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Experimental /

QorusQoros
QorusQoros is "outernational" free jazz madness from Lisbon trio Alförjs. It could as well be an ethnographic soundtrack from another planet as the trio of Mestre André (saxophone, electronics), Bernardo Álvares (contrabass), and Raphael Soares (drums) delve deep into the outer realms of what jazz/electronic music can sound like. Urban shamanism, magical practices, and ancient/future world views collide in unsuspecting ways on this out-there tape. A unique sound from a unique trio, Alförjs have …
Stone, Brick, Glass, Wood, Wire - Photo-Graphic Scores 1992-95
**2 x CD box** Fred Frith's large, flexible ensemble project using marked photographs and rules as scores and featuring as permanent members Ikue Mori and Zeena Parkins. Recordings are taken from five concerts, including the first in 1992 at AngelicA festival, and features 44 musicians, including: Jean Derome, Lesli Dalaba, Paulo Angelli, Co Streif, Rene Lussier, Jean Marc Montera, Guy Klucsevek, Myra Melford, Han Bennink, Chris Cutler, Daan Vandewelle, Massimo Simonini, and Hans Koch. Includes …
Drummophone
* Edition of 300. Lacquer cut at SST. Featuring cover artwork by Natália Trejbalová. * Riccardo La Foresta is a percussionist, composer and improviser based in Modena (Italy) whose interests range from improvisation and composition, sound performance and sound art. His research led him to use the drum as a wind instrument, drastically moving away from traditional drumming. Recorded by Lorenzo Abattoir’s microphone in a former industrial hangar now base to the OvestLab cultural center in Modena (…
Stien
* Edition of 100. Green Radioactive cassette * Tsss Tapes presents Stien a new Philip Sulidae cassette release. Each track explores the organic dimension of the body of a different fruit: Apricot, Damson, Peach, Plum, Nectarine, Loquat... using improvised open forms with a minimalist extension. Composed and recorded in Hobart, Australia, 2020. Released on September 4, 2020. Mastered by Francesco Covarino.
Summing
Oscar Jan Hoogland is the sound of Amsterdam in person. He plays in the Muziekgebouw (Amsterdams main hall for modern composed music) as well as in the Bimhuis (Holland’s main jazz venue) that is literally attached to it, as in its parking garage. He is an instant composer, pianist and inventor of his own instrument by putting a clavichord, a keyboard instrument from the 17th century, on 220 Volt electricity. As the last student of the late pianist, composer and improvisor Misha Mengelberg he te…
Toho Sara
Black Editions present a reissue of Toho Sara's self-titled album, originally released in 1995. A mystifying work of Japanese avant-garde shamanism, Toho Sara's 1995 debut introduced a radical new sound from Asahito Nanjo (High Rise), Makoto Kawabata (Acid Mothers Temple), and Hisashi Yasuda - playing an array of ancient instruments including tabla, piri, harmonium, biwa, shakujo, and hansho the group evokes an otherworldly ritual music, meditative and haunting. Originally released on CD by P.S.…
Far And Wee
Black Editions present a reissue of Kazuo Imai's far and wee, originally released in 2004. Kazuo Imai is one of the few artists to traverse both Japan's early avant-garde and free jazz movements. Though he began performing in the 1970s, his 2004 P.S.F. album far and wee was only the second under his name. In a series of thrilling acoustic guitar improvisations -- Imai's playing crackles with dynamic tension and physicality as well as a subtlety and nuance that reveals him as one of the instrumen…
Customer's Copy
**12" pink-hued clear RTI vinyl pressing** Customer’s Copy is the debut LP of contorted cosmic jazz and eccentric minimal electronics by Exotic Sin. The duo of Naima Karlsson and Kenichi Iwasa first came together for a performance celebrating the art and music of Karlsson’s grandparents, Moki and Don Cherry, before continuing as an independent unit that still incorporates some of the Cherrys’ instruments as well as their synergetic integration of music with artistic practice. Preferring the star…
Catch of a Ghost
"Three names, three cultures, three continents, three different concepts of time and timing -- this is the essence of this trio. This is what we have to bring together." -- Peter Brötzmann, Wuppertal, April 1st, 2019With these words, Peter Brötzmann, one of the great figures in the development of a unique European approach to free improvisation since the '60s, announced his return to the AngelicA festival in 2019. A trio featuring Hamid Drake -- one of the best living drummers and guembri player…
Splatter
Internationally renowned musician and composer Roscoe Mitchell since Sound, his debut on Delmark in 1966, has defined a unique language based on a creative approach toward jazz and its relationship with contemporary music. Splatter, drawn from two concerts at the AngelicA Festival in Bologna in 2017, presents the most recent developments of this research. Here are two pieces from his cycle "Conversations for large orchestra". A project based on the transcription and orchestration of some pure co…
