Shoot And Crucify
The third tape on the fledgling Cold Spring label, 'Shoot And Crucify' was released back in 1988 in an edition of just 50 copies (CS003). It features some of the very earliest works of many now-influential and essential Industrial / Noise / Experimental artists. The 'scene' at the time was built on the mail-art network, exchanging an explosion of ideas, sounds and art around the world via the (then very cheap) postal system. Just a handful of these 19 tracks have since been reissued, but the vas…
LIVE au FIMAV
*2026 stock* This concert recording is something of a miracle. Nothing suggested that this album or even the performance it documents—pro- duced in extremis, in the middle of a global pandemic, with ever-chan- ging public health orders—would see the light of day. A few weeks prior to the event, no-one knew if the concert would happen, nor did I know what we would be performing! Really. Almost half of the program was composed four weeks before the show. From the outset, I knew that the set list w…
Nausea To Attain, A Place To Being
*100 copies limited edition* First public release by Pittsburgh / WV area noise artist. Weird, tape-centric stuff. a f ish -- wears a hat, hiccup as usual, the expect ed ; uun til, some thing other th an.
Packaged in foldover bag with inserts and packing tape / xerox banderole affixed to tape
Sound & Company + Rosa Anschütz
Post city music from Sound & Company (Christian Stadsgaard + Hannes Norrvide) with Rosa Anschütz. Grey electronic palette accented by tenor sax contributions from Jim Slade.
Kenter
*2026 stock* Alessio Santini works with sounds and images. After playing guitars in obscure black and doom metal bands during nineties, and working on several electronic music IDM projects, he started a path of research on granular sound processing and audio-video interaction, from fifteen years now.
Kenter is an electric guitar + acoustic drums (both heavily manipulated), record. Big, raw, digitally distorted guitars are processed, re-processed, then processed again, leading to massive noise, t…
Shutsumin
Shutsumin, the debut recording from the generation spanning duo of Japanese legend Otomo Yoshihide, toggling between guitar and turntables, and rising saxophonist Kei Matsumaru, a native of Papua New Guinea, who moved to Tokyo after studying jazz at the Berkelee College of Music in Boston, where he's become a close collaborator of Eiko Ishibashi in addition to leading his own genre-defying solo projects. Both musicians casually ignore lines between jazz, experimental music, and noise, fashioning…
Bonjour L'Ambiance
Two live recordings : one in an old castle in the countryide, the other in the cave of a bar in Paris. Normally only available at gigs.
Pianoise
On Pianoise, Emmanuel Lalande turns the piano inside out: specially retuned instruments become broadband noise generators, and composition becomes subtraction, where the notes you don’t play carve harmonic negative space as vivid as the ones you do.
Strange City
On Strange City, Merzbow drags Sun Ra’s archival fire through a bank of howling electronics, turning rare Saturnian jazz fragments into towering, cosmic noise storms where horn blasts, rhythms and feedback fuse into a single, irradiated signal.
Vrhältnis
*300 copies limited edition* More than twenty years of friendship haunt Vrhältnis, the new album by Antoine Chessex and Dave Phillips, out now on Coherent States and Krim Kram. Its source material reaches back twenty years, originating from live performances during a 2005 joint tour in Lausanne and Basel and a studio session recorded the same year at the Dynamo/Popkredit Studio in Zürich. Both sessions were then filed away, the recordings disappearing into the archive, untouched for nearly two d…
Boanerges
*2013 release. 2026 stock* Duo of Jim Sauter from Borbetomagus and Kid Millions from the Boadoms and Oneida ! "The sound of saxophone turning into an extreme noise and brutal raging percussion! Such is the latest noise jazz from NYC!" - JOJO Hiroshige / Hijokaidan. "Jim's sax playing is impulsively domineering in Borbetomagus, which is based on a usually percussion-less trio formation of two saxophones and one guitar; and I was really curious to hear what would happen when it encountered a drumm…
Annihilation of Samsara
On Annihilation of Samsara, Attila Csihar, Balázs Pándi and John Wiese converge as a single, shifting organism, dissolving borders between extreme metal, free improvisation and noise into a dense, unstable ritual where sound behaves more like weather than music.
Split
South Bohemia's Remnant (also well known for his activities as Chevallier Skrog, Cosmic Cause Productions, Pant Y Meddygon among many others...) and Western Alps exile Elisha Morningstar share this one hour long split... Plenty of tense and deranged waves of noise on the eastern side, quieter dark -mostly synth or guitar driven - tones on western side...
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Metal Machine Music: Power To Consume [Vol. 2]
Metal Machine Music: Power To Consume Vol. 2 pushes Lou Reed’s feedback inferno into a new era, unleashing Merzbow, Masonna, Lydia Lunch, Blixa Bargeld, Martin Rev and more in a maximalist, Record Store Day 2026 hallucination of infinite noise.
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Metal Machine Music: Power To Consume [Vol. 1]
On Metal Machine Music: Power To Consume Vol. 1, a coalition of noise heavyweights channels Lou Reed’s most infamous album into a new crucible of feedback, tape rot and industrial grind, where extremity becomes form and chaos is sculpted into brutal, hypnotic clarity.
Flood Coil
On Flood Coil, Norwegian artist Kjell Bjorgeengen and noise architect Lasse Marhaug collide flickering electronics and dense signal storms, turning sound into a volatile field of interference where image, electricity and feedback are felt rather than merely perceived.
Asteroid*
*70 copies limited edition* Flung is pleased to present Raphaël Languillat’s Asteroid*, which renders celestial debris and deep-space signals as volatile synthesiser improvisations, released on limited edition cassette, exclusively on Bandcamp. Asteroid* arrives as four transmissions extracted from a self-modulating Korg MS-20 — a closed-circuit system driven by feedback and fracture. What surfaces are compositions as pressure events: ruptured drones, scorched frequencies, and signal debris spil…
Bardo Thödol
In their third collaboration, the shared project between Merzbow and Pedro Vian shifts towards less confrontational and more introspective terrain. Bardo Thödol, released as an LP, draws on The Tibetan Book of the Dead not so much as an explicit narrative framework but as a conceptual resonance: a passage, a suspension between states.
Where Inside Richard Serra Sculptures and The Wheel of Mani foregrounded a relatively defined dialectic between Vian’s environmental restraint and Masami Akita’s i…
The Lost Tapes
Big Tip! *Limited edition of 200 copies* Geometrik Records is delighted to once again play a part in the exclusive recovery of Marcelo Expósito's previously unpublished work, which had been lost since its original creation in the 1980s. Marcelo Expósito is one of Spain's most internationally renowned contemporary artists, whose work is regularly exhibited across Europe and Latin America. But he began his career at a very young age during the era of sound experimentation that flourished in the wa…
The Dresden Interleaf 13 February 1945 / Music From The Venezia Space Theatre / Megaton For Wm. Burroughs (LP)
Outstanding 1979 album on Lovely Music with three powerful and groundbreaking electro-acoustic pieces realized in the mid-1960's for theater and multi-media performances. Essential, with some of the most uncompromising and extreme electronic music ever released.