Tertous
*100 copies limited release* Tertous is the first album by the duo formed by Mélanie Loisel and Rachel Langlais. It consists of seven acoustic instrumental pieces recorded at GMEA in Albi (France). A double bassist with a classical background, now engaged in free improvisation and experimental forms, Mélanie Loisel also develops the solo project Borguefül, in which she explores a ritual, transfigured double bass at the crossroads of imaginary languages and reimagined traditions. Rachel Langlais,…
Erosão Percussion Trio
Drummer, singer, composer, and producer Mariá Portugal (BR) joins Berlin-based percussionists Burkhard Beins (DE) and Emilio Gordoa (MX) to form the Erosão Percussion Trio, which is now releasing its debut album through Kassiani Records and Fun in The Church. Their performances are strongly grounded in improvisation, drawing on a wide variety of percussion instruments — ranging from the traditional drum set to other unconventional instruments. The trio’s sound is enriched by the percussive use o…
A Room In The Void - The Collected Philip K. Dick
A Scanner Darkly, The Game Players Of Titan & The Transmigration Of Timothy Archer were originally released on cassette by Tribe Tapes as Philip K. Dick Volume One. Dr. Bloodmoney (mislabelled as Lies Inc.) & Second Variety were originally released on cassette by Detachment Programs as Philip K. Dick Volume Two. Flow My Tears The Policeman Said & We Can Build You are previously unreleased material from the original sessions and are exclusive to this release.
Landlocked
On Landlocked, Mo'ong Pribadi and Sholto Dobie build a clattering, breathing machine‑folk from self‑made pipes, horns and percussive junk, where air compressors and human lungs mingle into an uncanny music of phasing clicks, drones and phantom tunes.
Taillis
On Taillis, Roxane Métayer and Charles Dubois cultivate a sparse, alive thicket of sound where violin, prepared drums and resonant objects trade roles, letting melody, pulse and texture quietly braid into fragile, shifting song‑forms.
Two Days In Dreamland
Tip! These stunning recordings combine the great strengths of Pauline Oliveros on her Roland V-Accordion, Issui Minegishi; Ichigenkin master and great-great granddaughter of the founder of the Seikyodo Ichigenkin tradition and Miya Masaoka on her 21 string Japanese Koto. Together, these masterful improvisors create a beautiful and fascinating world of instrumental communication. This trio of legendary artists establish a sonic zone so compelling that you'll never want to leave.
This double CD pr…
Triple Point
Tip! Triple Point, featuring Pauline Oliveros, Doug Van Nort and Jonas Braasch, was an improvising trio with a core instrumentation of soprano saxophone, greis/electronics, and V-accordion. The name refers to the point of equilibrium on a phase plot, which acts as a metaphor for the group's improvisational dialogue. Triple Point's musical interaction was centered around an interplay between acoustics, physically-modeled acoustics (v-accordion), and electronics. Van Nort captured the sound of the…
Spiderpeople
*2026 stock* Ad old men but not down-trodden paths when the areas are only popular & sought after by the still few. For many, there’s a Milky Way between pop & this music; for fewer, it’s like standing on either side of a hybrid ant. The guitar (the chordophone) & the drums (the membraneophones) are known by most, but the sound here is of the rarer kind, although there is indeed string play & rhythmic things, just not in the usual way, but instead according to other orders & expressions, like an…
Bill Nace Plays the 2 String Taishogoto
Bill Nace turns a traditional two‑string instrument into a focused sound laboratory, contrasting a feedback‑touched, spiralling first side with a pared‑back, bodily repetition that slowly blooms into vast harmonic space.
D'une nostalgie inconnue
On D'une nostalgie inconnue, Delphine Dora turns a three‑week Portuguese sojourn into an intimate cartography of feeling: piano, harmonium and field recordings tracing a dream‑folk geography where Atlantic waves, stray voices and solitary improvisations blur into one interior tide.
