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After four EPs of skeletal kraut-punk and slimmed down post-motorik alienage Milan’s Tv Dust are back with an entirely different beast, their proper debut ‘Transition’, an incredible collection of no-jazz, breakneck rhythms, mutant-wave, trance-funk, shredded sax jags and furious, yet mysterious assaults.
Tv Dust run a tight ship, they jam econo, with the album strongly based around the incredible interplay of drums (Sergio Tringali), bass (Filippo Aloisi) and sax/synth (newest member Gaetano Pa…
This Norwich-based trio hit our radar earlier this year when we caught their third live performance in London. Gipping Through the Ages is their debut release.
A historical live recording by Blaine L. Reininger and Steven Brown, founders of legendary post-punk band Tuxedomoon, here in their parallel guise as a classical piano and violin duo, one they have maintained throughout the decades.
This is the "other" 1989 Blaine and Steven concert in Portugal, performed two days after the Lisbon gig immortalised many moons ago on "One Hundred Years of Music". "Live in Porto 1989" is undoubtedly the better of the two gigs (just listen to "Iberia"!…), but the oc…
We are pleased to reissue the masterpiece cassette of the early Acid Mothers Temple, which is an exquisite mix of psychedelic and noise that creates an unidentifiable sound. The reason for the mysteriousness of the sound is the editing that forms the composition and development of the sound in a way that would normally be unthinkable, and will reaffirm the uniqueness of Acid Mothers Temple.
Able Noise are a cross-continent duo based between The Hague (NL) and Athens (GR), built around the experimental baritone guitar and drum playing of George Knegtel and Alex Andropoulos. After a few formative attempts at collaboration, they officially came together as the Able Noise we see now in 2017, uniting over shared thoughts on art and performance encountered while studying at The Royal Academy of Arts in The Hague. Their first recorded work, a seamless 30 minutes of glistening post-rock an…
Mariano Melo, aka Marian Sarine, is a Brazilian multi-instrumentalist based in São Paulo, specialising in percussion and drums. Known for his drumming with the band Deafkids and his solo work as Sarine, Mariano's latest album, “Asas Terenas,” features his first recordings under this name. The album began with organ themes recorded with Felipe Pato at the end of 2019, with additional instruments added throughout 2020 and 2021. As Sarine himself says, “Asas Terenas” is a sonic mixture that moves t…
The Residents are an American art collective best known for their over 60 studio albums that were recorded over a period of over forty years. They also created some outstanding multimedia works, mainly three CD ROM projects and ten DVDs. Working as an anonymous collective, their identitites were kept secret until in 2017 Hardy Fox revealed himself as their primary composer. Hardy died in October 2018, but the group continue to record and perform. In 2021, the band wanted to depart on a European …
Thomas Barrière developed this album during the last ten years. Much has happened during the decade between "Primaire", his first solo album released in 2014 on Thödol and "Alkebulan". During this period, he travelled across the world several times with Trottola Circus, he formed the band Algecow with his cohort Bastien Pelenc, he composed a bunch of film soundtracks, and he became a father. And the world changed as well of course!! Thomas goes back to all forms of music that impressed him throu…
First time vinyl reissue of Univers Zero's legendary Crawling Wind, originally released in 1981 on the Japanese 'Chaos International Series' label, with the original cover artwork has been beautifully redesigned by Thierry Moreau.
