Electronic / Soundscapes

A Gradual Awakening by Danna and Clement is a landmark Canadian ambient album created in and with the wilds of Ontario during the early 1980s. Built with analog synthesizers and field recordings, the duo’s introspective soundscapes reflect deep environmental and personal connection, evoking both spirit and subtle change across gently unfolding musical landscapes.​

*150 copies limited edition* Born and raised in Kanagawa (Japan) Iu Takahashi is a sound artist based in Tokyo. She produces her own musical worldview mainly using synthesizers, ambient sounds, and voices.Previously, Iu Takahashi pursued a career as a singer and since 2018, she has focused primarily on creating ambient music and provides her tracks to serve as background music for exhibitions or promotional videos.Inspired by Japanese ambient music such as Hiroshi Yoshimura and Satoshi Ashikawa,…

Although humans possess language as a means of communication, we sometimes hurt each other simply by intending to. In war, bullets kill people. If we consider words to be like bullets, they can be violent and cause mental suffering. However, when communication causes problems, the only way to solve them is through more communication. I thought: wouldn't it be wonderful if those bullets could turn into flowers instead? In everyday life, when we talk, laugh and share moments with friends and famil…

“Variable,” an album by Hybrid Leisureland－the project of Hidetoshi Koizumi, who has been active as an electronica and ambient composer and arranger since his debut in Paris, France, in 2010－is now available on CD.

The title “Number Face'' comes from my wish for a peaceful world where individual values and ways of thinking are respected. No one in the world is the same or has the same face. Just like our environments, what we like, what we don't like, what we're good at, and what we value are different. I would be happy if you could realize that no two people are the same, that means you are unique, and that each of you is important. In this album, "Number Face," the music expresses a sympathy with the var…

This 12-track album is the artist's first album released after changing from his stage name to his real name, Hidetoshi Koizumi. The songs were composed with the hope that they would be an opportunity for listeners to receive "signals" they need. Signals are everywhere. When aware of them, they touch the listener and evoke emotions and thoughts relating to various things around them that have influenced them. In life, we all are influenced by things such as the environment, nature, and other peo…

Sixteen audio scenes answering the long-exposure photographs of Brice Bischoff: cassette recordings of canyons, caves and ravines, reshaped in the studio with film-style spatial effects. Mastered by Giuseppe Ielasi.

Live set by Fabio Orsi at Kina in Rome on 31 May 2026, a ritual in three sections made alongside the a sad song for A. project, with samples by Hiseka; October 2026.

Ambient and drone album by the Chinese sound artist Guofei (Oscpllex), from field recordings made in Venice during the 60th Biennale, in Milan and Florence, processed in Shanghai; 200 copies.

r beny returns with feedback memory, a new five-track album that moves through delicate textures, melodic fragments, and gradual shifts in atmosphere.The album opens with the concise title track, “feedback memory,” followed by “suspended in the lilt of desire” and “sursum corda.” “glittered in thaw” offers a brief, shimmering interlude before the album closes with the expansive “late fragment,” a 20-minute piece that gives the record its longest stretch of open-ended space.r beny is the ambient …

Omni Gardens is the experimental ambient/new age project by Moon Glyph head Steve Rosborough. Recorded at home in Portland during the early days of covid, "Moss King" is relaxed home listening for difficult times. The first Omni Gardens release, “West Coast Escapism”, was expansive with a broad selection of soothing synth tones and morphing samples. In contrast, "Moss King" is a smaller, more intimate affair, full of fuzzy new age moog drifters and self-captured field recordings. The tracks boun…

Scanner reworks an hour of Nurse with Wound material into six pieces named after homeopathic remedies: radio static, processed voices and squeaky guitars in an echoing maze. Double vinyl, the fourth side etched by Babs Santini.

*150 copies limited edition* “Of Grey Grounds” explores an intermediate state, neither alive nor dead, neither fully real nor entirely abstract. The “grey grounds” are conditions of existence shaped by erosion, repetition, and absence. The album moves through inner and cosmic landscapes stripped of identity, where everything is reduced to trace, echo, or residue. Matter loses definition; forms dissolve into a suspended continuum where memory and perception can no longer preserve clear contours. …

Introducing Unna, an invigorating synthesis of dark, ambient atmospheres and intimate, minimal piano. The album marks the inaugural release on Ojas Music, a new imprint from the NY-based high fidelity audio and design studio from artist and audio engineer Devon Turnbull, known for its devotion to analog sound and deep listening.

