Experimental / Abstract

200 copies, black vinyl. A meeting of two uncompromising sound artists, Carlos Giffoni and Joachim Nordwall, New Music fuses pulsating electronic rhythms, immersive drones, and abstract textures into a vivid, physical listening experience. Emerging from the outer edges of techno, noise, and electro-acoustic composition, both artists channel their distinct sonic vocabularies into a shared space of tension and transformation. Giffoni's deep synth drones collide with Nordwall's ritualistic sense of…

Artist and multi-instrumentalist Flaer embraces the search for quiet miracles on first full-length LP Translations.

A new year, some fresh Kashual Plastik. Absolute organic. The campfire is burning, FM radio in the air, with not so frequent frequencies. Gently waiting for the flood that brings no water. An accordion weeps, an organ cries, sweet acoustic guitar chords, a dancing piano, a shy voice, singing intimate stories. Sacred white noise in the off. Bits of found sounds in the accounts. Reverbs reversing. All in happiness, so full of melancholy. Dream music for open-eyed musers. Right from the Scandinavia…

Between innocence and anger, a record of witness. Pharoah Chromium is the project of German-Palestinian musician and sonic performer Ghazi Barakat. With Chronicles from the Arab Cold War Pharoah Chromium continues his long-standing engagement with the Palestinian cause, following Gaza (LP, self-released 2015) and Jean Genet à Chatila (7”, self-released 2018). In the summer of 2023, new material began to take shape from a session with flutes, EWI (an analogue synth played like a wind instrument)…

Featuring 8 tracks of dazzling electronic soundscapes, 'Race at Neon Club' sees Brice Dreessen fulfill the promise of his early work to deliver a beautiful, if at times unsettling, album that ranges from blissful interstellar ambience through to disorientating experimental noise and industrial rhythms.

Whitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read…

*70 copies limited edition* Eventless Plot and Bruno Duplant join forces on Fail better, a cassette release that treats failure not as an endpoint, but as a method of composition and a way of listening. Across two long-form pieces, the group carves out a delicate space between electroacoustic improvisation, minimalism and ambient abstraction, letting sounds appear, waver and erode rather than declaring them with force. Recorded by the Thessaloniki-based trio of Vasilis Liolios, Aris Giatas and Y…

Light Sounds Dark proudly presents Construction of a Planet, a visionary sonic journey that challenges the boundaries of experimental sound and ambient exploration. Conceived as a transmission from otherworldly dimensions, this release unfolds like the blueprint of an imagined cosmos—layer by layer, texture by texture. Drawing upon an eclectic range of influences, Construction of a Planet is not merely an album—it is an immersive experience. Across its evolving structures, listeners are invited …

Although Machine was completed in 1971 it was not released until 1973, shortly after the release of Journey Into Space. Machine is therefore the first major composition by Trevor Wishart. It was composed at York University and was originally issued on vinyl as 3 sides of a highly adventurous 3LP box set called Electronic Music From York, released by the University’s own record label. In common with Journey Into Space (also on Paradigm Discs), Machine makes use of a large number of volunteer cont…

*150 copies limited edition* Zulaqrex, named after a mythical being that only exists in Richard Youngs’ head, is the album sequel to the now practically sold out Zerkelus LP and once again features themed artwork and is limited to 150 copies. Like its predecessor, Zulaqrex consists of two side-long tracks both given the same name as the title and once more charting a course into the beyond via a hypnotic approach that even some fantastically stumbling percussion cannot offset. Also employing shi…

Brunhild Ferrari returns to the scene with this new solo album. Extérieur Jour is comprised of two previously unreleased electroacoustic compositions – the first, a piece of cinéma pour l’oreille, a movie for the ears, and the second, a meditation on the loss and reappearance of memory and silence, recorded in various places across the globe over a period of 15 years.

