Mega tip! *300 copies limited edition. Sold out at source* Celebrating 50 years of musical, artistic, and political efforts in Sweden and around the world, Maavak is a two 10-CD box set that presents the intense, present, sometimes fragile, and often demanding music of Swedish/Israeli composer, musician, artist, and activist Dror Feilier. Maavak is part of the celebration of Maavak. His diverse spectrum of styles is showcased in these two box sets, which include chamber music, solo saxophone pie…
*2025 stock* "Hanging by a Fan Over Wet Cement is the music of listening after listening, when water runs relative to the sound of your own footsteps, and you lean over the resonating chamber of a trashcan like it’s a campfire, then fill it with wheezy laughter. Only, the steel mesh of Hair Clinic/Max Nordile’s field microphone is all mangled and bludgeoned, and the field extends into his home garage. The same contact-foraging quality of attention goes into the beginner’s brain improvisations, w…
The music on this record is the result of a process of re-imagining Acre's concert at Area Sismica on June 11, 2022. No editing is present other than the extraction of some movements from the concert, which have been recombined in temporal order, according to a narrative logic given by the need to coexist with the space offered by the medium.
2009 release ** Broken Guitars is the first recording by Italian visual artist Michele Lombardelli: acoustic guitar improvisations between Loren Connors, Derek Bailey and Robbie Basho, with a tinge of sadness that permeates every moment and creates a sense of longing and nostalgia that seems destined for a nameless past."
2012 release ** "Touch is the new sound work by Tiziano Milani. Published in CDR digipak by Setola di Maiale, Touch confirms Tiziano’s status as one of the best and most appreciated Italian experimental and research composers, especially since, for this new work, he was able to avail himself of the collaboration of musicians of the caliber of Koji Nishio on piano, Hiromi Makaino on objects/electronic percussion/rhythms, Lars Musiikki on double bass/acoustic guitar, Cristian Corsi on tenor sax an…
Tip! *300 copies limited edition* Isak Hedtjärn plays the clarinet — a straight, metal variant of the more common wooden B flat Clarinet. Kvarpan is Isak’s first ‘solo’ record, but you also hear him in ‘quartet’ with himself, too on this diverse suite of improvisations recorded ‘on location’ on a single day at Patons Malmgård — his usual practice spot just by where the ferries head over to Finland. We recorded until the throb of the boats and waiting cars took over. A polymath of undeniable m…
2007 release ** "In April 2007, Ramuntcho Matta went to Tokyo to play with Mama Milk, a Japanese duo, and came back with hours of live recording done by Romain de Gueltzl. From this meeting of three different instruments, accordion, double-bass and guitar, above which Ramuntcho sometimes sings, a unique music was born, mixing jazz, tango and the new music in a movement which is both Zen and sincerely contemporary. SometimeStudio decided to publish these recordings in order to share these moments…
*100 copies limited edition* ⎤⎤⎤, the duo of Chantal Michelle and Grace Villamil, are interested in what they term "sound obliteration"—a paradoxical process that, in their hands, reveals teeming masses of sonic detail. The pair works in a variety of modes, including composition, installation, and performance. Live at Opus 40 begins with machinic drones that expand and dissolve into the warm, open-air environment where it was recorded, initially anchored by the site's rock formations. The piece …
*300 copies limited edition* Bertrand Gauguet, alto and baritone saxophones.Jean-Luc Petit, contrabass clarinet and sopranino saxophone.Recorded and mastered by Pierre-Henry Thiebaut22 and 23 June 2024 - Chapelle Saint Martin, Bignac (Fr)Photography - cover: B.G.Photography - inside page: Claude MesnardWarm thanks to Philippe Levreaud and Anne MaillouJean-Luc Petit and Bertrand Gauguet are members of the UN.
*Limited Edition CD in Digipack with Liner Notes.* “Holey Space, or more accurately ( )hole complex (connoting a degenerate wholeness), speeds up and triggers a particular subversion in solid bodies such as earth. It unfolds holes as ambiguous entities -- oscillating between surface and depth -- within solid matrices, fundamentally corrupting the latter’s consolidation and wholeness through perforations and terminal porosities. For a solid body, the vermiculation of holes undermines the coherenc…
1999 release - cardboard box ** "Hard to explain the birth of a band like A Short Apnea, ahead in the conception and in the sound, if you don’t browse the curriculum of the musicians, devoted to experimentation with other genres of music since the 80′s. Always in search of a music in which barriers between progressive, post-rock, free jazz, avantgarde, A Short Apnea became soon a cult and a reference for who attends from years to find in a band ahead as well as deeply italian."
