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Big tip! *50 copies limited edition* nobile, one half of the former Milanese duo Voronoi, presents a new series of recordings of ephemeral ambient soundscapes, organic throbs and broken rhythmic textures that sublimate the more instinctual and playful side of his poetics. The project is haunted by cavernous sounds and an obsession with the 'netherworld' of the videogame Minecraft, and by Le Matin des Magiciens - the classic and revolutionary book that popularised occultism, alchemy and paranorm…
Some things take a long time. And some things are meant to last. But how you know that, or learn how to find out, that’s a more intangible thing. That’s A Shaw Deal – intangible. A communal meeting place for two old friends and their different musics. A Shaw Deal is the first album by Geologist and DS. They go back a long ways – back before Highlife, before Shaw joined White Magic – back to the early childhood of Animal Collective. Basically, Doug Shaw touched down in NYC around 2003, and he and…
This month's Electronic Sound cover stars are the fabled White Noise – Delia Derbyshire, Brian Hodgson and David Vorhaus – and we're bundling the magazine with a fantastic seven-inch featuring previously unreleased Radiophonic Workshop remixes of two killer tracks by the pioneering electronic supergroup.
Radiophonic Workshop mainstays Derbyshire and Hodgson formed White Noise with offbeat American musician Vorhaus in 1968. We've interviewed the band's two surviving members for our cover feature…
The endlessly engaging Italian imprints, Soave and Orbeatize, deliver what is unquestionably one of the most important and ambitious archival releases of 2024: “Reels 1977-1986”, an astounding 14 CD box set dedicated to the neglected, visionary Swiss electroacousitic composer Ernst Thoma. Presenting a radically singular approach to experimental electronic music - highly rhythmical, ranging from poetically elegant and minimal to frenetic and mind-bending - across its astoundingly expansive durati…
This month's Electronic Sound cover star is the supremely talented Suzanne Ciani, and we have an awesome red vinyl seven-inch by the American modular virtuoso to supplement the issue. Suzanne Ciani's long and intense connection with modular synthesis started after meeting Don Buchla in the late 1960s. She soon became obsessed with the Buchla 100 and 200 systems, taking a particular interest in how the voltage-controlled quadrophonic capabilities enabled her to move sounds around a room. More tha…
When White Noise’s debut album, An Electric Storm, landed on Island Records in 1969, it must have sounded like nothing else. Packaged in a striking black and white sleeve that pictured a spark of lightning streaking across a black sky, this was an album that - quite rightly as it turned out - resembled as much a scientific experiment as any conventional musical document.
White Noise were first conceived when American electronic engineer David Vorhaus-- following a lecture by BBC Radiophonic Work…
"Daniel de la Nuit" is a book/record for kids composed by the french musician Funken. An illustrated story imagined by Carmela Chergui and Timo Hateau (44 color pages - format 16x23 cm - French). Daniel is a nice little squid, everyone will tell you that in Villeneuve-la-Roussette. But today, it's something else. It's nighttime, and he refuses to go back to sleep. And it's not just any night! It's the Night of the Periwinkles! Taking advantage of a moment of inattention from his father, he escap…
Tip! *300 copies limited edition* Gregory T.S. Walker’s Minstrels & Minimoogs was self-published by a young, nomadic composer and virtuoso in 1988 to accompany an immersive multimedia performance at the University of Colorado Boulder’s Fiske Planetarium. Created with this outer, and other, world setting in mind, the four tracks find Walker stretching toward an ancient-to-future vision where Egyptian myths and Hieronymus Bosch-ian tableaus are rendered in a screaming three dimensional circuitry o…
*300 copies limited release* We are happy to share the extended version of Impostor Syndrome by Orbital Patterns. Impostor Syndrome is an ambient electronic album written and produced by Michigan based musician and artist, Orbital Patterns (Abdul Allum).A magnificent sound journey, full of emotions, created by a modular synth workflow that describes Abdul’s signature sound and vision. "A psychological phenomenon where a person doubts their own abilities, internalizing a deep fear of being reveal…
*2024 stock. 150 copies limited edition* Controlled Death is the dark side project by the Japanese noise legend Maso Yamazaki a.k.a. Masonna. Here on Phage Tapes. Recorded and edited on January 13th and 14th, 2021 at Death Control Studio.
