures, drill'n'bass with the brakes cut, musique concrète, a voicemail from his parents. The last gap in the vinyl discography, closed.

On Bivabippabualukka, Sofie Birch turns a spiritually transformative period with her brother Alfred into a bossa‑tinted pocket of joy: playful, childlike songs where intuition, myth and healing spill out like fish from a cup of dreams.

2024 Repress. If experimental minimalistic dance music as we know it today had existed during the lifetime of Arnold Schönberg and Paul Hindemith, it might have sounded much like this present album. Something fascinating and possibly well known, is that Kompakt label founder Wolfgang Voigt has a fondness for historical music like this. Freiland-Klaviermusik stays true to this idea, maintaining its focus on music composed for the piano, but composed with a very different approach. It's once again…

*2026 stock* For this album I have assembled a collection of contrasting works from the archives. Some have previously been released, others not. Three pieces: Sculptor, Touche pas, and Bubble chamber are based on the microsound techniques of granular synthesis and micro-montage. By contrast, Modulude, Clang-tint, and Still life were conceived before my microsound period. For any given piece, my compositional practice usually takes years. For example, Modulude was initially conceived in 1998 and…

*2026 stock* "Alone" is the third longplayer from Italian sound artist Simone Giudice, following his 2021 album "Materia" released on the Spanish Semantica label. The album brings together seven parts that impress with compositional diversity and confidence, merging into a complete work. With sensitivity, melodic arcs of tension are brought together with partly classical instruments such as the piano, a dramaturgical performance that knows exactly when to press which emotional button to involve …

The details of Shikisokuzekuu-Kuusokuzeshiki (1964) are unknown except that it was created at the NHK electronic music studio. According to Toshi Ichiyanagi, there were various discussions about the title, but it would seem to have been eventually broadcasted on the radio with the title Kuu after a producer renamed it. Here, the original title is used, following Ichiyanagi's initial intention. This work has no relation to the short experimental film Shikisokuzekuu (1974), produced by filmmaker T…

Subtitled: Primordial Vibration / Sound ceremonial with a contemplative character. Composed in 1983-1986. Sound ceremonial with a contemplative character for two voices of Japanese Buddhist monks (traditional Shômyô techniques - traditional temple chanting - in a larger, modern and creative form), three Japanese Gagaku instrumentalists (traditional court music in a modern and creative form), one percussionist (with a percussion instrument orchestra) and electro-acoustic (fixed interactive sounds…

"Scattered notes seem to stretch time, their repetition and countless combinations evoking (or invoking?) the infinite iridescence of light that accompanies dawn—a ritual as inevitable as it is unpredictable. With his Musique pour le lever du jour, composed over two years and completed in 2017, Melaine Dalibert once described his aim as creating "an infinite piece," without beginning or end. Subtle, intangible, both complex and minimal, the variations forming this hour-long composition—dedicated…

CD version. Like many of my generation, grew up in an age where the Internet did not exist and there were few sources of information, especially those inherent to the new music, I discovered Lino through his participation in one of the most daring musical pro- jects, the magnificents Aktuala, new band that released three great albums in the early ‘70s, full of innate grace, where Walter Maioli, Lino Vaccina and their cronies tended mystical and astral plots about warps of music and sounds extrac…

Japanese film-maker, pianist and composer Norio brings arresting folkloristic imagery to sonic life, for London imprint Swims. Featuring vocalist Satomimagae (RVNG Intl.). "About 'The monster which makes dawn': I create documentary films. Traveling across Japan and beyond, I immerse myself in the everyday lives of different places, weaving the fragments I gather into a single story back in my hometown. When I visit these places, I often find a gap between what I imagined and what truly exists. D…

A landmark archival release documenting Jean-Claude Éloy’s radical 20th-century innovations. This collection brings together three seminal works showcasing the French composer’s dual mastery of concert hall abstraction, cinematic narrative and GRM-era experimentation.

