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* Edition of 100 * For Filaments, I used a 1968 Heath EUW-27 sine generator to create a series of overlapping tones that were recorded to tape. While being played back, I added a lower frequency sine wave run through a ring modulator and slowly rode the pitch shifting dials in real time, improvising alongside the playback. "Filament I" is broken up into three controlled parts, Part I is led by the interaction of the first grouping of tones, Part II is led by subtle shifts in the ring mod, and Pa…
Wow! **4xCD, over 4 hours of music. Co-Released by Hanson Records and Helicopter** Easily one of the most essential releases of this year, Hanson and Helicopter Records stunning 4 CD box set, reissuing Robert Turman’s visionary 1988 release, Chapter Eleven, reveals its creator as one of the most important and neglected artists of that decade, while foreshadowing the work an entire generation of experimental artists that would emerge over the coming years. Truly staggering in scope and creative a…
Robin Hayward, Microtonal F-tuba. Peder Simonsen, Microtonal C-tuba. Martin Taxt, microtonal C-tuba. Microtub is the world’s first and only microtonal tuba trio, exploring Just Intonation and the rich harmonic potential of the tuba. In collaboration with bohemian drips and Ace Tunes they bring us their new release “Chronic Shift”, featuring recorded material from the stunning “Großer Wasserspeicher” (large water tower) in Berlin-Pankow, mixed with analog synthesizers. Carefully recorded in binau…
*Edition of 200. CD + 8" 36-page photographic booklet.** "This work is loosely inspired by the title of a song by Tim Buckley included in his 1970 album "Starsailor" (a cover version by This Mortal Coil released in the '80s by 4AD was quite formative for me). My passion for the sea, observed, listened and lived mainly - but not only - from the beaches of my land and during winter. A solitary invocation, a project still open, in progress for several years during which the photographs and field re…
* Edition of 100 * Tsss Tapes presents L'inutile, a new cassette release by Giovanni di Domenico. Recorded at Elektronmusikonstudion EMS, Stockholm and Studio W, Brussels, 2017 - 2019. Mixed and mastered at The Nest Cellar, 2020.
This one if for WH - Giovanni di Domenico
* Edition of 100 * Tsss Tapes presents Caraguatá / Moxotó a new cassette release Marco Scarassatti and Thelmo Cristovam. Composed and recorded in Hobart, Australia, 2020. Released on September 4, 2020. Mastered by Francesco Covarino.
Bocian Records presents Bass to Bass by Nina De Heney & Slawek Janicki. Recorded at Mózg Studio, on November 29th 2019. Sound Recording: Janusz Czado, Maciej Maciejewski. Sound Mixing and mastering: Michał Kupicz. Cover Artwork: Peter Jacquemyn. Design: ZbyZiel. Executive Producer: Mózg Foundation, Bydgoszcz Poland 2020. Co-Producer & Distributor: Bocian Records. Realized thanks to the financial support of the City of Bydgoszcz.
Bocian Records presents Umwelt by Lucio Capece (Gema): on bass clarinet, slide saxophone, cardboard tubes, analog synthesiser and filter, and Ben Vida (Bird Show/ASCAP): on Synthesis, sampling and digital arranging. Recorded in Brussels, Berlin, New York, 2016-2020. Mastering: Joe Talia. Graphic design: Ania Witkowska / Fontanna.
Bocian Records presents Polyptyque by Nimitta. Performed by Massimo Pinca - Double bass, and Christophe Berthet - Soprano saxophone. Recorded in July 2017 at Studio de Agostini, Geneva by Marie Delorme. Mastering: Christian Gugenbuhl. Design: Renaud Goudal. Mixing by Marie Delorme. Cover art: Philippe Reymondin. All Compositions by Massimo Pinca and Christophe Berthet.