Toujours Plus à l'Est, as the title suggests, is heavily influenced by the traditional music of Eastern Europe, particularly Bulgaria., and paying tribute to the iconic catchphrase of Professor Calculus (Tournesol), the character from the Belgian comic series Tintin. B…
Tip! MF Tomlinson's second album We Are Still Wild Horses stands partially as a document of the year after ‘the year everything changed’, necessitated as a way out of the "the deep sadness in the winter of 2021". Written in the time when the days were the shortest, it speaks in the language and logic of dreams. In the dramatic sonic landscapes in which these songs unfold; a remarkable journey deep into the self is taking place. Tomlinson says of the album: “At both ends of the album there is an …
The debut recording from the duo of multi-award-winning Scottish author David Keenan and Bruce Russell, the guitarist from the greatest underground rock band of the late 20th century, New Zealand’s the Dead C., was recorded live in Christchurch, NZ, as part of the Word festival in August 2023. A series of live improvised settings that pair readings from Keenan’s monolithic and critically-acclaimed modernist masterpiece, Monument Maker (White Rabbit 2021), with guitar and electronics from Russell…
*2024 Repress. A new edition with changed details such as the back of the jacket and the label. Shrink packaging + sticker pasting.* "A miraculous object with a line-up of recording and mixing by Fumi Nishikawa, mastering and cutting by Rashad Becker, and binding by Tomoo Gokita. An instrumental group led by Koshiro Hino = YPY, Goat's memorable first LP is a reorganization of the best performances of the 1st "New Games" and 2nd "Rhythm & Sound". They create music with noises, muted sounds, and p…
*2024 stock. 300 copies limited edition* “It all happened in a sweet sort of blur. We knew something special was being captured. Though Ricardo has his influence of Brazilian music, I’ve studied in African rhythms in Ghana, and Will is a jazz-trained guitarist, the outcome is more other-worldly as opposed to ‘world music.’
“Viator” is as skeletal as it is instantly recognizable. Following the inception of the unmistakable post-power electronics cubist-Latin-blues that kept Adrián de Alfonso busy during his Don The Tiger days, the first album under his own name is a ruthless step forward into a new form of avant-garde balladry, raw and stripped down, poetic yet enchanting, anchored in a sort of stubborn and repetitive primitivism, which synthesizes the future rituals of a stateless tradition. "Viator" consists main…
*100 copies limited edition* ‘Magik Park’ is our world seen as an amusement park where the marvellous masks the horrible, where entertainment and madness mingle to generate permanent chaos.
Patrick Bouvet was born in 1962. In the 1980s, he devoted himself mainly to musical creation, including several radio pieces for France Culture. Since the early 1990s, he has extended his work on sampling and musical collage to writing. In situ, his first book, was published by Éditions de l'Olivier in 1999. …
*2024 stock* "Blanche Lafuente, Jeanne Guien, Nina Garcia, Thomas Dunoyer de Segonzac: no noise quartet post no post no wave no punk post noise post mama post everything: French chanson... A crawling bass, shredding drums, a lacerating scalpel-guitar, hijacked tape loops, bits of agit-pop poetry carried by chanted, melodramatic vocals." - le non_jazz
Marionette presents 'dessus oben alto up', the first collaborative recording by Andrea Belfi and Jules Reidy. Hailing from different ends of the globe (Australia and Italy) but both longtime residents of Berlin, Reidy and Belfi’s approaches have much in common, bringing together compositional precision and electroacoustic rigour with improvisation freedom, the immediate gratifications of rhythmic pulse, and an overtly lyrical sensibility. Working together during a residency at the sound studio o…
Tip! *LP ltd to 415, black vinyl, 2 color (blue and black) silkscreened jacket with obi (black or light grey), 2 inserts and a postcard. Printed by Alan Sherry* Chita, the third album proper by Japanese guitar pop trio Usurabi, is their most elegant, stylish confection yet. Over the past four years, Toshimitsu Akiko (vocals, guitar), Kawaguchi Masami (bass) and Morohashi Shigeki (drums) have been recording, playing live, and releasing songs of rare melodic warmth, centring Toshimitsu’s unique mu…
There are cult bands and then there's Souled American. In 1988, the Illinois group arguably invented "alternative country" with the album Fe. While the alt-country sound is widely recognized as Southern roots rock with an indie-punk sensibility largely defined by Uncle Tupelo's No Depression released two years later — Souled American's early music feels as if it was formed in a vacuum, inspired by the timestretching space of reggae. But over the course of the following decade, Souled American's …