SMDSii
** Edition of 150. 2021 Stock ** There are two ways to use sound: in one way sound is close to music, however, it is also close to sculpture. In fact, it is not the medium that’s important but that you have a beginning and an end and that you can move around in the space. Noise is a material aspect of sound. SMDSii is an exploration of noise, space and time - as they are constituted formally through sound as well as through the tangential relations within and between audiences and the practice o…
Impedance
** Packaged in a deluxe, heavy duty tip-on gatefold sleeves printed by Stoughton; cut by Golden Mastering and pressed at RTI ** Alina Kalancea's Impedance is an entirely instrumental album spanning four sides, contains powerful rhythmic sequences, heart-beating frequencies and hypnotic loops that are paradoxically encapsulated in carefully crafted compositions which are full of secret passages and hidden doors. Kalancea's work creates ungraspable sonic experiences, which overtakes you, immersing…
Nerve Net
Reissue of Brian Eno’s 1992 album which found him returning to a more rock-oriented sound, albeit skewed through an aesthetic that is simultaneously playful, funky and claustrophobic, and featuring a mixture of vocal and instrumental excursions. Includes contributions from Robert Fripp, Robert Quine and John Paul Jones.
Wa
* 2021 Stock * Musician, composer and one of the most revered figures for today’s younger generation of experimental and alternative Arabic music-scenes, Kamilya Jubran (text, oud & vocals, collaborates with long standing musical partner, composer, accomplished trumpet player and seasoned electronic musician Werner Hasler (trumpet & electronics).
In Wa (Arabic for and), their third album together as a duo, Kamilya Jubran and Werner Hasler continue to interrogate their listening and their express…
Threnody for Judas Iscariot
* Edition of 100. Housed in high quality folded card stock Silk Screened. * Spit-tested veterans of frontal-lobe extermination, Key of Shame’s Pat Murano (Decimus, NNCK) and Mark Morgan (Sightings) discharge focused algorithms of unease and decay in split-second intervals on their third LP, Threnody for Judas Iscariot. A sly codicil of dim textures and gestalt arpeggios, Judas Iscariot shudders itself open and stays gaping, bum notes skittering and splitting out of the electronic backwash like e…
Harpist
**100 copies** Pentiments introduces the fourth addition to its slowly growing catalogue, this one by contemporary New York based artist Derek Baron. Listeners will have the pleasure to witness a total ferment of detrital percussive palettes creating a space redolent of a mutant Han Bennink transported into the “junkyard bedroom” aesthetic of some of the more iconic Vitrine outings. An engrossing wade guided by whispers and cutlery. Feedback, ground buzz and clipping for the initiated. In an edi…
Scribble
* Edition of 100 * 'Scribble' is truly a befitting name for this collection of miniatures created by composer and sound designer Jacob Sachs-Mishalanie. Recorded at his home this past Summer, the short, sweet pieces really are like aural scribbles in a notebook. Slightly chaotic and seemingly unintentional, the 7 tracks exhibit a childlike wonder, a fascination with how various sounds or rhythms work (or don’t work) in tandem.
At the time of writing, Sachs-Mishalanie was particularly interested …
Deathstar
Since 2017, Deathstar has been a project about the microphone — in Marina Rosenfeld’s hands, a void, a mirror, an unruly instrument of transformation and mediation. This music is heard in traces, through thickly amplified silences punctuated by momentary eruptions of noise or a voice at the threshold of intelligibility. The sculpture at the center of the action—a plexiglas orb housing a 7-microphone array originally installed as part of an exhibition the artist mounted at Portikus, in Frankfurt …
Songs to the Sirens
*Edition of 200. CD + 8" 36-page photographic booklet.** "This work is loosely inspired by the title of a song by Tim Buckley included in his 1970 album "Starsailor" (a cover version by This Mortal Coil released in the '80s by 4AD was quite formative for me). My passion for the sea, observed, listened and lived mainly - but not only - from the beaches of my land and during winter. A solitary invocation, a project still open, in progress for several years during which the photographs and field re…
L'inutile
* Edition of 100 * Tsss Tapes presents L'inutile, a new cassette release by Giovanni di Domenico. Recorded at Elektronmusikonstudion EMS, Stockholm and Studio W, Brussels, 2017 - 2019. Mixed and mastered at The Nest Cellar, 2020.
