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Son of Buzzi - In schwarze Stücke zerbrochen (2026 stock): Zürich owns son Sebastian Bischoff (existing under Son of Buzzi moniker) is one of the most devoted european players and aficionados inspired by ever changing and ever inspiring stream of beloved american guitar primitivism. His instagram posts and reels of his lonely sun roof jams often brings calmness to the realm of social media. Fans of the genre could hardly miss his (now freshly repressed Cardinal Fuzz label) 2022 album Die Hand De…
In the 1980s, this controversial collective shook up the Belgian art world with noise concerts, performances, unusual exhibitions and the "cultural battlezine" Force Mental - proposing a quite different view on art as known by the cultural establishment. Club Moral was founded by visual artist Anne-Mie Van Kerckhoven (AMVK) and performance artist Danny Devos (DDV) in Antwerp on January 1st, 1981. For over a decade it functioned simultaneously as venue, noise band, publishing house, and lightning…
*100 copies limited edition* Two pillars of New York's underground converge. Human Hair brings together Pat Murano and Richard Hoffman - both long-running fixtures of the city's most uncompromising experimental scenes - for an album that slithers, coils, and eventually leaves you floating in open space before you realize the lifeline has slipped from your hands.
The pedigree here is formidable. Hoffman's work with Sightings (one of the best bands to ever emerge from NYC, full stop), Insayngel, a…
*100 copies limited edition* A restless voyage on an electronic ocean of infinite sound. With TED, Brooklyn's Daksina label delivers one of its most ambitious and unclassifiable releases yet - a sprawling two-part journey through LIN11C's dense universe of fractured electronics, spectral voices, and orchestral wreckage.
Across two extended pieces totaling over thirty minutes, TED unfolds like a transmission from some waterlogged future. Clarion calls ring out across cavernous spaces while ghost…
Timo van Luijk's labels Metaphon and La Scie Dorée present three essential releases that map the territory of contemporary experimental music - from the vaults of Romanian fury to the birth of generative sound, from Darmstadt radicalism to psychedelic meditation.
Nicolae Brînduș's Match / Soliloque 1&4 / Antifonia (1986) remains the most eccentric entry in Electrecord's legendary RCM series - a controlled explosion where Romanian folk memory meets spectral composition, free jazz violence, and ta…
For two decades, Bart De Paepe has navigated the psychedelic underground, creating a singular artistic path through labels like Astres d’Or, Ultra Eczema, and No Basement Is Deep Enough, and through collaborations with Sylvester Anfang’s funeral folks, Louise Landes Levi, Timo van Luijk, and Raymond Dijkstra. Zürahümnah distills his expansive vision into four immersive tracks that blur the line between light and darkness, time and reverie.
*250 copies limited edition* The Mad Laboratory Of Anti-Matter is a free and improvised music duo based in Beirut. Created in 2022 by multi-instrumentalist Nadia Daou (NÂR) and clarinettist Paed Conca, an iconic figure on the improvised music scene.
Raw and industrial, the dark soundscape of this laboratory is an exploration of the void and everything that can be found and emanate from it: a sensory, physical, timeless experience. The trance-like quality of repetitive music is combined here with…
"Once upon a time before dubstep, there was MXLX. A pre-teen pioneer pisstaker from the same era that spat out Black Dice, Liars, Lightning Bolt, Sunn O))), he's been forging his posi-noise/negi-trance universe 'The Croatoa Institute' for decades now. Matthew Loveridge, the lovable hater you hate to love presents a suite of post-modern minimal piano. I don't know anything about pianos but it reminds me a bit of Su Tissue's 'Salon De Musique' and Luciano Cilio's 'Dialoghi Del Presente'. I love th…
A comprehensive survey of experimental sound practices across generations, geographies, and aesthetic approaches. This four-release bundle from Dead Mind Records presents vital documents of uncompromising artistic vision: from contemporary electronic collaboration to archival excavations of ambient and industrial histories.
At the center stands Carlos Giffoni & Joachim Nordwall's New Music - a visceral convergence of two sound artists operating at the outer edges of techno, noise, and electro-ac…
Melophobia spins tension out of spontaneous contact - Dave Tucker (guitar) and Pierpaolo Martino (double bass and electronics) improvise with sharp attention to rhythm, fracture, and digital manipulation, conjuring environments that threaten – and then dissolve – melodic order.
Semiotic Drift is a living conversation - Maggie Nicols uses voice as a map to possibility, Matilda Rolfsson provides creaking, insistent percussion, and Mark Wastell frames everything in the deep resonance of amplified tam-tam. The work rides the edge between storytelling and pure abstraction.
Juno invites deep contemplation through slow-moving layers of sound - Barry Chabala’s guitar, David Forlano’s electronics, and Drew Gowran’s percussion work in unhurried mutual orbit, exploring patience, resonance, and negative space rather than technical bravura.
Ensemble A is a turbulent meeting of three fiercely individual improvisers - Ignaz Schick harnesses live electronics and turntables, Anaïs Tuerlinckx dismembers and reinvents the piano, and Joachim Zoepf twists reeds into guttural shapes. The result is a volatile sound collage, sometimes blunt-force, sometimes eerily restrained.
Oneiric evokes drifting memories and waking dreams - an album created by Jane in Ether where recorders, piano, and violin/voice entwine in gauzy, tactile improvisations. Their music moves in soft spirals, trading clarity for a haze of overlapping tones and near-silence, aching toward something just out of reach.
Death in the Urban Jungle by Lance Austin Olsen is an expansive electroacoustic tapestry, weaving copper plate, shruti box, tape fragments, and wordless voice into a narrative of decay and emergence. Resonances and silences shape a listening experience as tactile as it is elusive.
Liminal Spaces, by Ed Jones and Emil Karlsen, sketches a quiet but complex dialogue between saxophone and percussion. Their communication is fluid, as fleeting motifs and rhythmic fragments surface and dissolve, inviting the listener into the shifting boundaries of spontaneous improvisation.
Moon sees Simon Rose and Nicola Hein map a shifting terrain between breath and electricity. Baritone saxophone and microtonal guitar unfurl in subtle layers, crafting a microcosm where fragility and abrasion lie side by side, always moving, always searching.
The Duke of Wellington is a vivid portrait of Derek Bailey and John Stevens in spontaneous conversation, recorded live at a London pub in 1989. The set captures their dynamic synergy; jagged guitar and agile percussion interlock and diverge in an unrepeatable display of free improvisational skill.
Within (2) / Appearance (2) by Michael Pisaro-Liu presents a contemplative exploration of duration and silence, foregrounding gradual transformation. These extended works for guitar and double bass, created with Michael Francis Duch, reward patient listening and engage with resonance and subtlety over spectacle.
Benjamin Tassie’s Earth of the Slumbering and Liquid Trees is an immersive 70-minute composition featuring performances by Zubin Kanga on keyboards, blending sampled historic organs, analogue synthesizers, and real-time digital processing. The work, part of the ‘Cyborg Soloists’ research project, was recorded live in Amsterdam and surrounds listeners with a multi-layered soundscape exploring themes of ritual, memory, and environmental transformation.