Fifteen titles on twenty-nine discs: every CD Roland Kayn issued on his own Reiger Records Reeks between 1995 and 2006, from the three Kybernetische Musik volumes and the ten Electronic Symphonies to the late Multiplex Sound-Art sets and the orchestral and keyboard works. Specially priced.

*150 copies limited edition* Overleaf is the new album by Paris-based musician Théo Martin, following Anti Atlas, released on Laaps two years ago. Overleaf was recorded over the course of a few intense months in 2026. Every recording made during this period eventually found its place within the album, transformed, fragmented and reassembled, sometimes far removed from its original form. The process gradually became a kind of puzzle, built from accumulated sounds, accidents and imperfections. Tap…

The close of the cycle: Electronic Symphony VIII (1978-98) and the single-year Symphony IX (1999) on the first disc, Symphony X (1982-99) in two sections on the second. Thirty years of Kayn's generative studio work arriving at its last and largest statements.

Electronic Symphony VI (1982-97) on the first disc, Symphony VII (1984-98) and Frottage II (1996) on the second. Two of the longest gestations in the cycle, worked over fifteen years and left to a self-regulating electronic system to concrete in real time.

Electronic Symphony V (1977-97) in two sections, one per disc, each paired with one of the Emissioni Trasformati of 1996. Twenty years of revision folded into music that a complex autonomous electronic system concreted in real time, beyond any traceable authorship.

Electronic Symphony IV (1988-96) unfolds over four sections across two discs, joined by Frottage and Minimax, both from 1996. Sound generated in real time by an autonomous electronic system: since the process cannot be retraced, the recording itself stands in for the score.

The first instalment of the ten Electronic Symphonies: Symphony I (1966-96), II (1970-96) and III (1971-97), with Equivalence Sonore II and III from 1995. Pieces concreted in real time by a complex autonomous electronic system, a process Kayn documented rather than composed.

On either side of the globe, two seminal experimental artists collaborate for the first time: UK composer Richard Skelton and Australian artist Lawrence English meet for Noon, a devastating study of greyscale landscapes, deep sonics, and long-distance unity. “When we first started speaking together, back in 2021, it was a moment of contemplation,” writes Brisbane-based Lawrence English. “The world had quietened, the throws of a pandemic had hushed the ambient noise floor and in doing so had some…

*150 copies limitede edition* Originally released by Umor Rex on cassette in 2018, Rafael Anton Irisarri’s Sirimiri is now available on vinyl for the first time, newly remastered for this edition. This LP marks the fourth and final installment in a series of four reissues released throughout 2026 to celebrate the 20th anniversary of Umor Rex. It is a fitting way to close such a special anniversary year. Rafael is not only an artist who has released three albums on Umor Rex, but someone who has …

*In process of stocking* 'Felicia Atkinson’s music always puts the listener somewhere in particular. There are two categories of place that are important to Image Language: the house and the landscape. Inside and outside, different ways of orienting a body towards the world. They are in dialogue, insofar as in the places Atkinson made this record—Leman Lake, during a residency at La Becque in Switzerland, and at her home on the wild coast of Normandy—the landscape is what is waiting for you when…

"In the dream, people didn't need water any more. People's minds became computer chips made of stone." (August in the Water, dir. Sōgo Ishii, 1995) There is a pivotal scene in “August in the Water” where the surface of a pool turns into a stone wall. The water that gave the protagonist's life its meaning becomes a threat. As you fall through this stone wall, you appear in a set of underwater coral-reef corridors, and one of the most beautiful musical themes begins to play: Aquatic Ambience, comp…

*35 copies limited edition* Written during a time of fracture and crisis, this album is about looking for a wonder in the cracks. It’s about embracing the flawed and the frail, positing that if re-enchantment is possible, it will sprout from the small things. Built from gentle field recordings and analogue synthesizers, it offers music as a talisman; a warm, homespun garment for uncertain days.

*35 copies limited edition* On Fioritures, Lamasz offers his debut for Le Mont Analogue, transforming fragments of classical music into a quietly immersive work. Rooted in material drawn from thrifted cassettes, the six pieces unfold through looping motifs that drift and dissolve, gently enriched with drones, field recordings, and tape textures. The result is a cohesive, meditative reverie, where each moment slowly erodes into a suspended, near-weightless state.

*100 copies limited edition* Explorations into dreamy, texturally rich environments and dub flavoured landscapes through the use of rhythm and subtle melody.

