Jazz /
After Long Silence
*2025 stock* The first release in 24 year from Korea's foremost artist in jazz-tinged experimental / ambient music, Kim Byoung Duk!’
Kim Byong-duk is a Korean experimental / ambient musician who has paved his own artistic path by drawing on various musical styles as well as his roots in jazz and modern music. The 2018 anthology, "Experiment No. X", reaffirmed Kim’s status as one of the most progressive and unique musicians in Korea’s experimental music scene. After 24 since his 4th album "New T…
The Great Root
*2025 stock* The carrot root of the live music world, Sometimes a health food that young children reject,The peak of live music that becomes sweeter the more you chew, Kim Oki's [Giant Root]. Kim Okie's new album, ‘Giant Root,’ is a story of human love beyond struggle, revolution and freedom.
Kim Oki is a South Korean saxophonist, and former breakdancer. He debuted in 2013 with his studio album Cherubim's Wrath (천사의 분노), and has since released numerous projects and albums. He collaborated with v…
의례 Ritual
*2025 stock* Kim Sung-bae is a jazz bassist and the leader of Ilil Sound, a collective of jazz experimentalists. In addition to his activities with the free jazz ensemble, the Avant Trio, and as a member of saxophonist Kim Oki’s group, he has also pursued his solo work. "Ritual", recorded in 2016, is Kim Sung-bae’s second solo effort. After encountering a gut ritual performed by the manshin Kim Geum-hwa, he stayed with her in Incheon for six months preparing for this album. Recorded with a six-…
Cherubim's Wrath
*2025 stock* Kim Oki is a South Korean saxophonist, and former breakdancer. He debuted in 2013 with his studio album Cherubim's Wrath (천사의 분노), and has since released numerous projects and albums. He collaborated with various artists including Park Jiha, Lowdown 30, Hippy Was Gipsy, Say Sue Me, and Bek Hyunjin. He won the Musician of the Year at the 2020 Korean Music Awards.
He was also active under the stage names of Kim Oki Oriental Youth (김오키 동양청년), Kim Oki Fucking Madness (김오키뻐킹매드니스), and K…
Un-Belonging
When Jacobo Vega-Albela left New Mexico for upstate New York to pursue a lifelong dream of becoming a performer and composer, he knew it would change him forever. Ready to expand his potential, he soon found himself on a path that some only fantasize about. He has since transformed his extraordinary journey and its captivating highs and lows into his first album with 577 Records.
“Un-Belonging is a record underpinned by tremendous joy, optimism, and love for the world counterbalanced by a pers…
Kiss Of The Earth
Many have been taken by the works of New Orleans’s Byron Asher and NYC’s Tomas Majcherski, but few have heard them as the Sonic Chambers Quartet. Joined by rising bassist (and frequent collaborator) Matt Booth from North Carolina and NOLA’s beloved avant-garde drummer Doug Garrison, the new group has teamed up with 577 Records to release its debut album, Kiss Of The Earth. It’s a beautiful, thought-provoking arrangement of emotion, creativity, and freedom that soothes your soul.
Though not offi…
King Hussein Bridge
2010 release ** "This part of Martin Vognsen’s SCATAW project features a trio with Yasuhiro Yoshigaki (drummer in Altered States, Otomo Yoshihide’s New Jazz Orchestra, ROVO) and Kumiko Takara (percussionist in Bondage Fruit, P.O.N., Warehouse). Spontaneously created on miscellaneous percussion, semi-acoustic dobro and sparse electronics the music takes improvisation through a fresh mix of crisp sounds, meticulous rhythms and enigmatic melodies. Together the 10 distinctive tracks compose a highly…
Die Unwucht
Big Tip! As poets from Shakespeare to Heine have recognised, “the forest” is not just about grandeur and most expansive of gestures; it is also about intimacy and there is a remarkable intimacy to Christopher Kunz’s and Florian Fischer’s music. The forest is both inhuman, wild, and, because it houses us and to a degree depends on us, profoundly humane. You’ll find these qualities here as well. Focus, breathe and listen. (Brian Morton)
NOHC
1998 release ** NOHC is a French quartet featuring Daunik Lazro (alto and baritone saxophones), Denis Colin (bass clarinet), Michael Nick (violin) and Didier Petit (cello and voice).
