It's nice to see a lake in your eyes
Carol Maia & Jeremy Gustin’s haunting collaborative album is the result of a long distance partnership during which tracks were traded back and forth across thousands of miles, Jeremy working from his home studio in Brooklyn and Carol from hers in Rio De Janeiro. Later they enlisted support from a number of key players in the Rio scene, Frederico Heliodoro, Paulo Emmery, Ricardo Dias Gomes, and from Brooklyn’s musical community, Will Graefe and Ryan Dugre, to shape this understated masterpiece o…
Ferrum Sidereum
On Ferrum Sidereum, Zu stretch their jazz‑metal DNA into an 80‑minute instrumental odyssey: ritualistic riffs, industrial grit and prog‑honed structures orbit around a dense, meteoric core that feels both meticulously engineered and violently alive.
Igneo
A blazing chapter of Zu’s early history returns. Originally released in 2002, Igneo is back in print.
Almost Waking
"Mabe Fratti is a Guatemalan cellist, vocalist, and composer based in Mexico City, celebrated for her experimental yet deeply melodic work. Blending cello, voice, synthesizers, and electroacoustic textures, she builds songs that move between improvisation, ambient soundscapes, and off-kilter pop forms. Emerging from Mexico City's improvisational and experimental scene, she has become a key voice in contemporary avant-pop. Bill Orcutt is an American guitarist and composer known for his raw, highl…
Nêgre Blanc
On Nègre blanc, Jean-Louis Costes turns a label’s “make a jazz record” brief into a feral cut‑up: Quentin Rollet’s solo sax improvisations are diced, looped and smeared under Costes’ confrontational vocals, flipping free jazz into a trash‑opera about race, filth and French identity.
Second Life
De Mond blend gargles of stomach ache electronic dubs with the energy of a raging ozz garage band and the blasting beat of a heavily sampled hip hop act, sauced with neon vocals sang through the exhaust pipe of a lost balkenbrei eating uncle from Peer in backward Limburg! We always heard the echo's of late 90's / early 2000's Providence / Load loudness in De Mond's live shows, without the masks, though with the red paint dripping all over the floor. There's surely that high energy warehouse punk…
Live At The Melkweg 25.9.87
*100 copies limited edition* Staalplaat proudly announces the release of Live at the Melkveg 25.9.87, a blistering live cassette capturing Savage Republic at the peak of their ferocious '80s sound. Recorded on September 25, 1987, at Amsterdam's iconic Melkweg venue, this previously unreleased document showcases the Los Angeles post-punk pioneers delivering an unrelenting set of tribal rhythms, searing guitars, and hypnotic drones.
Savage Republic, formed in 1980 amid the DIY ethos of LA's underg…
♫ ⎜ II
After its first release in 2023, the tiny big band Parasite Jazz brings its public iterations to fruition with “♫”, a testament to an alternate reality, matured voyaging across France over the span of four seasons. It sees the music flee through exuberant forests and steep troglodytes ; a parallel genre movie with a soundtrack of diluvian rhythms, mocking chants, jazz noir and voodoo accidents. In this shifting, autonomous world, the elastic orchestra—whose members keep on appearing and disappea…
The Alternative Counter Organization
Taco weaponise the very idea of “tako” - octopus, kite, bunion, drunk, bald head - into a mutating post‑punk organism, a rotating guerrilla cell whose songs behave like incidents rather than compositions.
Revolutionary Pekinese Opera
On Revolutionary Pekinese Opera, Ground Zero - under the ferociously precise direction of Otomo Yoshihide - detonates a cut‑and‑splice orchestra where free improv, noise, opera and plunderphonics collide with undimmed urgency.