Edition of 500. "Here is the first volume of protean solo improvisations recorded by Loren Connors in his artist's garret in New Haven, Connecticut. It was committed to tape on February 20, 1979 and pressed to vinyl soon after. As with the two earlier LPs on Loren's Daggett label, singer/recorder-player Kath Bloom also appears on this record, although only on the second side. Those prior LPs were both issued in 1978, The first was Acoustic Guitar/Gifts a split LP with Loren solo on one side and …
* Edition of 150 * Two long compositions performed by Marcia Bassett and Manuel Mota on Guitar and Margarida Garcia on Bass, capturing a dark, metallic, almost reverberating atmosphere that we imagine in a cistern, a contained and often claustrophobic space. When the sound echoes, we sense the lament of the title in the face of physical constraint - the sound itself does not seem to have the capacity to cross the walls. Music of deep reflection, marking, through the constant sonic search, a worn…
Varsovia’s Recursos Inhumanos (Inhuman Resources), a classic album of Peruvian synth punk, is finally available in vinyl format. Since it’s appearance in 2014, Varsovia surprised many listeners with its combination of punk and synthesizer electronics, in the best tradition of groups such as Kraftwerk, Suicide, Chris & Cosey or Aviador Dro. Using sequencers and drum machines, loud guitars and a voice that oscillates between whispers and shouts, the band builds songs that offer a freewheeling and …
Christian Kobi is one of the leading names on the improv scene in Bern, Switzerland. His work includes collaborations with Phill Niblock, Jürg Frey, Taku Sugimoto, and Keith Rowe. His new album, “Cathedral”, closes a trilogy for saxophone solo that started with “Canto” (2010) and “r a w l i n e s” (2013), and which was recorded in the former Swisscom high-bay warehouse - probably the largest underground space in Bern.
That space serves Christian as a place of exploration of sound, silence and ac…
* Edition of 300 * For the past 20 years, German composer Stephan Mathieu has been steadfast in pushing his electro-acoustic alchemy to unique and personal places. His debut LP release on Ritornell in 2000, Wurmloch Variationen, would come to define the sound of ambient music for the two decades that followed.
This October, on the 20th anniversary of its release, Wurmloch Variationen will be issued for the first time on vinyl by Dublin-based label Weeding. The album has been astutely remastered …
* Edition of 50 * These ten four minute minimalistic, repetitive, electronic drone pieces invite you to calm down and listen closely. Each of these tracks has a focus on sound and its different qualities such as: pitch, timbre, texture, duration and location. Notes and synthesizer sounds are selected so that their combination creates a harmonious drone with few simultaneous, simple and repetitive elements. Preset synthesizer sounds are sustained to reveal this inner life of each combination. In …
Nomadic Australian cellist and composer Judith Hamann presents two collections of her sonic inquiries into shaking and humming. Her CD, Music for Cello and Humming, features two pieces for cello and humming written specifically for Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own "Humming Suite" and "Study for Cello and Humming." Having arisen intuitively from Hamann's investigations into shaking, just intonation, psychoacoustic phenomena, and the voice in relation to…
Nomadic Australian cellist and composer Judith Hamann presents two collections of her sonic inquiries into shaking and humming. Her LP, Shaking Studies, is a collection of iterative cello performance that foregrounds shaking as a generative subject. In addition to an arsenal of techniques for registrable shaking, Hamann's conception of the term emphasizes micro and macro pulsing, including tremors, vibrato, wolf tones, and complex partial activity. Hamann begins with a sphygmological reading of …
* Edition of 200 * A static, haunting bliss from Michael Morley's Music for The Never Quartet project. The New Zealand-based artist and musician is best known from The Dead C but has also recorded music as Gate, The Fuck Chairs etc, as well as a couple of albums under his own name.
"Music for The Never Quartet seeks to employ the resonating qualities of wooden acoustic guitars placed upon items of wooden furniture to reveal connections between time and space by sonically activating the instrumen…
Kredsbevægelsen was an A/V installation based on a video projection of a feedback generated from a video camera filming it’s own projected output and feeding back the light information of the space in between camera and projection, returning output as input and retransmitting, producing a discontinuance of difference between action and effect.
Frequencies of coloured light are scaled down to audible spectrum and quantised into harmonics. All audio dynamics, variation in amplitude, phase, frequen…
* Edition of 200 * New frequency challenges in this new dub flavored album by Paris' singular and mysterious Unglee Izi. 2 side-long tracks of sharp and meticulous digital sound architecture covering a wide spectrum of sonic precision and melodic beauty.