Squeeze the Lids Through Coming Window
** Edition of 300 transparent red vinyl. 2021 Stock ** A piercing hum awakens alien skreeks and insect antennae and fluttering seedpod drifts and curled leaf wails… reedy twirlings dance above organic-machine wheeling thuds… hopping whistles accompany descending klangs, producing a rushing stasis, a clattering bliss, a reverential noise. Vibracathedral Orchestra’s trademark levitation drone returns to earth to offer two sidelong utopias, a revolving array of instruments selected in turn by the m…
Mad Song
** Edition of 300** Oaken Palace Records is excited to present its 20th release, a sonic journey to the roots of drone music, performed by Bombay Lunatic Asylum. The musicians behind this name are no others than Louise Landes Levi and Bart De Paepe, who already played together on Ikiru (OAK-013), our fastest selling release so far. On Mad Song, they are joined by Koen Vandenhoudt, who also recorded the album. De Paepe’s harmonium and Vandenhoudt’s shruti box form the perfect backdrop for Levi’s …
Tenno
For over four decades, Reiko Omura and Tori Kudo have endlessly woven themselves throughout the avant-garde and underground scene of Japan. While internationally appreciated in countless incarnations and contexts (Maher Shalal Hash Baz, Guys & Dolls), if one were to seek out an early moment in which the two artists created something truly awe inspiring, 1980’s Tenno (天皇) would be it. As Noise, the duo experimented with the juxtaposition of Kudo’s extended organ based dirges (be they eerie and/o…
Burn the Night / Bruciare la Notte: Original Recordings, 1983-1989
Burn the Night / Bruciare la Notte: Original Recordings, 1983–1989 is the first archival collection of music by the Italian minimalist composer Tiziano Popoli. In his music, Popoli framed the Italian avant-garde and New Wave of the 1980s through an architectural aesthetic distinctly detailed by a Yamaha DX7 synthesizer, Roland TR-909 drum machine, and early sampling technology.
Vivification Exercises I
* Limited edition of 225 cassettes with hand stamped covers * Ka Baird’s Vivification Exercises, a recording for piano, voice, and electronics that references an invigorated consciousness, is primarily based on a presentation at Roulette’s Brooklyn theater in May of 2018. The event added to Baird’s history of performances that embrace the physical and visceral, though the musical, provocative sounds this time exorcised from both her body and the piano’s. Written, performed, produced and mixed by…
Quattro
Tanz Mein Herz’s latest, Quattro, out via Standard In-Fi, encounters the French collective pushing at the boundaries of folk tinged experimentalism, psych, and drone. Sprawling across two LPs, it’s an absolute burner of throbbing, hypnotic sound and stunning creative interplay, and easily one of the best records we’ve heard in the early months of 2021.
Motore Immobile
To quote Pitchfork, this is 'one of the most sumptuous, spiritual ambient albums of any era or provenance.
Glowing Sounds
Harry Bertoia's Glowing Sounds LP contains three versions of the same composition, each transferred at different tape speeds in accordance with the artist's instructions. This is the third LP to be released from Bertoia's extensive tape archive and it's the first, of many, to be released using instructions left behind by the artist himself.
