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*100 copies limited edition* The album 'City of Tethers' is inspired by a passage from Italo Calvino’s 'Invisible Cities', particularly the description of the city of Ottavia. This city is suspended over an abyss, held up by a net that its inhabitants know will eventually give way. “Suspended over the void, the lives of Ottavia’s inhabitants are less uncertain than in other cities. They know the net will not last,” Calvino writes. The image of Ottavia has become a powerful symbol of fragility an…
*250 copies limited edition* 1992’s Terrace Of Memories is an organic ambient album of longing and gentle melancholic minimalism. Sam Rosenthal (Black Tape For A Blue Girl’s founder/synthesist, then based in Los Angeles) and Dirk Serries (then recording under the moniker vidnaObmana in Belgium) blended their atmospheres and somber contemplative electronics on this timeless album filled with lush, dark and beautiful impressions. Energized by a passage of text written by Sam concerning a lost love…
ICR distribution present a new Nurse With Wound LP, remastered by Colin Potter. 600 copies. The Grave And Beautiful Name Of Sadness features two archive mixes of the original 1984 recording. A 2007 epic variation recorded for possible inclusion in Peter Strickland's film 'Katalin Varga' and a unique 'psychedelic' version from 2012 which until now has never been heard.
*100 copies limited edition* "'Inscriptions' is an album inspired by the melancholy romance of autumn, the reflection of leaves in the rippling surface of a lake, crumbling architectural facades, and faded ink scripts on parchment. The album began with a collection of environmental sounds I recorded in Tallinn, Estonia back in the autumn of 2011, during a residency at the Estonian Artists' Association. These field recordings focus in on the quiet, everyday sounds of streets, parks, a lake and a …
“Not only are the galaxies spinning, but also the stars within the galaxies, and the Earth is spinning, and the Earth around the sun and the moon around the Earth. Pretty much the whole universe is spinning.”"This statement by the astrophysicist Noam Libeskind together with the aphorism, attributed to Heraclitus, "Panta Rei" (everything flows) and especially the Poem of the Atoms by the Sufi poet Rumi were the sources of inspiration for my new musical project. Jalal al-Din Rumi was also the foun…
Up To 23 is an electronic music duo formed by Marco Buffetti and Francesco Fincato. “Hydor LP” is a sonic journey diving into the ever-changing nature of water. From vast seascapes to the depths of the underwater world, the album aims to capture the power and tranquility of this elemental force, shifting between dark tones, ethereal visions and cinematic moods. The last two tracks feature a collaboration with Enrico Coniglio, whose guitar parts lay a foundation for fluid and hypnotic soundscapes…
If during the early years of his long and prolific artistic activity, Fabio Orsi made extensive use of acoustic and concrete sound sources in his music, often painting very 'earthly' environmental realms, more recently he has definitively 'taken off', abandoning the earth to search for scenarios made of a purely synthetic matrix, building a myriad of dense electronic textures and pulsations, projected into the infinite and unexplored spaces of the universe.
This double CD collects a series of "s…
"Below/Light" by Filer Coleman is a selection of ambient works by Jim Filer Coleman. It represents an antidote, or perhaps a counterpart, to the more aggressive music that he may be more known for such as Cop Shoot Cop and Human Impact. These tracks were recorded over a span of a few years, slowly evolving and seeking definition. Electrocoustic in nature, the approach was always exploratory and playful, searching for balance and connection with the natural world.
Jim Coleman was an instrumental …
There is no longer any turning back is an excerpt from ”The Aphorisms of Zürau”, a posthumous work by Franz Kafka. The work represents a path without obstacles, a descending abyss toward ourselves, toward the roughness of our deepest selves that we cannot explain and probably cannot confess. The individual track titles make up another excerpt by David Foster Wallace from an interview with David Lipsky: «The part of me that thought I was different or smarter or whatever almost killed me.»