In The Shadow
Joe Maneri’s last Microtonal recordings from the year 2002. These are not typically arranged songs, but asymmetrical, asynchronous constructs that develop from simultaneous, complimentary but peripheral gestures of the mind and heart. The harmonic contrasts that result from Joe Maneri’s breathy microtones; the fixed pitches, inclining towards atonality, of Tyson Rogers’ piano; and Jacob Braverman’s ambiguously scored percussion color their contrapuntal angles and parallel lines. Layers of energy…
De Anima
2025 stock ** "It’s been almost 10 years since Louis Minus XVI reigned over the free jazz of the Flandres. Fortunately for us, his reign is not ready to stop with this new album “De Anima “. This Art Ensemble of Lille is hyperactive. In addition to three albums and a split with the Berber artist Lahcen Akil, we find members of the quartet in equally ambitious projects, such as Unik Ubik, M.Thibault, Hook, L’Atelier d’Education Musicale du Centre Social Raymond Poulidor, but also in the company o…
Novoa / Kamaguchi / Cleaver Trio - Vol. 2
Novoa/Kamaguchi/Cleaver Trio Delivers Electrifying Second Volume, A Bold, Experimental Fusion of Density and Dialogue
Olympia
Emerging Drummer Samir Boehringer Sazzerac Unites Musicians from NY and Switzerland in First Album with 577 Records
Stefanovich, Dell, Lillinger, Westergaard: SDLW
*2025 stock* bastille musique presents its twenty-first release »Stefanovich, Dell, Lillinger, Westergaard: SDLW« featuring world premiere recordings by Tamara Stefanovich (piano), Christopher Dell (vibraphone), Christian Lillinger (drums, percussion) and Jonas Westergaard (double bass). Produced at the Teldex Studio Berlin, the album documents the collaboration between Dell-Lillinger-Westergaard and Tamara Stefanovich for the first time.
The Walkman
1988 release ** Your Neighborhood Saxophone Quartet is a saxophone quartet based in the Boston area, from 1980 to the present, specializing in improvised music and original compositions by its members. The group recorded one LP on its own label and five CDs for the Coppens label (Amsterdam), and made nine trips to Europe to perform at clubs, concerts, and festivals, one midwestern US tour, and many appearances around New England and in New York City.
(Y)earbook Volume 1
1992 release ** The first in a three volume compilation (each available separately) of 114 improvisers from around the world, covering a wide variety of approaches to improvisation. Includes Henry Kaiser, Splatter Trio, and Randy McKean.
On Mandorla Awakening II: Emerging Worlds
2025 stock ** "The innovative, boundary-smashing work of Nicole Mitchell, whom Chicago Reader music critic Peter Margasak has hailed as the “greatest living flutist in jazz”, has contributed new life to Afrofuturism in the 21st Century. A voracious reader of science fiction since her youth (Afrofuturist author Octavia E. Butler in particular has exerted a heavy influence on her music), the musician, composer and educator has released a string of albums that fold themes centered around technology…
Urban Magic
2003 release ** "A lesser-known set from the Art Ensemble Of Chicago – a CD originally packaged with an Italian magazine, now presented here on its own! The performance is from 1997 – and the group features Lester Bowie on trumpet, Roscoe Mitchell on reeds, Malachi Favors on bass and percussion, and Don Moye on assorted percussion – all in a style that shows all the relaxed, confident modes of the group in their mature years. The ensemble's almost more compelling here than on some of their bette…
Four Compositions (Quartet) 1983
1993 release ** "Before getting to the music of this Anthony Braxton recording, the listener is confronted with a highly calculated methodology. The album bears the stark title Four Compositions (Quartet) 1983, and each song (itself merely a cataloged number) is accompanied by its own highly cryptic diagram. This sets up a struggle, whereby musical/emotional ends must be achieved through Braxton's analytical compositional means. For this 1983 session, Braxton selected materials from his collecti…