Music in Continuous Motion
Bill Orcutt is back with what might be the most beautiful record in his 21st-century guitar quartet series. Music in Continuous Motion (Palilalia, LP/CD) pointedly steps away from the cut-and-paste constructivism of Music for Four Guitars into a sonic stratum that's - as Tom Carter writes - "yearningly melodic, resolutely human, and built for performance." Four guitars, twelve tracks, most hovering around two-and-a-half minutes each. No waste. No fat. Pure music.
Where Music for Four Guitars ope…
Embrace 4: Orakelstücke / Aquin
On Embrace 4: Orakelstücke/Aquin, Polwechsel open their rigorously quiet universe to two singular composers, Peter Ablinger and Klaus Lang, yielding a diptych where struck objects, voices and long, glowing tones summon an almost liturgical sense of mystery from everyday sound.
Embrace 3: Magnetron / Quarz / Obsidian
On Embrace 3: Magnetron/Quarz/Obsidian, Polwechsel with Andrea Neumann turn acousmatic tape, simulated multitracks and graphic notation into an intricate laboratory of cause and effect, where elevator doors, room ghosts and painstakingly negotiated scores yield two of their most conceptually precise and sonically uncanny works.
Embrace 2: Chains and Grain
On Embrace 2: Chains and Grain, Polwechsel distil their chamber‑improv logic into a score grown from their own playing: a tense, breathing matrix of repeated figures, frayed textures and in‑the‑moment reactions that is rebuilt afresh every time it’s performed.
Embrace 1: Jupiter Storm / Partial Intersect
On Embrace 1: Jupiter Storm/Partial Intersect, Polwechsel with Magda Mayas and John Butcher fold fixed media, stopwatch scores and free low‑string improvisation into a dense, shifting topology of resonance and friction, pushing their chamber‑reductionist language into newly electronic and spatialised terrain.
Meditation Music Beyond The Unsleeping Psychopathic Mind
*200 copies limited edition* 'Meditation Music Beyond The Unsleeping Psychopathic Mind' — a raw, deep free-jazz exploration where synth, voice, saxophone, and percussion dissolve into a single, unfiltered sound world. No boundaries, no polish — just presence and freedom for sonic expression. Music spontaneously composed (improvised) by all members of the group. Recorded at Threshold Studios in Hamilton, Ontario, Canada. Produced by our good friend Devin Brahja Waldman and wrapped in hypnotic cov…
Pioen
*200 copies limited edition* The album was recorded in a small chapel of a monastery in the city center of Ghent. A chapel, by nature, is a place of contemplation and meditation, which inevitably influenced the music. Movements slow down, attention is sharpened and the overwhelming silence of the space becomes part of the music. Sound and silence are meticulously woven into each other. Even when the music grows at times dense and heavy, there is an ever-present sense of closeness and intimacy. T…
Pungnyu
Tip! ‘Pungnyu’ is originally a tour album created for the first overseas tour of the band Woo-ryeok and the Pung-gak changi. In response to public requests citing that there are no officially available albums other than the music released on Bandcamp, the idea arose to produce a tour tape, which became the starting point for ‘Pungnyu.’
The recording was carried out in one take at 'Under,' a studio and workspace of Choi Tae-hyun, who is a member of the Kwang program and also a musician. Parts of …
Moires
"Another window opens - and with it, another singular mystery of modern impressionism joins the catalogue of Les Disques Omnison. Classicaly trained yet reshaped by Paris experimental and improvisation scene, Jeanne Gorisse pushes her "bass" practice further on her second solo album, a follow-up to her 2024 debut "Immersion Libre". Alongside the double bass, she explores bowed electric bass, and re-records herself to tape on several tracks; creating an intimate dialogue between the acoustic and …
Structura Parva
Filtro returns with a short ep reflecting its new approach to minimal strucures and small electronics. Sounds for night reflections and dark disquiets. Filtro is an electronic duo composed by Angelo Bignamini and Luca de Biasi. The duo focuses their research on the characteristics and properties of sound, disconnected from its original context and meaning, favoring minimalist and abstract constructions, questioning the modes of reproduction and distribution in space. They have released several m…