All tra…
“Does destruction of sacred images imply anything for the erosion of the role of the imperial icons? Because divinity being destroyed is not a representation of a spiritual form disappearing, but a consequence of historian interpretation, scientists are doing exactly what everyone would do when tripping in ego-fixation, creating a transformation which is itself subversive and self-deconditioning. The church of the Virgin has been rebuilt and lavishly refurbished, due to major insights regarding …
Following the ambitious all-analog explorations of “Imperfect Space Journeys” (1988) and “Live Electronic Music” (1989), Jeff Carney was determined to push further into new sonic territories and to continue to strive for even more originality while not yielding to the prevailing trend towards digital synthesis. And so, in 1990, Jeff Carney recorded some of his most ambitious analog electronic music. Those recordings were once thought to be lost — rumors about their existence made the rounds — bu…
These works were recorded late at night during long solo improvisations. A small table lamp illuminated the Moog guitar laid flat on a table surrounded by assorted found objects and guitar pedals whose multicoloured lights blinked delicately in the near shadows. Time moved slower. A sense of stillness and solitude provided a quiet contrast to the sounds pulsating around the room. Each take made as if it were an actual performance, the rule being always to finish the set. As much about training t…
zakè (aka Zach Frizzell) and Tyresta (aka Nick Turner) follow their recent ambient treasury, The Worlds We Leave Behind, with Jade, a surprise companion album that teases out several themes from previous works into three long-form sonic vessels, offering some of their most affecting work across nearly an hour of reflective bliss. In the process of allowing their individual instincts to further entwine, they have created a uniquely generative kind of collaboration, where every deep drone and deli…
The Worlds We Leave Behind is the second full-length from the duo of zakè (aka Zach Frizzell) and Tyresta (aka Nick Turner)
“Building on both quotidian and profound contrasts, ‘The Worlds We Leave Behind’ by zakè and Tyresta continues the theme from the pair’s earlier collaborative efforts, that of personal strife and experiential wisdom, which colour the impressions we derive from our environments. Being a “spiritual sequel” to the pair’s first album Drift (2023), the album educes long, heavy-s…
Nigerian electronic musician and violist Ibukun Sunday debuts on Phantom Limb with Harmony / Balance, a brooding, introspective take on Afro-ambient music that follows two acclaimed digital-only albums for Phantom Limb imprint Spirituals. Based in Lagos, Ibukun Sunday has expertly positioned himself between the rarely-married cultures of ambient and West African musics. He entwines his compositions with field recordings from his native Nigeria and deeply considered philosophies of existence, hum…
*200 copies limited edition* Past Inside the Present is proud to begin its summer slate with a new, full-length suite from Color of Time, the duo comprising label veterans Kévin Séry (aka From Overseas) and Nick Turner (aka Tyresta). Each artist is known for his own kind of spacious, heart-rending drone, and on II, they occupy a sonic universe in which melancholy themes linger over drifts of harmonic guitar and arrays of intricate detail. The delicacy of these environments results from a passion…
*200 copies limited edition* Past Inside the Present is proud to reissue James Bernard’s landmark 1994 ambient masterwork, Atmospherics, remastered and packaged with a brand new, track-by-track interpretation of the entire album by friend and collaborator, bvdub. While these versions are separated by an ocean of musical and technological change, together they form a cohesive image of adventurous musicianship, melodic and textural richness, and stylistic timelessness.
"Once we got the Amiga, creating music meant starting from scratch and experimenting on our own. At that time our technical skills were so lacking that we recorded our first song using a video camera pointed at the screen speakers. Later, with the addition of a microphone, cassette recording became an easier process. Eventually we discovered the direct transfer of sound to a cassette recorder via RCA cables. At some point, tracker programs entered the scene, enabling easy and systematic serial p…
Chandra Shukla (Travelogue, Xambuca +++) has embarked on a debut solo release entitled Äkäsh, that merges his past North Indian classical music training on sitar with modular synthesis, midi control, studio effects and guitar embellishments. All of which can be heard on solo work under his name alone.
“You really get something completely unique and mesmerizingly beautiful. A masterpiece all in itself.” - Jan Willem
The acquatic and marine imagery drawn by the titles and the artwork for “The Gentle Whale”, Francesco Lurgo’s second LP, the first one for Silentes, are a metaphor for a sound that is liquid and like the sea is constantly shifting from the quietness of intimate ambient moments to waves of maximalist sonic pressure, always looking with admiration to the creative world of contemporary soundtracks. From this sonic fluid, arpeggios and themes played by melancholic post-rock guitars and plucky synths…