Duo (Bologna) 2018
Anthony Braxton, composer, multi-instrumentalist, and a true giant of creative music, in 50 years of career had never played in a duo with a harp; and that's exactly what happened at the AngelicA Festival in 2018. Expressing himself through a wide range of mediums, from solos to large orchestras to multimedia projects, and drawing inspiration from a wide range of influences, from John Coltrane to Karlheinz Stockhausen, Anthony Braxton has created a unique music system which celebrates the concep…
Premeditation
**Deluxe gatefold sleeve with varnish effect including a 8 pages photo booklet** In the early 2000s, Tokyo's SuperDeluxe was a meeting point for many experimental musicians, both international and Japanese. This duo sprung from a live collaboration at the venue in 2006, where Machida was experimenting with processed steel pan and Lyall was largely performing using a tabletop guitar setup with a range of electronics. Many subsequent encounters were heavily experimental, ranging from densely layer…
Celestial Birds
The compilation “Celestial Birds” reveals and focuses on the widely unkown electronic compositions of the AACM founder and jazz pianist Muhal Richard Abrams. #5 in the Perihel Series, curated by zeitkratzer director Reinhold Friedl. Anybody interested in jazz knows that Chicago has always been an impressive hot spot for new talents – and still is. One essential landmark in the history and development of jazz was the founding of the AACM (Association for the Advancement of Creative Musicians) in …
Spirits
**Edition of 100 copies on heavy weight 180 gram vinyl, comes in hand-painted cover on thick grey cardboard. In process of stocking.** "Spirits marks the second release of my duo with Christian Wolfarth, though in 2010 recordings of a trio with Christian, Günter Müller and myself (then on electronics) came out as the CD “Limmat” on the Mikroton Recordings label in Moscow. Following this trio CD, Christian and I didn’t play together again until 2016, when we had a series of concerts in Switzerlan…
しりえないものとずっと
Legendary drummer, Ikuro Takahashi played in most of the important bands of the psychedelic underground Japanese scene : Keiji Haino’s Fushitsusha, Seishokki, High b, Ché-Shizu, Maher Shalal Hash Baz, Kousokuya, LSD March and Nagisa Ni Te, but also with Junzo Suzuki, Tamio Shiraishi, Akiko Hotaka and many others, making it difficult to write a comprehensive list. Ikuro does not make a distinction between the young musicians with whom he collaborates, and the big names of the underground behind w…
Virtual Company
Simon H. Fell : double bass. Mark Wastell : violoncello, percussion. Derek Bailey : (virtual) guitar. Will Gaines : (virtual) tapdance. Recorded at Cafe OTO, Dalston, London; 2nd March 2018. An in concert, virtual Company performance from IST (on this occasion the duo of Simon H. Fell and Mark Wastell due to the snow-bound absence of Rhodri Davies) together with pre-recorded fragments of Derek Bailey and Will Gaines. IST’s Virtual Company calls on ‘the powers of improvisation’ (D. Bailey) to int…
Offerings
**200 copies** Gods of Rain explores textural improvisation for electric guitar and percussion/vocals. Brooding, arcane and foreboding, it navigates the turbulent waters of dark ambient and more abstract electronic music, swamped in swashes of caustic improv. Recorded in Berlin in 2005 without overdubs and live in the studio, this is electrifying listening that knows no boundaries. At times meditative and filigree-like, at others abrasive and drenched in explosions of molten lava. The ultimate m…
Tactility
The first release from Arkeen – a 7 track, 30 minute full length from Los Angeles based Ted Byrnes. Percussive abuse and aural assault. Fragmented time creating spaces between what you are about to hear, and have heard. The present does not exist. Previous output has been released by Claimed Responsibility, Foul Prey & Absurd Exposition. Ted Byrnes is a drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston, MA, he comes from a jazz background and has s…
Plafond de verre
Lunar Error is a group of musicians based in Lille. They work in the field of drone, continuum but mainly acoustic. After Sêlêne published in 2017 on the same label, they decided to work with Jean-Luc Guionnet who, here, considers contemporary composition for ensemble as a work both plastic and reflexive, using drawing, writing, typography, diagram, plan, non-idiomatic notation, questions of musical writing, interpretation, as well as individual and collective playing techniques, up to the sound…
Im Lungau
About this record and how Limpe and Paul Fuchs got together with Friedrich Gulda: In 1968, the Austrian classical and jazz pianist Friedrich Gulda organized the First International Music Forum of Ossiachersee with the theme "Improvisation in Music -- Yesterday, Today and Tomorrow". During the third edition of the festival, Gulda got to know the band Anima Sound and was fascinated by their "absolute free music", which they played on home-made instruments. Anima Sound was Limpe and Paul Fuchs, who…