The duo of guitarist/vocalist Matthew Mitchell and producer Bevan Smith (aka Signer) present their release in Type's 7" series. In response to the upcoming self-titled album, they both decided to remix the track "Future Life" under their own solo guise. Bevan takes the track back to an almost skeletal form then builds new melodies and new vocals to create a bizarre, crumbled-up psychedelic monster. Flip over and we are introduced to Matthew Mitchell's Muriel Tsains project who, through a woozy g…

LP version. Eccentricity in music is tricky in that it's difficult to embrace it in moderation. There's risk of having it come off as either overly (and gratingly) deliberate, or teetering over the precipice into full-blown novelty. Pere Ubu co-founder Allen Ravenstine's Waiting For The Bomb is one of these rare exceptions where peculiarity, nuance and genuine warmth align in such a way that it's perched right on that edge and all the more evocative because of it. One of the album's most strikin…

** 12” LP edition of 300 copies with cover artwork and booklet featuring illustrations by Ettore Tripodi ** In September 2019 Alessandro Bosetti was invited by fellow composer and curator Riccardo La Foresta to create a new work for a newly created ensemble as part of a residency program hosted by Centro Musica in Modena, Italy. The very first encounter took place on Skype – kind of a prediction of the forthcoming physically distanced pandemic times. The first, straight-to-the-point question Bos…

*50 copies limited edition* »Chitin« captures Berlin-based duo Narval (Peter Strickmann and Evgenija Wassilew) in a series of recordings made during a 2025 residency in the village of Schöppingen, Münsterland. Known for their use of everyday objects, self-built wind and percussion instruments, feedback systems, and small-scale electronics, Narval treat the performance space itself as a collaborator. In Schöppingen, this meant farmhouses, a parish church, a sculptor’s studio, and surrounding corn…

*50 copies limited edition* With »Roto«, Derek Piotr revisits the aqueous terrain first explored in his 2016 album »Drono«, where the paradox of water’s stillness and perpetual motion was refracted into looping voices and glitching textures. Conceived as a »spiritual successor« and recorded in 2019, the album has lain dormant for six years before surfacing on Discreet Archive. That stretch of silence seems to have deepened its charge – the sound feels unearthed rather than made, like a whirlpool…

*155 copies limited edition* »Hug of Gravity« is the second solo album by Raphael Loher and his first for Hallow Ground. The Swiss pianist and composer uses piano preparations, tape machines, and digital means to forge an aesthetic of playful reduction and rhythmic abstraction. The source material for these four sprawling pieces was culled from recordings of the artist performing the album’s predecessor, 2022’s »Keemuun.« Loher used them in a painstaking two-part working process to create an alb…

* Edition of 500 copies, comes with a lyric booklet. Mastered by Joakim Karlsson. * With the intention of doing a proper and full out choir record, Helvetet På Jorden was initiated by Blod two years ago. While the finished album became something slightly different, it's a much more vocal-based record compared to its thematically linked predecessors Pilgrimssånger (2022) and Där Ska Barnet Vara (2023). Deeply influenced by Swedish church music and psalms, Helvetet På Jorden consists of 10 of the …

** Edition of 500 ** Rediscovering an artist like Paul Chain is a very important moment for the musical culture of old fans and younger rockers who, for age reasons, could not live firsthand the artistic evolution of one of the most brilliant musicians of the entire Italian music scene. "In the Darkness", originally published back in 1986, is the second work of Paul Chain Violet Theatre, a band in which Catena surrounds himself with talented musicians, including some former bandmates at the time…

The spirit of Paul Chain's music is definitely identifiable to anyone who is immersed in the mysticism of Pentagram, Trouble, Sleep and others of the emerging scene of the early to mid 80s, but where usually a few little nuances make these acts distinct, PC has staked out territory all his own with an extremely exaggerated variant of the sub-genre that has lost none of its mystique in the passing decades. 2017 Remastered Edition. Paul Chain, Guitar and Vocals. Paul Dark, Bass. Eric Lumen, Drums.…