*30 copies limited edition* Two pieces for modular synthesizer and a deviated nasal septum. Recorded and mastered by Velleity. Black 2-sided HQ lathe cuts in full-color printed sleeves with inner sleeves.
Günter Schlienz is a Stuttgart-based ambient artist whose work uses modular synthesizers, tape machines and field recordings to create emotive and captivating ambient textures. Günter has released albums on diverse labels around the world - Sacred Phrases, SicSic, Goldtimers, Constellation Tatsu, Preservation - amongst others. "Sterne über der Stadt" was first released in 2017 in a handmade four-panel cardboard envelope CDr limited edition of 50 copies on Pantheophania. Inspired by a picture cap…
Returning to the unreleased oeuvre of the master of cybernetic sound Roland Kayn, frozen reeds hereby unveils a new high watermark for longform electroacoustic composition, unfolding across 15 CDs in a luxurious gold-stamped boxed set.
*2024 stock* Orphée Aux Enfers is a comic operetta and satirical treatment of the ancient Greek myth of Orpheus by French composer Jacques Offenbach. The classic story of Orpheus concerns a renowned musician who is so distraught over the death of his wife, Eurydice, that he attempts to rescue her from the Underworld, the place of the dead. It’s a myth of enduring love between Orpheus and Eurydice that has inspired artists, writers and composers such as Günter Schlienz.
Huge Tip! The very first Buchla synthesiser performance by revolutionary composer Suzanne Ciani finally makes its fifty year journey from its switch-on New York art gallery to its long deserved and discerning global phonographic audience. With this previously unheard vinyl pressing, Finders Keepers Records are proud to present an archival project of ‘art music’ that not only redefines musical history but lays genuine claim to the overused buzzwords such as pioneering, maverick, experimental, gro…
Double CD version. Bureau B present a reissue of Heldon's third album Third (It's Always Rock 'N' Roll), originally released on Disjuncta in 1975. Third album from the French space-rock electro combo masterminded by Richard Pinhas. Heldon's darkest work lays another stone in their sonic mosaic: synths, drones, fuzz, and trippy improvisations. There's something wicked happening on Heldon's third album It's Always Rock And Roll. Richard Pinhas's essential attack of searing guitar and space-bound s…
Bureau B present a reissue of Heldon's debut album Electronique Guerilla, originally released on Disjuncta in 1974. In 1973, 22-year old Richard Pinhas was well on his way to becoming a full-time philosopher. He had almost finished his PhD and begun teaching at the University of Paris. But he also had a hobby: writing music and recording it himself. When he submitted a few tracks to British label E.G. (home of King Crimson and Roxy Music), the imprint was interested, but Pinhas was frustrate…
Delight, Arushi Jain’s follow-up to 2021’s seminal Under the Lilac Sky, out March 29 2024 on Leaving, carries, at its core, the simple proposition that delight is accessible and that the practice of cultivating it is a necessary endeavor. Weaving together emotions, imagery, and a sense of yearning for beauty, Jain aims to instill belief in the ever-present nature of delight, asserting the need to actively seek it when not readily found. The enhanced perception of this elusive emotion, Jain asser…
Seth Price’s suite “Coinos Driftos“ announces itself with the sound of a rolling coin – a punctuation that repeats throughout the record – before dropping the listener into a storm of harsh winds and far-away bells. When the storm abates we find ourselves in a desolate field of stuttering electric harp and electronic sub-bass. Side B emerges from a mist of gentle tones that soon give way to a juddering contraption of dropped coins and clacking noises, which itself seems to summon the arrival of …