*2024 stock* "Two brothers, Roger Eno and Brian Eno, released their first collaboration in more than a few decades. Released in March of 2020,, the brothers reunited for a full-length album called Mixing Colours. (For those unaware that Brian Eno has a creative brother out there, well, he does. In 1985, Roger Eno released a brilliant set of piano treatments called Voices.) It’s easy to think that the released album wasn’t all of the music they worked on. Deutsche Grammophon's release is called L…

Invictam represents Olivia Font’s solo debut, an album co-produced with producer and composer Pedro Vian, set to be released in early 2025 under his label, Modern Obscure Music. This work explores themes of resilience and adaptation after loss, developing these ideas through a sonic journey that blends strings, analog synthesizers, electronics, and experimental percussion. The narrative is guided by a female voice, which, although not the central element, appears intermittently throughout the al…

Big Tip! After four tape editions on Seil Records, Sofie Birch's 2019 debut record "Planetes" is finally available on vinyl featuring new artwork and a beautiful analog remastering. Sofie creates dream-like, elegant ambient music with an emphasis on exploration and wonder. Her distinctive organic and melodic sound is shaped by improvising with analog synthesizers, acoustic instruments, and field recordings. Repetitiveness is clinically avoided with harmonic progressions that resolve all tension …

2024 Repress.Originally the B-side to Rückverzauberung 2, "Du Musst Nichts Sagen" marched towards a dark fortress, following a point-blank trail and inspired by the mute grit of the many. The remixes present three distinct alternatives, starting with the "Fanfaren Mix" that cranks up the amount of fanfare, the "Informel Mix," created as the soundtrack for an experimental video (http://youtu.be/49_-S5nWdMI) and the "Doppelvoigt Mix" which takes an interview given by Wolfgang Voigt and translates …

"It’s a pleasure to bring together, on this album, musicians with whom we feel a very special connection, namely Felicia Atkinson, Büşra Kayıkçı, Carmen Villain, Kuniyuki Takahashi, Pavel Milyakov, KMRU, Ana Quiroga, Abul Mogard and Pedro Vian. All of them have been very generous in their willingness to participate in an artistic experiment: to build bridges between architecture and music. Each of these artists chose a space and translated it into a piece of music, and the result is a sonic kale…

I've heard rumo(u)r of the Creel Pone "shortlist"; i.e. the member-curated selection of "candidates" for the Creel Pone treatment, each title nominated then judged according to strict set of attributes found running throughout the series (intangible qualities, mind you, such as "zonked" - "private-universe / bedroom" - "against-grain" - "aleatoric" - etc ...) Up high on said list all along has been this gem; Michael Sahl's first release, "Tropes on the Salve Regina." This one fits in so perfectl…

Opt for the path less trodden — allow yourself to stray from it, even — and you might find, buried in the bracken, deep in the trees, a shining modernist monolith. Liquid as a mirror, glinting in the leaf-broken sun, it lies in wait off the beaten tracks of North Yorkshire, South Wales, or the A508 out of Milton Keynes. Or perhaps it is all of these places simultaneously and none of them: an amalgam of the wayside walks of the British Isles, accessed only by the maps of the mind. Heeding the cal…

180 gram LP version. The third studio album by Hans-Joachim Roedelius, originally released by Sky Records in 1981, fulfilled a dream he had long cherished. A series of chamber music pieces, with grand piano solos taking center stage in some places, archaised percussion patterns in others. Lustwandel represents a logical progression, following on from Jardin Au Fou (re-released on Bureau B in 2009). Both albums were recorded at Paragon Studios in 1979 and produced by Peter Baumann (Tangerine Drea…

The art of listening is something not only an attentive audience will acknowledge as a high value in music. It’s also the basis of an engaging collaboration and plays a key role in every duo’s encounter. While Henning Berg and Christoph Schmiedt already stand out in operating their respective instruments, their new record also shows that they master in paying attention and responding to one another’s approach simultaneously. As a result we’re treated with a charmingly spontaneous expression of m…

Tip! Languoria is a collaboration between Denmark's Sofie Birch and Poland's Antonina Nowacka. While Birch describes herself as an ambient musician, Nowacka''s primary instrument is her own voice; they share in common a facility for creating complex, layered work. Polish label Mondoj has teamed up with Unsound Festival, who initially brought this project to life for their 2021 Warsaw edition. After another show in Cracow later that year, the two have met in Copenhagen to record a series of compo…

