Zoo
Four radio works by Dan Lander from 1988 to 1992, three cut with a razor blade on 1/4" tape: a dismantling of radio conventions with Gregory Whitehead, a portrait of his back injury through friends' memories, and a Toronto zoo heard as machine.
Autour
Four soundscape compositions by Claude Schryer from 1995 to 1997, arranged as the four cardinal points of North America: Québec City, Mexico, Vancouver and a Montréal harbour symphony of boat horns, trains and bells joined by Jean Derome and Tom Wals…
Fractures
Four acousmatic works by Christian Bouchard from 1997 to 2003: crowds, parades and a friend caught in a blind spot in Angle mort, three soundscape miniatures, and the two Parcelles, sounds of the world recorded and asked to pose.
Sitting on Theories on the Frontier on Extension
2003 release ** Cardboard sleeve, each copy with a unique hammer imprint. "Akin to Erik Satie’s advice to the performer of his Vexations to prepare oneself with some “serious immobilities”, Cal Crawford here examines the impossibilities of holding st…
Éclats
Pierre-Luc Lecours's Éclats (2014-20), four pieces each tied to a colour, where recordings of piano, cello, flute and percussion meet modular synthesis and noise, plus Impacts discrets, built partly from snow and ice on the roofs of Old Québec.
Assemblance(s)
Eight acousmatic works by James Andean from 2010 to 2018, mostly made in Helsinki: sounds from Luc Ferrari's archives, Maria Callas as Medea, a refrigerator in a Greek monastery, the inside of a piano and a garbled recording of John Cage.
Voyages
Two large multichannel works by Jonty Harrison from 2014 and 2015, built on 25 years of field recordings from train stations, glaciers, rainforests and markets, here in stereo Ambisonic UHJ encodings made by Joseph Anderson in Seattle.
Lépidoptères
Lepidoptera, a five-movement work for recorders and electronics by Monty Adkins and Terri Hron from 2014-15, named after families of butterflies, moths and dragonflies, with every electronic sound drawn from a Renaissance-style recorder consort playe…
Kasi Naigo
2001 release ** "A sound study of Ingmar Bergman’s Tystnaden (The Silence) and the silence of the Other… the object itself is a compression of an impossible space through the trituration of a gesture-the infinite as a question… A singular blast of ai…
L’Envol
Six acousmatic works by Elizabeth Anderson from 1994 to 2014, mostly octophonic, from the voices of eighteen languages recorded for the Nazi fortress of Mimoyecques to sonified solar winds and a tesseract taken from A Wrinkle in Time.
Fenêtres Intérieures
Eight works by Roxanne Turcotte from 2009 to 2014, fixed media alone or with melodicas, narrator, guitars, shakuhachi and piano, from a bird and animal bestiary to field recordings of the 2012 Maple Spring protests in Montréal.
Allusions Sonores
Five multichannel works by David Berezan from 2008 to 2011, each rooted in a place or a single sound: sea buoys, a Balinese thumb piano, the Alberta Badlands, the Galungan festival in Ubud and the nightingale floors of Nijō Castle.
Topographies
Five acousmatic works by Martin Bédard from 2004 to 2012 rooted in places, from the cells of Québec City’s old jail and the city’s archaeological digs to trains, a night watchman’s rounds and the 1907 collapse of the Québec Bridge.
Lieux Imaginaires
Six acousmatic works by Steven Naylor from 2000 to 2006 built around imagined places: Walkman recordings from Chiang Mai and urban Japan, mechanical toys, Kunekune pigs and a 27-minute radiophonic piece on homelessness in Halifax. DVD-Audio.
Volt
Alain Thibault's 1985-1990 music for soloists against computer-controlled tape, drawing on studio pop, rock and jazz: a MIDI piano concerto for Jacques Drouin, a piece for soprano Pauline Vaillancourt, excerpts from his video opera OUT and ELVIS for …
Formes Audibles
Six acousmatic works from 2007 to 2011 by the English composer Manuella Blackburn, built from kitchen utensils, switches and an old TV, a cajón, electric guitar, Japanese instruments recorded in Tokyo and sounds from Denis Smalley’s Wind Chimes.
Palimpsestes
Five acousmatic works by Robert Normandeau from 2005 to 2011, from the onomatopoeia piece Palimpseste to the 38-channel Anadliad for Welsh pibgorn and bagpipe and the reversible Palindrome, recorded with the organ and bells of Bourges cathedral.
Intérieurs Harmoniques
Six works by the New York composer Elizabeth Hoffman from 2001 to 2011, obsessed with harmonic design and unnatural resonance, built from percussion recorded by TimeTable Percussion, close-miked water, birdcalls, two violins and insects heard just af…
Scènes
Six works by Pete Stollery from 2004 to 2007: radio sports commentaries, a homage to Delia Derbyshire, three pieces mapping the sounds of rural Aberdeenshire, and a sound walk along the route of Claude Lelouch’s film C’était un rendez-vous.
Automacité
Christian Bouchard’s works from 2006 to 2010 between acousmatics, glitch and soundscape: the Impasto triptych after the frenzied painting of Pollock, Riopelle and Shiraga, the MIDI-driven Parcelles 21 and a requiem for Montréal’s mechanical parking m…