*75 copies limited edition* A two-chapter suite for modular & FM synth, wind & string instruments, electronics, sound objects and field recordings. The work is structured as a two-chapter descent from concrete score to analog & digital abstraction. It begins with the tangible written material and human presence of the performers, which are systematically subjected to a process of erosion. The initial components are reduced to "digital dust” — meaningless data fragments — then recombined algorith…

Double feature stint on Kashual Plastik. Twofold recreational Nordic spice, cultivated for dreamy solitude escapades and meditative tune voyages in witchcraft mood. Side A comes from Finnish experimental musician Juho Toivonen, shaped in his home in the city of Pori. A veiled minimalistic dream of gentle noise loops and environmental sounds, meeting a desiring voice that echoes haunting, mantra-like lyrics. Ship horns and other slow mechanic found sounds convoy it into eternity, while we, the au…

After forty years, the enigmatic Italian collective Capricorni Pneumatici's lost opus, Über Artaud, finally emerges complete. Originally conceived in 1987 as an electronic sonorization of Antonin Artaud's censored 1947 radio work "Pour En finir avec le Jugement de Dieu", this mysterious project showcases masterful use of FM synthesis via the iconic Yamaha DX7 synthesizer, creating dark ritualistic soundscapes akin to Throbbing Gristle and Nurse With Wound.

On Leviathan Whispers, Tim Hill shapes saxophones, tape loops and treated field sound into slow-burning rites of longing and delirium, a spectral song-cycle where folk memory, Blakean vision and drone minimalism coil around each other in restless, darkly luminous orbit.

Mega Tip! ** Incredible compilation assembled by, and including nonetheless than Brannten Schnüre. Gathering together unreleased tracks by Vox Populi! Limpe Fuchs, Läuten der Seele, Christoph Heeman and more, this is the most pleasant surprise we could get from Quirlschlängle. Still two months before Christmas, but the greatest gift is already here. ** "Nebengleis“ is one of those strange and rare German words that seem to be born both out of the dust of a bureaucratic, functional grammar and a …

*300 copies limited edition* Audio taken from a live performance by Anar Band (Jorge Lima Barreto and Rui Reininho) with E.M. de Melo e Castro in November of 1978 at Cooperativa Árvore, Porto. The performance was filmed. A segment was included in »Obrigatório Não Ver«, a weekly programme presented by Ana Hatherly on Public Television’s Second Channel. It was not possible to determine the exact date of the event, and no documentation seems to be available in the relevant archives. »Encontro que T…

Tip! *300 copies limited edition* Collaboration has always been at the core of Beins’s artistic practice. Reducing the line-up for the project at Morphine Raum to the duo format had pragmatic as well as creative reasons, allowing Beins more flexibility. ‘On a conceptual level, the idea was that I would play with different instruments or with a different set-up each time in order to present the breadth of my current work’, he explains. This notion also informed the selection of his partners, who …

Rosacea, the new album by Norwegian experimental guitarist Gaute Granli, channels distortion, absurdity, and raw emotion into a delirious yet finely structured noise-folk ritual. Released in October 2025 on the Egyptian label Nashazphone, the record crystallizes Granli’s signature fractured psychedelia, where repetition becomes revolt and disorder turns intimate.

On Kachouzu, Merzbow compresses his late‑period harshness into four short movements, a 2×6″ lathe‑cut blast where metallic textures, searing feedback and dense midrange roar behave less like tracks than like successive cross‑sections of the same noise storm.