Bertoia wrote the concept for this Glowing Sounds LP on a note in 1975 and slipped it into the master tape case where it sat unread for 45 years. The idea wa…
Impedance
** Packaged in a deluxe, heavy duty tip-on gatefold sleeves printed by Stoughton; cut by Golden Mastering and pressed at RTI ** Alina Kalancea's Impedance is an entirely instrumental album spanning four sides, contains powerful rhythmic sequences, heart-beating frequencies and hypnotic loops that are paradoxically encapsulated in carefully crafted compositions which are full of secret passages and hidden doors. Kalancea's work creates ungraspable sonic experiences, which overtakes you, immersing…
Le Plan de Paris
Tip. Edition of 500. Pascal Comelade and Richard Pinhas met in Paris in 1974, when Pinhas was beginning to go on stage with his group Heldon. With Heldon and, afterwards, solo, Pinhas became the pioneer and accelerator of electronic music in France, and a fundamental reference throughout the world. Comelade’s electronic period was much shorter, from 1974 to 1981. From 1983 on, he developed his policy of instrumental, strictly acoustic music.In 1975, Pinhas recorded the introduction to Comelade’s…
Of The Air
* Edition of 100 * Of the air was recorded in April of 2015 in Charleston, SC on an 1890 tracker organ. Linkages between stops and the slider chests that open the ranks of pipes to control timbre are mechanical. As a result, pulling out a stop slowly brings in not only a new timbral layer, but does so in way that causes the new sound to slide into the correct pitch. This allows for a microtonal pitch world. During the recording process I was stuck by the way holding down a diatonic cluster while…
Filaments
* Edition of 100 * For Filaments, I used a 1968 Heath EUW-27 sine generator to create a series of overlapping tones that were recorded to tape. While being played back, I added a lower frequency sine wave run through a ring modulator and slowly rode the pitch shifting dials in real time, improvising alongside the playback. "Filament I" is broken up into three controlled parts, Part I is led by the interaction of the first grouping of tones, Part II is led by subtle shifts in the ring mod, and Pa…
Chapter Eleven
Wow! **4xCD, over 4 hours of music. Co-Released by Hanson Records and Helicopter** Easily one of the most essential releases of this year, Hanson and Helicopter Records stunning 4 CD box set, reissuing Robert Turman’s visionary 1988 release, Chapter Eleven, reveals its creator as one of the most important and neglected artists of that decade, while foreshadowing the work an entire generation of experimental artists that would emerge over the coming years. Truly staggering in scope and creative a…
Chronic Shift
Robin Hayward, Microtonal F-tuba. Peder Simonsen, Microtonal C-tuba. Martin Taxt, microtonal C-tuba. Microtub is the world’s first and only microtonal tuba trio, exploring Just Intonation and the rich harmonic potential of the tuba. In collaboration with bohemian drips and Ace Tunes they bring us their new release “Chronic Shift”, featuring recorded material from the stunning “Großer Wasserspeicher” (large water tower) in Berlin-Pankow, mixed with analog synthesizers. Carefully recorded in binau…
Songs to the Sirens
*Edition of 200. CD + 8" 36-page photographic booklet.** "This work is loosely inspired by the title of a song by Tim Buckley included in his 1970 album "Starsailor" (a cover version by This Mortal Coil released in the '80s by 4AD was quite formative for me). My passion for the sea, observed, listened and lived mainly - but not only - from the beaches of my land and during winter. A solitary invocation, a project still open, in progress for several years during which the photographs and field re…
L'inutile
* Edition of 100 * Tsss Tapes presents L'inutile, a new cassette release by Giovanni di Domenico. Recorded at Elektronmusikonstudion EMS, Stockholm and Studio W, Brussels, 2017 - 2019. Mixed and mastered at The Nest Cellar, 2020.
This one if for WH - Giovanni di Domenico
Caraguata / Moxoto
* Edition of 100 * Tsss Tapes presents Caraguatá / Moxotó a new cassette release Marco Scarassatti and Thelmo Cristovam. Composed and recorded in Hobart, Australia, 2020. Released on September 4, 2020. Mastered by Francesco Covarino.
Bass To Bass
Bocian Records presents Bass to Bass by Nina De Heney & Slawek Janicki. Recorded at Mózg Studio, on November 29th 2019. Sound Recording: Janusz Czado, Maciej Maciejewski. Sound Mixing and mastering: Michał Kupicz. Cover Artwork: Peter Jacquemyn. Design: ZbyZiel. Executive Producer: Mózg Foundation, Bydgoszcz Poland 2020. Co-Producer & Distributor: Bocian Records. Realized thanks to the financial support of the City of Bydgoszcz.
Umwelt
Bocian Records presents Umwelt by Lucio Capece (Gema): on bass clarinet, slide saxophone, cardboard tubes, analog synthesiser and filter, and Ben Vida (Bird Show/ASCAP): on Synthesis, sampling and digital arranging. Recorded in Brussels, Berlin, New York, 2016-2020. Mastering: Joe Talia. Graphic design: Ania Witkowska / Fontanna.
Polyptyque
Bocian Records presents Polyptyque by Nimitta. Performed by Massimo Pinca - Double bass, and Christophe Berthet - Soprano saxophone. Recorded in July 2017 at Studio de Agostini, Geneva by Marie Delorme. Mastering: Christian Gugenbuhl. Design: Renaud Goudal. Mixing by Marie Delorme. Cover art: Philippe Reymondin. All Compositions by Massimo Pinca and Christophe Berthet.