1999 release ** "An outstanding record that demands a place in any comprehensive collection... some of the most vivid and creative improvisation/composition fusions in recent times... wholly individual mixtures of realtime improvisation and writing that cheerfully filches from all post-bop and compositional areas, yet which depends as much on the colour and intensity of the individual improvisations"
"Then I heard the clear voice of the flute" is the 10th solo album by Ido Bukelman. In the last ten years, all of Bukelman's albums have been recorded live, during his solo tours in Europe, and this album is his first studio album since 2014. The new album consists of improvised pieces for bowed banjo and acoustic guitar, but includes one vocal piece with lyrics, as well as one old folk song "The Flute" - a debut expression of Bukelman's many years of exploring into folk music from the Middle Ea…
The two recent Castel Sotterra releases in a special discounted bundle
Jackie-O MotherfuckerSmiles
Recorded live on April 28, 2014 at Outside Inside Studio, Montebelluna. Alan Zignoto: bass. Dave Easlick: drums. Tom Greenwood: guitar, vocals. Jeffrey Alexander: synth, chalumeau. Michael Whittaker: saxophone, flute, trombone. Dave Siebert: violin, lap steel. Mixed and mastered by Matt Bordin. Photos by Lorenzo Ferraro.
Giovanni Di Domenico, Matteo Bordin, Riccardo MarognaDi Domenico, Bordin, Ma…
Ava Mendoza has never made an album quite as personal as her second solo full-length, The Circular Train. Through her decades of collaborations with Nels Cline, Carla Bozulich, William Parker, Fred Frith, Matana Roberts, and Mick Barr—plus years leading her power trio Unnatural Ways and playing in Bill Orcutt’s quartet—the guitarist’s name has become synonymous with virtuoso technique, raw passion, and visceral resonance, a player pushing the edges of the guitar’s possibilities. Along the way, f…
1991 release ** "Based in Munich. Originally formed as an experimental music group in 1968 by Michael Kopfermann, its activities became morefold later on, most notably through the formation of the "PHREN-Theatergruppe" (PHREN theatre group). The name PHREN appeared in the mid-1970s, the earlier name was "Gruppe für Experimentelle Musik Michael Kopfermann" (Group for Experimental Music Michael Kopfermann)."
2009 release ** "Hacking away on a homemade system and twisted electronic tools, eRikm and Noetinger gleefully activate levers, tactile screens and joysticks with the utmost concentration. Doneda makes the air shake with acoustic vibrations. Together, they give free rein to their audio tricks, buzzing, interference, constructive feedback, electro-shocks, concrete slipping, hazed quotes, white noise, saturations and incisive scratches."
Petr Vrba and Joke Lanz met each other many years ago while standing in the cue for the Hermitage museum in Saint Petersburg Russia. They never made it into the museum, instead they went to eat Solyanka soup and drunk red wine from Georgia. That’s when they decided to join forces and create a power duo w/ electrified trumpet, turntables, electronics and voice. They have toured Czech Republic twice and performed several times in Vienna and Berlin. Mutants In Siberia is their debut album recorded …
Māpura Music is a collaborative and spontaneous music making program for people living with disabilities set in Tāmaki Makaurau / Auckland. Its facilitator, Stefan Neville (of Pumice etc.), has been active in the New Zealand underground for over thirty years, personifying an Aotearoa DIY sensibility that effortlessly links melodic song formats with open-ended experimentation. On surface level, this collection of improvised group jams verges towards the latter, but soon structures of a playfully…
**Limited edition of 75**
Zhu Wenbo: language laboratory cassette player, tape Yan Jun: scissors, sticker, tape Recorded by Yan Jun in Studio h, Beijing, July 16th, 2020 Mastered by Francesco Covarino. Released November 8, 2021
*100 copies limited edition. In process of stocking* Through its focus on process and materiality, Bias opens the practice of sound ecology beyond the acoustic to consider the audibility of the chemical composition of soil. From scraps of muddied media buried across three sites in Austria, Greece and Italy, Lami crafts a series of melancholy studies which seem to question the inevitable legacy of human culture and industry in the geological strata.
*100 copies limited edition.* Tsss Tapes presents Settembre by Chiara Bacci and Nicola Lancerotti. Improvised electronics and voice. Recorded in Bruxelles in 2022.
