The Meaning Of Blackness (More Decorous Than Duty Having Become Faster Than Everything A Smile That Was Never Birthed Into The Light)
Keiji Haino considers this live album as an integral work that cannot be separated. We suggest that you enjoy the whole album without interruption and turn the volume up to the maximum.
The Prey And The Ruler
"The first time I witnessed Senyawa was in the early 2010s. We shared a bill at the MonaFoma festival in Hobart. Some memories hold strongly in your mind and Senyawa’s performance that day did just that. It was a monstrous portent of things to come. A promise, in sound, of the energetic force that has since come to mark them as one of the truly unique and visionary musical pairings from South East Asia. This project, The Prey And The Ruler, finds its root in the unsteady months of mid 2021. As t…
The Binding Third
The legendary Lebanese trio of trumpeter Mazen Kerbaj (Karkhana, Johnny Kafta), guitarrist Sharif Sehnaoui (Calamita, Karkhana, Johnny Kafta ) and bassist Raed Yassin (Praed, Praed Orchestra) celebrates their 20th anniversary with The Binding Third on Unrock.
They still create acoustic improvised drones that range from insistent, chiming resonances with emergency alarm bells to low, thrumming hums but with growing intensity. Avoiding conventional technique, A Trio manages to create sounds like m…
Phonography
The first time I heard R. Stevie Moore was when The Residents played me goodbye piano - which would have been sometime in early 1978. Soon after that, I got in touch with him to import some copies for Recommended - followed over the years by many of his other releases. Phonography was Stevie's first, and a masterpiece. Terminally idiosyncratic but with all the compositional qualities of great pop. R Stevie Moore is a gifted songwriter and marches to his own drum - as this strange and compelling …
Bob's Drive-In
A set of twisty, forty-ideas-a-minute, niftily arranged, irredeemably eccentric, but strangely brilliant songs that skip blithely across genre borders - from Nashville through the Miskatonic by way of the Beach Boys… even the production values range across the history of recording, sometimes switching inside a single song; so it’s a high-information ride - but still engagingly listenable. So far so good: another crafted, dense, idiosyncratic studio album. Now comes the twist. Finished with his …
13 Songs and a Thing
The latest collection of twisting, turning instrumentals and songs, and another instant classic. If you didn't venture down this way yet, now is a good time to start. In a category of one, Bob Drake undermines musical, technical and production norms with a breathtaking amalgam of broken rules and unimaginable musical logic.
The Skull Mailbox (and other Horrors)
The strangest so far. Mostly songs; a lot of acoustic instruments, a lot of unidentifiable sounds, a lot of fragments borne on a wind from somewhere else; bizarre picking interludes, humour (maybe) and snatches of incandescent playing. You can't pin this one down; it's full of twists and turns and a geometry that doesn't quite add up. Seemingly casual, there's not an ounce of fat on it, and the production - or anti-production - is, on repeated listening, quite extraordinary. Impressive.
Little Black Train
Thinking Plague, Hail, EC Nudes, 5UU's bassist and mixmaster with his second solo CD. Fast and furious country picking meets weird fragmentation and fast cut compositions. Guitars, Bass, Drums, Violin and odd unidentifiable noises all flawlessly performed, recorded and mixed into a single organism of musical strangeness. One of a kind.
Itsunomanika
Paolo Angeli and ex-After Dinner/Volapuk violinist/singer Takumi Fukushima present an integrated, complex and largely composed programme of deft, focused pieces that make the most of their not inconsiderable individual talents and instruments; mostly sounding like a much larger ensemble. The sonorities of Paolo’s extended, customised, prepared giant Sardinian guitar doing extraordinary, and sometimes chameleonic, work as bass, chord accompaniment, melody instrument, viola/cello, and even percuss…
S'Û
An amazing record. It’s beautifully recorded and almost impossible to believe that such a layered and polyphonic music, with chords, percussion, lead lines, bass lines, harmonies, string sections and sometimes voice could all be produced by one person in real time, without overdubs or loops. But it is. The instrument, a specially designed and augmented Sardinian guitar (almost the size of a cello) is equipped with motors, pedals, individual string mic’ing, and extra appendages; and of course the…
A Face We All Know
'A Face We All Know' breaks new ground altogether. This is a single work with texts by Chris Cutler, Rainald Geotz and Thomas Pynchon and documents the last days of a political nightmare. Start here with Cassiber.
German reggae
Teenage Panzerkorps have been playing during these last ten years their unique and special kraut-punk that continues the musical tradition of Neu! and Kraftwerk. They have already produced two lps and lots of eps and singles that offer us lots of interesting songs to hear.“German Reggae”, Panzerkorps’ new effort, is, in my opinion, their best album so far. This album is full of early post-punk rhythms and krautrock melodies. It reminds me of the genre’s most notable bands such as Savage Republic…
Split
Introducing In Zaire, the improvised live performance of Claudio Rocchetti, Alessandro De Zan (G.I. Joe, Orfanado) and Riccardo Biondetti (G.I. Joe). They mix dub-funk rhythms, tribal percussions, indian and electric bass guitar melodies, arabic and psychedelic voices and minimal-introspective electronic sounds.
On the flip, leading the way, The Skull Defekts. Given the band members pedigree (drummer Henrik Rylander was a co-founder of Union Carbide Productions, guitarist Joachim Nordwall was a…