Jazz /
Mingus Ah Um
When driving a band with his upright bass, Charles Mingus looked -and was- gigantic, in more ways than one. He had huge creative appetites (as well as being hot tempered), creating his own combination of hard bop, blues, and avant-garde jazz. There was no one more multi-faceted than Mingus between the 1950s and 1970s and of his many albums, Mingus Ah Um (1959) is considered to be a jazz classic.
Traneing In
*2025 stock* John Coltrane with the Red Garland Trio is the third studio album by the jazz musician John Coltrane. It was released in early 1958 through Prestige Records. The recording took place at Rudy Van Gelder's studio on August 23, 1957. It was reissued in 1961 as Traneing In with a new catalogue number and cover design.
Thelonious Monk With Sonny Rollins 1953 To 1957 (Revisited)
Though they may not have recorded together until 1953, when Rollins was 23 years old, Sonny was introduced to Monk while a senior in high school, already part of a cadre of young neighborhood jazz neophytes. Monk became a mentor to them, offering home-based instruction on the new possibilities restructuring bop harmonies and rhythms, or as Rollins later put it, “the geometry of musical time and space.” - Art Lange
The Rarest On Debut - Charles Mingus Sideman
** Rare original copies. Original 1987 LP pressing on Mythic Sounds, numbered edition. Unplayed copies from a dead-stock, minor wear due to ageing on covers. Comes with original hype sticker ** A rare window into the collaborative genius of Charles Mingus, The Rarest On Debut – Charles Mingus Sideman assembles some of the most elusive and captivating sessions from the formative years of modern jazz. Issued as a numbered, limited edition of just 1,000 copies, this Italian compilation brings toget…
Mingus Dinasty
Recorded in jazz’s golden year of 1959, Mingus Dynasty is often overshadowed by Mingus Ah Um, but it stands as one of Charles Mingus’ most ambitious works. Expanding his regular band with additional players, he pushed his compositions into more intricate territory. With a lineup featuring Richard Williams, Jimmy Knepper, John Handy, Booker Ervin, Roland Hanna, and Dannie Richmond—plus guests like Benny Golson and Jerome Richardson—Mingus crafted a dynamic set blending gospel-infused grooves (Slo…
Collector's Item
When Ira Gitler, jazz journalist and producer at Prestige, curated this album, the term "collector" was already well-established among music enthusiasts. The pursuit of out-of-print recordings, old 78 rpm discs, and unreleased material had reached an intensity comparable to the fervor seen in the vinyl-collecting market decades later. Gitler aimed to offer jazz fans unreleased Prestige recordings while meeting expectations for the amount of music on an LP. Initially dismissed as a mere compilati…
The Sounds Of Yusef
*Warehouse fund* Recorded in 1957 and released on the Prestige label, "Sound of Yusef" features Lateef's quintet with Wilbur Harden - flugelhorn, Hugh Lawson - piano, Ernie Farrow - bass, and Oliver Jackson - drums. Lateef's aesthetic was a perfect mixture of hard-driving jazz and a variety of ethnic materials. Even though If compared to later works, "Sounds of Yusef" is still very much rooted in Jazz while the use of traditional ethnic instruments adds colors and flavors without really deviatin…
At Home With Screamin‘ Jay Hawkins
By far one of the most outrageous performers of the early years of rock, prone to emerging from coffins on stage, with a flaming skull named Henry as his constant companion, Screamin' Jay was an insanely theatrical figure long before it was even remotely acceptable. His 1958 debut, At Home, featuring his legendary "I Put A Spell On You," along with surreal hits like "Hong Kong," "Take Me Back To The Boot And Saddle," or his wild-ass reinventions of old standards like "I Love Paris" and "Deep Pur…
Live and Radio Recordings 1957-1962
One more step into the eclectic world of Krzystof Komeda. An outstanding compilation based on Komeda's early production featuring a variety of live and radio recordings between 1957 and 1962. Four different line ups including the Komeda trio, quartet and sextet, plus another quartet shared with tenor sax player Bernt Rosengren. A bunch of true pioneers for Jazz in Eastern Europe searching for the perfect synthesis between the American stylistic influence and a distinctive Slavic lyricism.
Jazz Harpist
*Back in print by popular demand!* This is Dorothy Ashby's debut album, originally released in 1957 by the Regent label. Recognized as the woman who gave the harp a jazz voice, here Ashby is at the head of a highly distinctive combo featuring Frank Wess on flute, Eddie Jones or Wendell Marshall on bass and master Ed Thigpen on drums. The Jazz Harpist is an unprecedented mix of evocative classic sounds and jazz soul, awarded by Allmusic as her first and best album, period!
