Continuum I
Continuum was a collaboration between Steven Wilson and Dirk Serries (VidnaObmana, Fear Falls Burning) that resulted in two releases, Continuum I (2005) and Continuum II (2007), originally issued by US label Soleilmoon in limited editions that sold out almost instantly. The project was motivated by their immense passion for a wide-range of musical styles, ranging from spacious ambience to pounding doom metal. On 10th June 2016 both albums of their collaborative ambient and drone music project b…
Archives Of Performa
*Limited edition of 100 copies.* Recorded in a place of contemporary art on June 15th, 2019 (les drapiers Liège, Belgium). Pierre Gerard's project, thanks to Pierre and Antonin for agreeing.
Les Mystères Des Voix Vulgaires
*Original Divergo LP edition* As we’re becoming steadily aware, Gigi Masin and his mates made some truly beautiful music in the late ‘80s which is only just properly coming to light in recent years. Blessed with an almost ineffable air of sophistication and a sort of Venetian play-of-light, their music had existed quietly on the fringes, minding its own business until Music From Memory illuminated their work with 2014’s gorgeous Talk To The Sea compilation, and we were subsequently smitten with…
Pratical Concert 1976-78
GAP is an improvisation group which was founded by Kiyohiko Sano, Masaru Soga and Masami Tada in the Mid 1970’s. Gap had only one album on the famous ALM records, and from the early time, they played oscillators and synthesizers, adding to simple self-made instruments, and made a free improvisational performance which is comparable to Taj-Mahal Travellers. Especially for Tada who was under tutelage of Takehisa Kosugi, GAP was a missing-link which lead him from East Bionic Symphonia to Marginal C…
Omen
Ah, CP #200; never in 12 years did I think we'd make it this far. Those of you keeping count will realize that, despite the catalogue number this is actually the 181st title in the series; that said we're definitely winding down & what a great run it's been. This, in many ways, is the perfect title to ring in this momentous occasion; arguably the longest in the Creel Pone "Queue" (mainly as virtually the entire cabal, upon discovery, scratched their collective heads, rooted around for close to…
Luv / Kopfuberwelle
Luv / Kopfüberwelle unfolds in two halves, each radiating the signature sensitivity of Sabine Vogel. “luv,” a nearly thirty-minute solo piece, sits at the intersection of field recording, flute improvisation, and subtle electronic manipulation. Vogel’s work with the Landscape Quartet shapes her approach, drawing not just on musical material but on a careful listening to site - birdsong, wind, water, and distant activity form a natural acoustic tapestry into which the flute dissolves and emerges.…
What's That For, Mate?
* Hand-numbered edition of 100 in recycled cardstock sleeve with envelope. * Recorded in March 2010, What's that for, mate? Is one of the first recordings the duo (Jack Harris & Samuel Rodgers) made together. At this time the two worked with a combination of no-input and acoustic feedback, digital processing and phonography. This recording sees a discourse resulting from the amalgamation of and conflict between the analogue and the digital, the gestural and the static, and multiple recorded spac…
The car boot sales
A recent collaboration between these sound experimentalists consisting of both musicians’ passionate relation to found objects and recycled material treated as instruments. Devoted solo performers of free improvised music, also members of the London Improvisers Orchestra, Tasos Stamou (modified electronics, prepared zither, found violin) & Adam Bohman (amplified objects, prepared balalaika and prepared violin) create layers of “instant” musique concrète which balances between narrative structure…
Live at WKCR
2010 release ** Cardboard sleeve. Improvised performance of Tomomi Adachi and Jennifer Walsche, recorded live at WKCR radio broadcast in New York, April 24, 2010. Tomomi Adachi is a performer/composer, sound poet, instrument builder and installation artist. Jennifer Walshe is a composer of contemporary music and a talented vocalist. Their duo, vivid and extrovert but unexpectedly atmospheric, consists of both artists’ live performing abilities into extended vocal techniques, blending with Adachi…
L'oiseau
"A beautiful solo album by experimental electronician/multiinstrumentalist Jean-Marc Foussat. The album is clearly dedicated to his son Victor Foussat, a young poet and painter who died this year. One of his paintings his reproduced on the inner sleeve, and Jean-Marc recites a poem of his in-between the two 20-minute tracks that make up the album. I rarely cross paths with Foussat’s music, but each opportunity is a delight. The two pieces here are powerful amalgams of synths and objects. Foussat…
Mole