On Bats
"Historically, ensembles combining taishōgoto and bagpipes (at least inside the milieu of “jazz”) have been on the tame side. The Winkler Twins, Dagnabbit, CUZ and other such units pandered to the bowtie set so exclusively that many people have all but dismissed the instruments as hopelessly moldy or even (in the words of critic Milo Fine) “tools of fascism and complacency.” That said, it is my pleasure to announce that the duo of William “Bill” Nace and Dave “David” Watson has made a mighty eff…
Nash The Slash - Covered
James Jeffrey Plewman, better known by his stage name Nash the Slash, was a Canadian musician. A multi-instrumentalist, he was primarily playing the electric violin and mandolin, as well as the synthesizer, keyboards, glockenspiel, and other instruments. Nash worked as a solo artist beginning in 1975; founding the progressive rock band FM in 1976. Soon after releasing the band's first album, Black Noise, in 1977, he left the group; he resumed his solo career in 1978.
Nash's music covers an ecl…
Idutydu
Frantx is a glit-noise band based in Paris that creates music in a dimension of hyper-speed where individualities get blurred, immersed in post-internet sonic drifts. The four members of Frantx explore the limits of their instruments and new modes of interaction through extended techniques, heterodox amplifications and electronic extensions. Frantx was born to question our roles as musicians and target the political dimension in which we are supposed to exist in this contemporary context. Music …
Présence Humaine
On the occasion of famous French writer Michel Houellebecq's new album release, Tricatel reveals a special edition of his cult first album Présence Humaine, in a blue vinyl limited edition. The album has been arranged and produced by Bertrand Burgalat, who is also the music composer of the album.
1978
The first ever official release by this legendary Melbourne post-punk band who only ever existed for a number of months in 1978, but who cast an important and influential light in Australian (and global!) music, influencing the likes of the Boys Next Door/Birthday Party and The Models, the group's membership and its diaspora reading like a who's-who of crucial Australian music of the past 50 years.
In the band was a young Rowland S. Howard, who would soon go onto join the BND/Birthday Party; Oll…
Soft Rains Will Come
"Soft Rains Will Come" is the second collaboration between G.W. Sok and Ignacio Córdoba, following their 2024 experimental collage album "Is This A House". This time, the pair rebuild their fragmented sound within a band - This House - alongside drummer Søren Høi and synthesist Kristian Tangvik, turning abstraction into something loud, rhythmic, and alive. At its core, the record treats rhythm as architecture. Every instrument acts as percussion, each with its own colour and instability, orbitin…
Erosão Percussion Trio
Drummer, singer, composer, and producer Mariá Portugal (BR) joins Berlin-based percussionists Burkhard Beins (DE) and Emilio Gordoa (MX) to form the Erosão Percussion Trio, which is now releasing its debut album through Kassiani Records and Fun in The Church. Their performances are strongly grounded in improvisation, drawing on a wide variety of percussion instruments — ranging from the traditional drum set to other unconventional instruments. The trio’s sound is enriched by the percussive use o…
Now Transitioning
*50 copies limited edition* Now Transitioning is a collection of performances built around a time of personal change, discovery and evolution - waiting for a second child, switching over to a new day job, moving into a new home, looking forward and then eventually getting used to a new phase of life.
All tracks on the album are single studio improvisations, performed and recorded live, using real-time digitally processed guitars and sampling techniques. Mastered by Adam Badì Donoval
EP's 1988-1991
On "EP’s 1988–1991 and rare tracks", My Bloody Valentine crystallise the leap from scuzzy indie to full‑blown shoegaze alchemy: the Creation‑era EPs and stray cuts where overdriven pop songs dissolve into colour‑smeared noise, vapor‑thin vocals and the weightless lurch that would become Loveless.
Soft as Snow: Peel Sessions and Rare Tracks
Irish-English rock legends My Bloody Valentine announce the release of Soft As Snow: Peel Sessions And Rare Tracks, a highly anticipated vinyl collection that showcases some of the band's rare gems and mesmerizing performances captured during the iconic John Peel Sessions.
Soft As Snow serves not only as a collection of rare tracks but also as a celebration of the band's innovative sound and artistic evolution over the years. With their unique blend of dreamy melodies, heavy distortion, and haun…