At Carnegie Hall
Unearthed in 2005 by staff at the Library of Congress, At Carnegie Hall is an incredible performance delivered on 29 November 1957 by jazz giants Monk and Coltrane, together with bassist Ahmed Abdul-Malik and drummer Shadow Wilson. Far superior to that captured at the Five Spot five months earlier, At Carnegie Hall shows Coltrane finding his own sax sphere as Monk explores the limits of experimental excursions on the keyboard; Monk is in his element on ‘Crepuscule With Nellie’ and Trane shows hi…
Jazz Mood
*2024 repress* A multi-instrumentalist who reconfigured jazz many times during his long career, Yusef Lateef came to prominence in the late 1950s, after having toured with Dizzy Gillespie. Jazz Mood dates from 1957, when his Quintet had some of Detroit's finest, including Alice Coltrane's brother Ernest Farrow on bass and future Jazz Messengers Curtis Fuller on trombone. The use of an argol on 'Metaphor' and a rabat and finger cymbals on 'Morning' point to Lateef's Islamic grounding and his beli…
Chamber Music Of The New Jazz
Often taken as inspiration by the likes of Miles Davis and Gil Evans, Ahmad Jamal is definitely one of the greatest artists in jazz history. Recorded in 1955 and originally released on the short-lived Parrot label, "Chamber Music of the New Jazz" is a stunning example of the creative, elegant, and precious music played by Ahmad Jamal's early trio. The fruit of the magical interplay between Jamal’s sophisticated pianism, Ray Crawford’s highly rhythmic guitar playing, and Israel Cosby’s fine doubl…
The Jazz Giant
*2024 stock* "Some of Lester Young’s sessions made in the mid-1950s find him in bad shape, due to a combination of personal problems and alcoholism that would prematurely end his life on March 15, 1959 at the age of 49. However, when producer Norman Granz had the brilliant idea of reuniting him with his old musical companions Roy Eldridge, Vic Dickenson, Teddy Wilson, Freddie Green, Gene Ramey and Jo Jones, the result was a highly spirited and happy date that is presented here in its entirety." …
The Jimmy Giuffre 3
*2024 stock* "Jimmy Guiffre 3 features the first version of Giuffre's 3. With guitarist Jim Hall and either Ralph Pena or Jim Atlas on bass, Giuffre is heard on clarinet, tenor, and baritone. The generally introverted music is wistful, has a fair amount of variety, and is melodic while still sounding advanced. In addition to the nine original songs (including the earliest recording of Giuffre's classic folk song "The Train and the River"). An excellent introduction to Jimmy Giuffre's unique musi…
Django
*2024 stock* "Classic jazz in construction and execution. The place to begin appreciating the many and great virtues of one of jazz's finest aggregates" - Douglas Payne
"In terms of seminal Modern Jazz Quartet entries, it is hard to exceed the variety of styles and performances gathered on Django." - Lindsay Planer
Ahmad's Blues
*2024 stock* "Someone at the prestigious Verve jazz record company had an idea last summer: to re-release a compilation of recordings by legend jazz pianist Ahmad Jamal’s trio at the clubs of Chicago in 1958, it was a very good idea!
Ahmad’s Blues is a must have for Ahmad Jamal fans and all Jazz fans for that matter. Throughout his long and storied career, Ahmad has demonstrated both technical virtuosity and amazing style and creativity, this early live recording is no exception. With a title tr…
New Soil
*2024 stock* It was Charles Mingus who, in the mid-1950s, first tried to alter Jackie McLean’s playing style, which was fully entrenched in Charlie Parker’s sound at the time. “I never really sounded like Bird, but that was my mission”, said McLean during a WBGO radiointerview. “I didn’t care if people said that I copied him; I loved Bird’s playing so much. But Mingus was the one that really pushed me away from the idea and forced me into thinking about having an individual sound and concept.” M…
Live at the Hillcrest Club 1958
This record marks a turning point in jazz history. It may be the earliest recorded example of what Ornette Coleman later called "free jazz," and it represents the first rumblings of the revolutionary movement which eventually shifted jazz thinking away from bebop. This double LP includes the complete show recorded live at The Hillcrest Club of Los Angeles in 1958.
Hip Harp / On A Minor Groove
Doxy present a combined reissue of legendary jazz harpist and poly-instrumentalist Dorothy Ashby's Hip Harp and In A Minor Groove, both released separately in 1958. Both albums feature Frank Wess. Dorothy Ashby had a unique soul jazz harp sound, and although the instrument she used is probably more thought of in terms of bedtime lullabies, she actually makes it swing nicely, and with a soulful sound that draws back to traditions of African stringed instruments. Ashby was part of the same scene a…