2010 release ** "The Low Frequency Orchestra is a small ensemble of 'paetzold' recorders, electronic devices, voice, double bass and drums and they team up here with one Wolfgang Mitterer who plays organ. The starting point of this CD is a live recording which has been 'repeatedly revised, de- and re-composed'. Taking into account this and the fact that this is a small ensemble, I was reminded of Mnemonists and Biota, who used similar group playing and extensive studio techniques to define thei…
Granular Modality
In many respects Earl Howard’s (b. 1951) music is an anomaly that resists categorization and the seductiveness of genre. He is an important force in improvised music and yet his work employs complex structures and rigorous transitions of sound and texture. His electro-acoustic music is realized with a K-2600 Kurzweil that for Howard is not merely a keyboard synthesizer but an open system, a computer with a most effective interface with modules and a key map that enable more freedom in the compos…
Paper Fault Line
James Rushford and Joe Talia are two of the most exciting musicians active in the Australian experimental scene, engaged in major collaborative projects with figures such as Jon Rose and Oren Ambarchi. On Paper Fault Line, they use strategies from contemporary composition, improvisation and electro-acoustics to create a sensuous and approachable, yet subtly disturbing, 30-minute suite. Eschewing the homogenized sound palette and dynamic conventions of post-GRM musique concrete, the record is str…
Phi
First meeting of experimental musicians Keith Rowe & Radu Malfatti in a 3 disc set: one disc of compositions by Jurg Frey and Cornelius Cardew; one disc of their own compositions; and one disc of improvisation. Keith Rowe and Radu Malfatti are two of the most influential experimental musicians in recent decades, each with extensive bodies of highly distinctive work and a combined 80+ years at the forefront of their respective areas of exploration. On Φ, their first meeting ever is documented via…
Wunderkammern
David Toop laptop, steel guitar, flutes, percussive devices. Rhodri Davies harp, ebows, electronics, preparations. Lee Patterson amplified devices, field recordings. Recorded by Dave Hunt at Dave Hunt Studio, London, 24 July 2006. Magnificent, tight studio recordings from 2006 by a trio of UK improvisers of different generations, coming together to create a rich and strange soundworld of whispered, scraped and quietly haunting reverberations.
Crepuscular Rays
Norwegian guitarist Håvard Volden (12-string guitar, objects) and Japanese master Toshimaru Nakamura (no-input mixing board) recorded these two pieces in Norway in 2008, creating what one Norwegian reviewer calls "a timbre based album with some auditory surprises." The music is "slow and quiet, with contrasting elements. A cutting tone, a crackling flicker, or a deep bass tone gives the progress colour. It is exciting to listen to an expression that moves with this much unpredictability."
Norman…
Lalienation
2010 release ** "Sabine Ercklentz plays trumpet and electronics and Andrea Neumann plays inside piano and mixing desk. Especially music by the latter we came across in the field of improvisation, and this disc is surely another fine work in that direction. But its also an expansion of their territory. Somewhere in the second piece, the title piece there is all of a sudden a rhythm coming in, which must be like heresy in the world of improvisation. The whole work is pretty vibrant with the trumpe…
Timelines Los Angeles
'Computer (Laptop), guitar: Mark Trayle. Percussion, Synthesizer (Analog), Composed By (Graphical Score) : Jason Kahn. Piano (Prepared): Olivia Block. Saxophone (Alto, Sopranino), electronics (Live-electronics): Ulrich Krieger. Recorded by Clay Chaplin April 25, 2008 in Los Angeles at the Cal Arts Center for Experiments in Art, Information and Technology Festival.'
El obsceno pajaro de la noche
2009 release ** Limited edition of 50 copies. "This Aspec(t) album is very noisy and rather edgy, Gabola's sax often sounds very saturated, there are no concessions to melody even by mistake, SEC_ on the synth and electronics moves in a very fragmented, almost rhythmic way, no soft keyboard-like carpet as one would expect and finally Agenziano plays the guitar less and less as we have always understood it, to give it back to us so filtered that sometimes it is even difficult to understand who do…
Taste Tribes
2025 stock ** "Alfred 23 Harth, reeds, kaosspad. Hans Joachim Irmler, organ. Günter Müller, iPods, electronics. The last time Harth and Müller met was in 1987 as part of a quintet at the Festival Willisau, including Andres Bosshard, Phil Minton and Sonny Sharrock. Exactly 20 years later, Alfred Harth, now based in Seoul, South Korea, asked Günter Müller to do some recordings on a visit to Switzerland while traveling in Germany and Italy. Several days before, Harth recorded with Hans Joachim Irml…