Remastered double LP with 12 page booklet including liner notes by Tim Lawrence, Ernie Brooks and Arthur Russell. All material previously released on the Audika CD compilation First Thought Best Thought (2006). Before disco, and before the transcendent echoes, Arthur Russell wanted to be a composer. His journey began in 1972, leaving home in Oskaloosa, Iowa. Heading west to Northern California, Arthur studied Indian classical composition at the Ali Akbar Khan College of Music followed by western…

*In process of stocking. 2022 stock* Following their recent solo releases Soniscope (Dauw) and Cells #5 (Important Records), Berlin-based multi-instrumentalist Midori Hirano and Tokyo based string experimentalist Atsuko Hatano have teamed up for their first collaborative full-length: Water Ladder. An intense, multilayered continuation of earlier collaborations (Atsuko was featured on Midori’s debut LP back in 2006), the foundation for this new collaborative album was laid when they shared stages…

"Textures & Lines" started as an invitation by Portuguese ensemble Drumming GP to work with the duo Joana Gama & Luís Fernandes. Joana's piano and Luís's electronics find new territories in a mix of subtle and raw use of percussions. In four pieces they defy the limits of classical contemporary music and create a landscape that evolves in each listening.Joana Gama - Piano, PercussionJoão Dias - PercussionJoão Miguel Braga Simões - PercussionLuis Fernandes - Electronics, PercussionMiquel Bernat -…

Swedish composer Magnus Granberg (Skogen) places baroque instruments alongside prepared piano, objects and electronics in an exquisite 60-minute piece performed with an excellent set of performers including Cyril Bondi, d'incise, Eric Ruffing, Christoph Schiller, &c.

**2021 stock** With Materiali Sonori Arturo Stalteri released the CD “Syriarise," a work combining two different artistic approaches: an electronic suite with minimalist and ethnic influences and a section dedicated to the piano. This was the first in a long series of projects with the Tuscan record label, which considers Stalteri as one of its most representative artists.

We are thrilled to announce an exclusive pre-order campaign for two astounding LPs of previously unreleased archival material from the Italian experimental ensemble Alter Ego, paired with electronic legends Matmos and Pan Sonic, issued in strictly limited editions of 350 copies each by Die Schachtel on black vinyl.

We are thrilled to announce an exclusive pre-order campaign for two astounding LPs of previously unreleased archival material from the Italian experimental ensemble Alter Ego, paired with electronic legends Pan Sonic and Matmos, issued in strictly limited editions of 350 copies each by Die Schachtel on black vinyl.

Just in, look beautiful! Two astounding LPs of previously unreleased archival material from the Italian experimental ensemble Alter Ego, paired with electronic legends Pan Sonic and Matmos, issued in strictly limited editions of 350 copies each by Die Schachtel on black vinyl.

Crijns's first album for the label, in which he coins the term 'N-bient': ambient understood as the meeting point of nature (here, water) and acoustic instrumental writing (passages by classical ensembles). Several classes of material collide and combine - mechanical sound-fields, natural ambient, electronic textures, ensemble passages - folded into surreal, layered textures. An electro-acoustic music whose abstract elements pull the listener inward while the surface holds quiet.

‘Whispers’ was co-produced by Bob Gilmore, who sadly died before the disc was released. The CD is dedicated to Bob’s memory. Bob was a longstanding champion of Frank Denyer’s music, and wrote the notes both for this CD and for the previous Another Timbre release of Denyer’s Music for Shakuhachi.Here is an excerpt from Bob’s sleevenotes for the ‘Whispers’ CD:“The experience of listening to Frank Denyer’s music is extraordinary, quite distinct from other aspects of our contemporary musical lives. …

DOUBLE CD EDITION: For the second time in 20 years Charlemagne Palestine and Z'ev performed together, and this was the first time they recorded it. Part of the Sub Rosa/Laboratoire Central sessions, this is unreleased material from Charlemagne's lair -- a place now called "Charleworld," where both fellows spent three days in June 2010. "I first started to play the bells while at a high school for music and art in the '60s at St. Thomas Church across the street from the Museum of Modern Art…