1998 first vinyl re-issue in an edition of 200 copies with unique sleeves hand-made with fragments of vinyl records of the 1984 ultra-limited noise-fest cassette. With insert.
Rare original and sole edition of the collaboration with Andrew Chalk released by Christoph Heeman's Dom Bartwuchs in an edition of 300 copies in 1990.
Double-CD set with recordings featuring Andrew Chalk (Ferial Confine) contained in an oversize box with booklet, released by Tesco Organisation in an edition of 988 hand-numbered copies in 1995.
1992 compilation of European and Japanese noise bands released by Freudwerk/Artware in and edition of 300 hand-numbered copies with hand-painted cover. With booklet.
Very rare 1981 cassette compilation with visual inserts released by Trax in 1981 with contributions by Bladder Flask and by M.B., M.A. Phillips, Spirocheta Pergoli, Vittore Baroni and Those Little Aliens among others. Complete with all inserts
Rare 2025 multicolored LP+CD re-issue on Minimalkombinat in an edition of 111 numbered copies with special cover and inserts of the seminal esiteric/industrial album from 1983 featuring Richard and Philip Rupenus.
Recorded in a water-closet. Berlin, 2026. Cut up, mixed and mastered in a closet. Paris, 2026. Cover art by Pakhom, design and layout by Agendathnethaim.
Original and sole vinyl edition on Nurse With Wound's United Dairies of the loveliest album by any of Richard Ruenus' projects, an edition of 1000 copies released in 1988.
The work of Jorge Eduardo Eielson (Lima 1924 - Milán 2006) in the fields of visual and sound poetry has been conspicuously absent from the international anthologies pertaining to these disciplines. One of the reasons of this absence may be the limited circulation of this side of his broad and complex output as a poet and visual artist. In the past few years, though, this aspect of his work has become better known, and can now be seen, in its own right, as a valuable contribution to the developme…
Each composition on Padesip, the debut project from Brussels-based electronic artist Gijs Milius, splices together disparate ways of seeing and hearing. Though most of the songs are between 2 and 3 minutes long, they feel rich, embodied, and surprising, full of left turns and tiny moments of tension that you want to comb through the composition to hear again. Listening to these curious and tactile compositions feels a bit like using a viewfinder toy to flip between images of lakes, canyons, and …