*2025 stock* "Bong Watt is the sound for Oscar Reutersvärd’s drawings. Impossible shapes bent within the conscious as sonic earwigs burrow holes in the frontal lobe. Trying to think about “If It Works, It’s Obsolete” is beyond true abilities. There is no beginning, no destination to get to, only a micro-dose of sound chaos that becomes more familiar with each listen. With many listens in the tank, Walter Wright and Al Margolis (Elka Bong) with Mike Watt create the most subtly gentle entropy.
The…
*2025 stock* "Ricardo Arias & Violeta Garcia Anagazas, Estatagemas, Jugarreta Y Tretas eh? MC Amazing duo set, recorded in Bogota, Colombia, in March 2020. Garcia plays cello and Arias plays bass balloon. Garcia’s cello playing has plenty of freak register exploration going on, and it’s almost shocking how much sound Arias is able to get from his inflated bladder. You’d think it could be a sort of gimmicky thing to do, but there’s some real majesty going on here. Sounds totally great and it’s a …
"Pressure relief..... these are the sounds to listen with caution. dustsceawung is a well used pot on the stove with a locking lid. The broken gauge configured with a crack that looks suspiciously like a smile. A worn rubber gasket creating a seal far past it's expected life by the manufacturer. Still this is not enough. There is no measure to how much force lies within. A hiss escapes, a rattle or knocking comes and goes. The process continues with thoughts of the contents within. In this case …
"Water ripples in outward patterns with the slightest disturbance. Peaceful space is found within the live performance of Stephen Flinn & Bryan Eubanks, and like glassy surfaced bodies of water, their sonic energy sends waves through the conscious. The balance rests on patience and understanding. Their instruments easily have the ability to crash the tranquil spirit, but their wisdom of how these sounds are unleashed is true testament to their alluring symphony. Stephen Flinn is the force behind…
"Public Eyesore has been releasing improvised and experimental music for over two decades and it never ceases to amaze me how interesting line ups Bryan who leads the label is coming up with. White Wuff is by any means no exception. When I read the liner notes I knew it is going to be a great musical adventure. Beautifully designed and released as a cd with 12 tracks that comprise different moods, travelling through genres. It's a pretty eclectic hybrid of various bits put into one mammoth of an…
"[...]Since each of the 19 pieces is a duo, Tungu gives his guests a chance to stretch out, often quietly, the combination often restrained yet mysterious. Starting out with experimental vocalist Sainko Namchylak, we hear her whispered voice surrounded by eerie electronics, subtle yet effective. It sounds like Tungu had each musician send him a short solo piece which he added to with acoustic bass, samples, field recordings or voice. Tungu obviously listened closely to add sounds which enhance w…
*2025 stock*
Lunchroom PetDavid Samas with Peter WhiteheadGamelan Encinal: Stephen Parris, Daniel Schmidt, Derek Drudge, Kim Nucci, Sophia Shen, Patrick Liddell, Joel Nelson, Maria Siino, Lucas DeLeon
Elegy and BardoDavid Samas: invented instruments, voiceTom Nunn: invented instrumentsBart Hopkin: invented instrumentsPeter Whitehead: invented instruments, voice
PahoehoeDavid Samas: invented instruments, voiceTom Nunn: invented instrumentsBryan Day: invented instrumentsSusan Rawcliffe: original …
*Hand-numbered edition of 300. Digipak in resealable poly-bag*
Jacob Felix Heule - DrumsTeté Leguía - BassDanishta Rivero - Voice And ElectronicsMartín Escalante - Saxophone
Recorded, Mixed, And Mastered By Jacob Felix HeuleSeptember 18, 2021 In Oakland, CaliforniaArtwork By Teté LeguíaLayout By Gerrit Hatcher
Reissue of classic and long hard to find Purge/Sound League album from 1987 by Borbetomagus. Quartet session with the power-bass addition of Adam Nodelman. 1993 CD release “Seven Reasons for Tears beautifully documents the most simultaneously fierce and accessible periods of the band’s history. Converts and heathens can both bathe luxuriously in the radioactive improv-beauty-stream that lights up a room when the record is played at ‘special’ volume. Tears is the living spirit of Borbetomagus’ nu…
*2022 stock* The work of upstate New York noise-jazz trio Borbetomagus is frequently described in terms of overwhelming power and aggression. In a live context, that's absolutely the dominant impression one is likely to get. On record, though, it's possible to have some control over the volume, and thus to listen closely and carefully and discern real technique at work, not to mention a subtlety that's not really surprising, given that saxophonists Jim Sauter and Don Dietrich, and guitarist Dona…