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"Unseen Descending And Lamentations shows the naked, minimal approach of Dirk Serries, alone on a chair with his guitar and a huge array of effect pedals. I've witnessed this set-up many times and each time it has the same enchanting atmosphere. This album, containing two lengthy parts, is more of the same goodness. This is music to enjoy with your eyes closed, in a very comfortable position. Just let your mind wonder off, along with the drones and soundscapes. Somewhere along the line you wi…
“Epitaph is the swansong of music I like to name my vintage ambient. For more than 30 years I’ve been trying to seek perfection, from synthesizers to electric guitars, a bumpy ride for sure with lots of doubts, frustrations, extreme self-criticism and a few highs and lows but the call kept on strong. This is what I breathe, this is the heart of who I am. But that momentum has arrived to depart from this, not that I’ll abandon my ambient music completely and forever. I do see this expanding as an…
"The final instalment in Dirk Serries‘ long-running series of releases, Resolution Heart sets a fittingly uplifting mood for the end of a process that started with the first Microphonics CD in 2008. Presented on heavyweight vinyl (with a limited boxed art edition available too), the LP bids farewell to Serries’ eight-year exploration of the dynamics of tone, texture and timbre, the music delivered with a distinctly different atmosphere than when in his alternate drone guise of Fear Falls Burning…
**200 copies limited edition** "Stopping to pull one’s pockets inside out and dusting them. The residue sparkles in the wind. It takes this to enter the next room. And then continuing to spin blue light and petals into yarn."- Olli Aarni
** 2021 stock ** This Vidna Obmana work is a surprising return to textural composition, particularly since intervening collaborations with Djen Ajakan Shean and Steve Roach have revealed the more restless side of Dirk Serries compositional persona. Still, an overarching focus on melody and dynamics distinguishes Appearance from earlier program works such as the Trilogy, combining mood with movement in far more obviously "musical" ways. Slow strings and piano, and gentle and sparse repeating line…
Tip! ** 2021 stock ** Vidna Obmana (née Dirk Serries) recorded Revealed By Composed Nature in 1989 and 1990. It was his first vinyl album, intended as a sequel to his cassette releases. However, the pressing was of such poor quality that much of the emotional intent was lost. Serries digitally remastered the album and presents it here on CD. He also restored the original depth of emotions. Through a unique process, Serries creates synchronized loops through the internal sequences of the instrume…
** 2021 stock ** "A collaboration with yet another guitarist, The Shape of Solitude takes Vidna Obmana's music nearer the realm of the Avant-Garde. This collaboration with guitarist Serge Devadder demonstrates Vidna Obmana's willingness to lead the audience, not persue them; fans of his gentle soundscapes or tribal grooves will find themselves challenged by this CD. The source for all the pieces was the guitar. Devadder's already contorted riffs were bent even further by Vidna Obmana's studio wi…
Tip! ** 2021 stock ** Vidna Obmana (whose real name is Dirk Serries) evokes the sunless wet gloom of his native Belgium in this CD which, as its name says, is music composed by Obmana as background sound for an aquarium installation. It has seven sections of his atmospheric (or rather, aquatic) ambience, dating from '92 and '93. Obmana stays with his familiar repertoire of long, floating electronic drone tones over percussion and sound effects. When he uses tonality, he favors somber open eleven…
An abandoned silence. Dreams of drifting, living a fatefull solitude. Wrapped around a grey and foaming voice, reaping impulse and mass like forgotten beats. Lost to countless days and nights, rocks and soil, sand and stars, in the sadness of being standing apart.