This one if for WH - Giovanni di Domenico
Caraguata / Moxoto
* Edition of 100 * Tsss Tapes presents Caraguatá / Moxotó a new cassette release Marco Scarassatti and Thelmo Cristovam. Composed and recorded in Hobart, Australia, 2020. Released on September 4, 2020. Mastered by Francesco Covarino.
Bass To Bass
Bocian Records presents Bass to Bass by Nina De Heney & Slawek Janicki. Recorded at Mózg Studio, on November 29th 2019. Sound Recording: Janusz Czado, Maciej Maciejewski. Sound Mixing and mastering: Michał Kupicz. Cover Artwork: Peter Jacquemyn. Design: ZbyZiel. Executive Producer: Mózg Foundation, Bydgoszcz Poland 2020. Co-Producer & Distributor: Bocian Records. Realized thanks to the financial support of the City of Bydgoszcz.
New York City 1980-1984
Stunning debut release from Confuso Editions, a new label operating out of NYC/Rio de Janeiro here venturing into the furthest realms of outsider pop with the first ever public airing of recordings by John Zieman, a student of electronic synthesis at Hampshire College and collaborator with Nam June Paik, John Sanborn, and Dara Birnbaum. Distilling 80s midtown sleaze (digi-saxophones, drum machines, listless ballads), we’re once again reminded of the sheer volume and wealth of outsider brilliance…
Umwelt
Bocian Records presents Umwelt by Lucio Capece (Gema): on bass clarinet, slide saxophone, cardboard tubes, analog synthesiser and filter, and Ben Vida (Bird Show/ASCAP): on Synthesis, sampling and digital arranging. Recorded in Brussels, Berlin, New York, 2016-2020. Mastering: Joe Talia. Graphic design: Ania Witkowska / Fontanna.
Polyptyque
Bocian Records presents Polyptyque by Nimitta. Performed by Massimo Pinca - Double bass, and Christophe Berthet - Soprano saxophone. Recorded in July 2017 at Studio de Agostini, Geneva by Marie Delorme. Mastering: Christian Gugenbuhl. Design: Renaud Goudal. Mixing by Marie Delorme. Cover art: Philippe Reymondin. All Compositions by Massimo Pinca and Christophe Berthet.
Survival of Laments
* Edition of 150 * Two long compositions performed by Marcia Bassett and Manuel Mota on Guitar and Margarida Garcia on Bass, capturing a dark, metallic, almost reverberating atmosphere that we imagine in a cistern, a contained and often claustrophobic space. When the sound echoes, we sense the lament of the title in the face of physical constraint - the sound itself does not seem to have the capacity to cross the walls. Music of deep reflection, marking, through the constant sonic search, a worn…
Cathedral
Christian Kobi is one of the leading names on the improv scene in Bern, Switzerland. His work includes collaborations with Phill Niblock, Jürg Frey, Taku Sugimoto, and Keith Rowe. His new album, “Cathedral”, closes a trilogy for saxophone solo that started with “Canto” (2010) and “r a w l i n e s” (2013), and which was recorded in the former Swisscom high-bay warehouse - probably the largest underground space in Bern.
That space serves Christian as a place of exploration of sound, silence and ac…
Drekka <--> Remst8
* 2020 Stock * Remst8 is an experimental computer musician whose on-again/off-again affair with sound began in the early '90s, using tracker programs on his Amiga 500 and later a PC to create soundtracks for his friends' creations (computer games and an independent film). Following a 7 year hiatus to focus on his software engineering career, remst8 has returned to tracking music for creative exploration focusing on deep drone and dark ambient tracks with a smattering of noise and experimentation…
There Is No Silence Left
* 2020 Stock * 'There is no silence left' is a collection of remixes and reworkings by Mkl Anderson of Drekka, released under various monikers between 1996 and 2012. Contains 13 previously unreleased or rarely heard tracks, including mixes for Aube, lovesliescrushing, Racebannon, Soul-Junk, and many more.
Sleep Patterns of The Discontent
* 2020 Stock * One can be a discontent – that is, an insurgent or a revolutionary – but there is also that more literal, personal meaning of the word which may be in most cases equally applicable to those to which we refer here and, in either case, there is a sort of disruption implicit, as in a hypnopompic state.» A non–linear mix by Michael Anderson / Drekka, with portrait interludes by Mark Trecka. Performed and mixed live 21 October 2015 at The Artifex Guild, Bloomington, Indiana by Michael …