When Japanese artist Masayoshi Fujita was invited to create the soundtrack for Expo 2025’s vast living nature installation, Forest of Tranquility, he immediately envisioned a relaxing public space in which visitors could tune out the noise and restore their energies. Inside this green open-air sanctuary – visited by millions of people during the landmark Osaka event, which ran for six months – stood a central pond and 1,500 real trees, all rescued and repurposed from Expo’s former ‘70 site and o…

*300 copies limited edition* Long Slow Distance is an album about finding peace, and making peace where it can’t be found. It’s inspired by change, grief, acceptance, forgiveness, love, and running. Dawson began running around the same time he started making records. At this point it’s unclear where one practice ends and the other begins. The album’s title has become the ethos he’s embraced for all things in life. Long Slow Dance unravels the woven collage of his previous work. Here each song co…

'Quiet Pieces' initiates Abul Mogard’s personal imprint Soft Echoes with a definitive self-portrait of calm, contemplative, and discreet inner landscapes made audible. It is the first solo album on vinyl in four years.

With Statica Memoria, zakè returns to Affin for his third solo album. Over the past years, his work with the label has developed into a distinct and continuing body of work, shaped by an ongoing exploration of duration, resonance and the spaces that emerge when sound is given enough time to unfold. zakè has developed a particular way of approaching long-form ambient music. His compositions create an open environment in which listening can move freely between close attention and complete absorpti…

Born in Tokyo, 1978. Lives and works in Kanagawa. Takashi Makino graduated from Cinematography / Sound Recording course at Department of Cinema at Nihon University College of Art, Japan in 2001 and he studied about film, lighting, and music under Quay Brothers at Atelier Koninck QBFZ in London in 2001. Makino gained his skills relating to film and videos while he was undertaking coloration as a Colorist on various filmography, CF, and music videos from 2001 to 2011. He has been started screening…

""A Synonym for Repetition" weaves together a tapestry of parallels, all intricately linked to Japan. The project initiates with a collaboration with a Tokyo-based musician, which ultimately fails to materialise during Jason Kolar’s recent visit to the country. From an original approach that has to mutate in its starting phase, the record was conceived from the beginning to embody a sincere homage to Ryuichi Sakamoto, also a Tokyo native. Shaping ideas within the context of a city with a vibrant…

*150 copies limitede edition* Originally released on Umor Rex on cassette a year ago, “El Sol de los Muertos” deeply shaped the evolution and vision of Mexican producer Concepción Huerta’s sonic work, becoming a reference point for a kind of experimental sound deeply connected to Latin American critical thought. This is the second album in a series of four special, limited reissues to be released in 2026 to mark the 20th anniversary of Umor Rex. Crafted entirely through subharmonic structures an…

Reveries is Zach Frizzell, Marc Ertel and Damien Duque’s first album for over three years, and follows the success of their debut Liberamente. Together, the trio craft delicately textured and slowly unfurling sonic vistas, occupying a unique aural domain that lies between guitar-driven drone music and modern classical compositions. With their individual projects they are incredibly prolific, but Dawn Chorus releases are few and far between and Reveries represents a refined evolution, leaning mor…

'Journey Test' is composer and pianist Tristan Eckerson's first album under the moniker of Purple Decades, his new ambient project. While his past work has focused largely on solo piano, Purple Decades is an exploration into soundscapes, electronic textures, and hypnotic musical environments. While many tracks on the album still feature piano or keyboards in some form, the compositional approach is accompanied by extensive work with reverb, foley, and orchestral electronic arrangements, and some…

Hanu Hansa is the nomme de guerre of TJ Blake, a visual artist and musician based in Atlanta, Georgia. Known for his work in various mediums, he is perhaps best associated as a member of Lotus Plaza (Kranky) and Lyonnais (Geographic North, Hoss). Sonically, his music explores the intersection of ambient and electronic modes, often drawing inspiration from the contemplative nature of his visual work. Sonically, his music explores the intersection of ambient and electronic modes, often drawing ins…

Seven years after 2019’s ‘The Dusk Loom’, Petrels returns with a pair of new albums, Infangthief and Outfangthief. The first of these releases, Infangthief, was originally written and recorded in 2022, before being reworked in light of a subsequent album, Outfangthief, due to be released later this year. The two albums act as companion pieces, mirrors revealing facets of the other, overlapping in sound and subject matter. Though Outfangthief may have been written after Infangthief, it is no mere…

The ambient husband-and-wife duo is an effective formula, one which here reawakens in the form of Awakened Souls. James Bernard and Cynthia Hall Bernard join forces for the making of Unlikely Places, a mini-album of Californian swells, field-recorded wonderments and guitar-drenched accompaniments - ultimately a washed-out ode to the creative possibility in all things. Centring on the idea that inspiration can be found anywhere, this is an album of relentless, gazy, waterfally gushings, from the …