The exhibition, "Old Instruments From the Future, New Instruments From the Past  (and  Characters)((by Artificial Intelligence))," was held from May 27 to August 4, 2024, as the 15th-anniversary celebration of Kanazawa Art Gummi. This project involves faithfully constructing  physical versions of instruments designed by AI, interpreting the playing methods suitable for these  instruments, and drawing music from them. This special edition will be added a CDR reissued long out of print his early w…

Gman+ gathers some of the most elusive material from Merzbow’s 2011–2012 period and welds it into a single, punishing disc, four tracks that function as both archival rescue and self‑contained statement. The collection pulls together work originally issued in limited form, recasting it as a crucial chapter in the same cycle that produced Kumo No Zettaichi, Sugamo Flower, Bit Bluesand Kotorhizome. Across “Gman”, “HJYUGTF2”, “Hakutouwashi” and “Lop 13”, Masami Akita works out a language of layered…

Kotorhizome catches Merzbow in a phase where noise stops behaving like a vertical wall and starts acting more like an underground network. Recorded between 2011 and 2012 and released later as part of the Slowdown archive cycle, the album is built from a deceptively modest setup: small koto, synth, and drone box woven into three extended pieces. The title fuses “koto” with “rhizome,” hinting at what the music does structurally - traditional string resonance is fed into electronics and allowed to …

Bit Blues sits in the middle of Merzbow’s Horizon cycle like a scorched signpost, three tracks cut from performances recorded at Munemihouse in 2011 and 2012 and later remastered in 2021. All the music is by Masami Akita, working with a small, intensely exploited setup that favours dense, bit‑crushed textures and overdriven loops over the more sprawling configurations of earlier decades. The title points in two directions at once: “bit” as in digital grain and reduced resolution; “blues” as in a…

Sugamo Flower compresses a particular 2011 moment in Merzbow’s practice into two long tracks that feel like one continuous, mutating organism. Both pieces are sourced from performances recorded that year, later repurposed as material for “Sugamo Flower Festival” on the split LP Freak Hallucinations with Actuary (2012), which gives the album a double life: document of an event and quarry for subsequent work. Central to the sound is the return of the Korg AX30 multi‑effect pedal, a unit Masami Aki…

On Kumo No Zettaichi, Merzbow trades drum violence for a hall of hovering machines, two 2011 pieces where small drone boxes, oscillators, and minikoto threads knot into a dense but strangely weightless sky of electric weather. It is harsh ambient as charged cloud bank rather than blunt impact.​

On Arijigoku, Merzbow drags live drums and high-saturation electronics into the same pit, a 2008 vortex where blast-beat turbulence and molten noise spiral together like a ritual gone feral. It is harsh music with a striking sense of propulsion, less wall than constantly collapsing tunnel.

Yono's Journey invites listeners to travel through Akita's sonic landscapes, perhaps following an animal guide. Merzbow turns a 2007 home-recorded session into a three-part storm, where hyper-saturated feedback and low-end throb fold into each other like a moving landslide. It is Japanoise as pure velocity: no narrative, just impact reshaping the inner ear.

The ominous title evokes fallen empires, decadent excess, historical weight. Rome - eternal city, center of classical and Catholic civilization - becomes "Black," suggesting inversion, corruption, death. Perhaps this is Rome during plague, Rome in ashes, Rome as symbol of all empires' inevitable decline. Black Rome channels these associations into dense, imposing noise constructions demonstrating apocalyptic intensity. Empire rises and falls; Merzbow provides the soundtrack to collapse.

Electronic Union suggests synthesis, merger, coalition - multiple electronic elements combining into unified sonic statements. These mid-2000s recordings demonstrate Akita's mature integration of diverse digital techniques, creating hybrid approaches transcending any single method. "Union" implies collective action, solidarity, workers organizing - perhaps the various electronic components forming their own labor movement against conventional music's exploitation.

Merzbird (Important Records, 2004) stands among the most celebrated laptop-era releases. This "Variation" offers alternate perspectives on that material - different plumage for the same sonic creature. Bird imagery connects to Akita's growing animal rights consciousness while invoking bird-inspired composition traditions from Olivier Messiaen to contemporary field recording. The bird represents freedom, flight, song - yet also vulnerability, threatened ecosystems, species extinction. Merzbow's b…