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"The special qualities of this music emerge from the focus on Lacy’s soprano saxophone in this unique instrumentation; the transparency and intimacy of the bass and guitar create a nuanced background set against the variety of improvisational strategies." - Art Lange"The removal of two recorded compositions and the editing here is based on notes originally written by Steve Lacy on the cassette he sent me to listen to and evaluate the music for release. I acquired the original recording in 1985 f…
"This, it seems to me, is the great strength of Sophie Lüssi’s music here on Atlantic Puffin. It is clearly skilled and doesn't deal in casual approximations. It is built on solid technique, a brilliant appropriation of classical violin methods in the interests of improvisation. But her music, which draws on folk as well as canonical forms, is one that emanates from and addresses the whole person. It's generous music, kindly and open, and in its gentle humour it engages a part of the spirit that…
Elisabeth Harnik, an Austrian based pianist and composer has created a multi-faceted body of work by blurring genre boundaries through various collaborations in the field of improvised music, interdisciplinary projects and contemporary compositional works. She studied classical piano and later – with Beat Furrer – composition at the University of Music and Performing Arts, Graz. As an improviser she works within an electro-acoustic inspired sound-world, using specific preparations and extended t…
*2025 stock* The album "On the Way" is the result of cooperation and friendship of four exceptional artists. The paths of these musicians have been intertwining for many years. Each of them is characterized by a unique sound and awareness of creating their own language, which is a bridge connecting artistic sensitivity, philosophy, mysticism and reality. Each of them blazes its own trail, often through difficult and virgin grounds. Constantly transcending themselves is the essence of their creat…
*2025 stock* Ethnicity, improvisation, jazz, melody, indigenous feeling and groove plus free natural expression are defined by Piotr Damasiewicz Ethno Trio. Recorded live in the old higlander family house.
Named after a Jean-Michel Basquiat painting and inspired by the artists multi-faceted stylistic approach - known for its raw, expressive, and dynamic qualities, blending street art with neo-expressionism to create bold, thought-provoking work. The Exu make layered, intense, creative & beautiful, thought provoking, genre fluid improvised music. The trio brazenly draw their musical influences from the worlds of free jazz, grunge, death metal, hip hop, bebop, & experimental music. Kane says ‘we are…
First released in 1980 via the little-known Pick Up Records, Danish jazz-rockers Ariel's self-titled debut record sees an unlikely reissue via Jazz Room here. A worthy reintroduction of the quintet to the world at large - where before it wasn't well-known at all - it comes after the album was recently helped to by none other than Brownswood aficionado Gilles Peterson, whose encyclopaedic internal memory bank and capacity to chin-wag served the cascading recollection of the album by Jazz Room lab…
"In the quartet on this album, Paul Dunmall has returned to his first love: totally free improvisation based on interaction between the four players. Many aspects of Paul Dunmall’s playing are apparent on this album. His approach is to listen very carefully to what is happening around him and to react to it. If you see him play live, you will see how he concentrates on the flow of the music, often stepping back and allowing the music to develop before choosing the right moment to enter or re-ent…
2024 Stock. Minor signs of wear from long-time storage. ** "Britain's Free Jazz Quartet is comprised of trombonist Paul Rutherford, reed and woodwind man Harrison Smith, cellist Tony Moore, and drummer Eddie Prévost. Recorded in 1989 in Oxford, the offering here, a series of mid-length improv pieces, bears up well under the free jazz moniker and leaves all the "new music" clichés to another day. Here, the dictates of a European free jazz mapped out by Evan Parker, Tony Coe, Lol Coxhill, and othe…
2024 Stock. Minor signs of wear from long-time storage. ** "Recorded in 1994 at a concert in Manchester, England, Band on the Wall -- which is literally where they played -- features the divine dancing of Eddie Prévost's drumming in tandem with the piano of Marilyn Crispell, who was just then emerging out from under the shadows of her two mentors, Cecil Taylor and Anthony Braxton. Since Crispell was used to working with Gerry Hemingway, this set provides an amazing contrast for the pianist, in t…
2024 Stock. Minor signs of wear from long-time storage. ** "This quartet date pairing alto saxophonist Rob Brown with guitar madman Joe Morris dates from 1993 with William Parker, the ubiquitous New York bassist in the avant-garde, and the lesser-known, but very able drummer Jackson Krall. Recorded by Tommy Tedesco (not the guitarist), this set has all the elements that many of Morris' other dates are missing: cohesiveness. Here he is merely part of the band. Sure, he solos, but no more or less …
2024 Stock. Minor signs of wear from long-time storage. ** "On this set recorded live at the Knitting Factory, George Cartwright (switching between various saxophones) and clarinetist Michael Lytle battle it out on three lengthy free improvisations."
2024 Stock. Minor signs of wear from long-time storage. ** "A White Line is, in many ways, Austrian composer, arranger, flugelhorn player, and bandleader Franz Koglmann's most controversial work because in it, he dares to use race as a compositional element. His is not merely a cultural dissension but a musical one. A White Line is Koglmann's salute to the white lineage in jazz, from Bix Beiderbecke through to Chet Baker, and including perhaps even one of his guests on this recording: pianist an…
2024 Stock. Minor signs of wear from long-time storage. ** "This duet performance between improvisational soprano saxophone wizard Evan Parker and Tuvan jazz and new music vocalist Sainkho Namtchylak was recorded live in 1996 at the Toronto Music Gallery. It was not the first time they had played together, though it was the first as a duo. The recording is aptly titled, not because the music is spaced out, but because it appears beyond the scope and breadth of human language to encompass, let al…
2024 Stock. Minor signs of wear from long-time storage. ** "These "Ends to Slavery" Eugene Chadbourne refers to in his title are just that: the pieces he played to end his own cultural and musical slavery. To this end, in the liner notes, he discusses -- sometimes at length -- what happens in particular works, or, more interestingly, what they're about and who they're for. The opening track, "Amber," is about a family cocker spaniel who had to be gassed because of her age -- and the fact that sh…
2024 Stock. On their 3rd album Casper Van De Velde and Hendrik Lasure, the two SpongeBobs of Belgian jazz, enter Cortizona and take you on board of their newly discovered musical spectrum: Rollercoastin’ between extreme emotions Casper and Hendrik slide through 90’s Euro-optimism on synths, frantic drum rolls, lost piano sounds and sample wizardry: blending Spanish guitars, voices of singing ladies, slow mo clarinets and the patterns of a percussion robot.
‘Holiday’ is the result of a residency …
2024 stock Outstanding performance by the Austrian saxophonist Hans Koller; this is a very uncommon and memorable session from the 1960s. Koller plays tenor in a quartet that also features Fritz Pauer on piano; the track was initially recorded for a sound library session, but it is exemplary 60s contemporary jazz. In a style that appears to really challenge Koller during his solos, maximizing his remarkable tone and phrasing without descending into any kind of overdone experimentalism, most of t…