Remember the rising flame from time long ago, a sound thqat shook deeply from the bottim of a boiling ocean. On e voice of Mother Magma, formless lava fashioned a primeval landscape. Ash, smoke and seething seas, a red-hot avalanche ca…
"David Jackman’s music, both as Organum and under his given name, is typically characterized by repetition, brevity and a deadpan aloofness. He’s made plenty of extremely short (sometimes one-sided) 7” singles, albums containing multiple slight variations on a single piece, and albums of compositional (if not sonic) minimalism. It’s Jackman’s typical move to provide very little information beyond a word, or sometimes an image. Lately, he’s been predisposed to not even providing an image; just as…
Latest missive from the recent wave of D.Jackman releases. This one is sure to please fans of early Organum releases with it’s rolling churning drone industrial electronics. Again, music made by Jackman, in a world conceived by Jackman, sounding exactly like a part of this immense Jackman language. A new staggering piece to this immense ongoing project. A constant flow of wavesCold, light and flourescentCrystallise empty feelingsThe howling echoes of a foxSomewhere in a vast open plainAn asteroi…
In the birth of the universeTime stands still amidst a wild and untamable energyRadiant light bathes and purifies solid stone pillarsBoth ancient and modernWild vibrations touch our most innermost core and perceptionOrganum Electronics exists in the clear moment of the presentBut its mysterious compositions lay hidden in a timeless pastModulating oscillations mirror our most fundamental sense of beingAs though a living and breathing entity would Communicating with a life-force and language we ha…
Raven is the first new Organum album release since that of Sorrow in 2010 (Siren Records) and was recorded in 2017.For the realisation of Raven, Organum was comprised of David Jackman, Alan Jones, and Daisuke Suzuki.The first Organum 12-inch release 'Tower of Silence' (LAYLAH-1985) was a work of multi-layered bowed sound and scraping metallic objects, but there was an innate silence within this wall of noise - as Basho’s Haiku poem echos :“Deep silence, the shrill of cicadas, seeps into rocks.” …
Steven Severin is one of the founding members and bass guitarist of UK’s influential and seminal, Bromley Contingent, punk group Siouxsie and the Banshees. His solo work as Codex Astra is a project exclusive to Erototox Decodings and Wand of Flame is the fourth in a set of four series EP’s. Each EP in this series is inspired by quotes from Magician, writer extraordinaire, the inimitable Aleister Crowley.
Steven Severin is one of the founding members and bass guitarist of UK’s influential and seminal, Bromley Contingent, punk group Siouxsie and the Banshees. His solo work as Codex Astra is a project exclusive to Erototox Decodings and Idols of Glass is the third in a set of four series EP’s. Each EP in this series is inspired by quotes from Magician, writer extraordinaire, the inimitable Aleister Crowley.
Steven Severin is one of the founding members and bass guitarist of UK’s influential and seminal, Bromley Contingent, punk group Siouxsie and the Banshees. His solo work as Codex Astra is a project exclusive to Erototox Decodings and Hours of Gold is the second in a set of four series EP’s. Each EP in this series is inspired by quotes from Magician, writer extraordinaire, the inimitable Aleister Crowley.
Steven Severin is one of the founding members and bass guitarist of UK’s influential and seminal, Bromley Contingent, punk group Siouxsie and the Banshees. His solo work as Codex Astra is a project exclusive to Erototox Decodings and Circles of Silver is the first in a set of four series EP’s. Each EP in this series is inspired by quotes from Magician, writer extraordinaire, the inimitable Aleister Crowley.
Schneider TM & Jochen Arbeit of Einstürzende Neubauten release an album of ‘urban cosmic freeform music’ on the US label Erototox Decodings in cooperation with MWM featuring musical contributions by Julia Kent (cello), Lucio Capece (bass clarinet) & Claas Großzeit (cymbal). The album, which almost became a lost treasure, was already recorded in winter 2011/12 and stretches out it’s harmonic dissonances between heavy drones, strange noises, industrial-like metal percussion, feedback-ish flutes, …
"The Wind In Kirtipur is a piece in two parts using normal and treated location recordings, pitched Tibetan thigh bone horn and singing bowls. Recordings were made at the Bagh Bhairab Temple in Kirtipur, at the Swayambhunath Stupa in Kathmandu and inside the walls of the Kumari Ghar where the 'Kumari Devi' (Living Goddess) lives in Kathmandu, Nepal. The title is inspired by a text written by poet Ira Cohen as a foreword to a book of early texts/poems by Angus MacLise entitled 'The Map of Dusk': …