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Tip! In the first years of its existence, starting in 1997, the Peter Brötzmann Chicago Tentet worked as a collective, inviting all and any of its participants to contribute compositions to the band's repertoire. Eventually, the Tentet would jettison scores and pre-planned structures altogether, opting for free improvisation, but on their early tours and initial recordings they played pieces written by the various band members. A marathon set of summer studio sessions in 2002, just off a U.S. …
Chicago-based saxophonist and clarinetist Ken Vandermark was invited to arrange a set of seventies music for a concert in 2019, and among the pieces he chose were tracks by funk legends Parliament and post-punk iconoclasts DNA. On this 12-inch 45rpm EP, Vandermark's band Marker presents a unique take on "Night of the Thumpasorus Peoples," drawn from Parliament's 1975 LP Mothership Connection, and DNA's "Egomaniac's Kiss," which first appeared on the classic 1978 Brian Eno-produced collection No …
'During the first lockdown of the Covid era in spring 2020 my creative fire was still burning. All concerts were cancelled, but I still wanted to play and improvise. That's were the idea for long-distance improvisation came up. I sent emails to some of my friends and other musicians who I admired and hoped that they might be interested in doing such a project. I'm really happy that some of the best improvisers in Europe were happy to participate in this project. I'm such a fan of all these playe…
Ferocious JP / US free jazz bomb. A rare meeting between the NYC free jazz scene and the Japanese free music scene. Old-style Gatefold LP, with rare photographs & liner notes by Alan Cummings.
Famed free jazz concert registration of an early New Direction for the Art performance. Recorded in 1971. Old-style Gatefold LP, with rare photographs & extensive liner notes by Alan Cummings.
When I proposed this trio it was intentional to create an instrumentation which closely matched that of the classic Leo Smith Trio of the 1970s – a line up which allows space and fire to co-exist. Of course, the fact that Martin Pyne doubles on both vibraphone and drums gives us a few extra sonic possibilities, and these have all been exploited by the suite of 12 compositions which the 3 of us have created together. While my own music output veers off into a wide range of bands and territories, …
Mycorrhiza is the term describing the symbiotic relationship between mycorrhizal fungi and a plants root system. The fungi forms networks between the trees, allowing them to communicate. Often nicknamed the ‘wood wide web’, the network allows trees to send each other nutrients and warn each other about predators such as bugs, deer, or harmful pathogens. This album is inspired by natural systems like this and is concerned about the human impact and the corruption surrounding it. The album flows l…
"Talk about your dynamic duos. Drummer/bassist Tony Bianco and violinist/violaist Faith Brackenbury have pooled their talents to come up with one of the best such meetings in recent memory." - Darren Bergstein, DMG NYC A no holds barred free jazz duo equally balancing fire / momentum with space / texture. Faith – “Everything is first takes and no edits, and so captures some raw feelings. It feels to me that all my learning and training, and unlearning and exploration has come to this point in a …
This 1983 recording, originally issued on Sackville LP, features jazz trumpeter Joe McPhee with the Bill Smith Ensemble.
” …a stimulating set of avant-garde music. The interplay between these masterful improvisors on group originals and Albert Ayler’s classic ‘Ghosts’ is consistently impressive and worthy of a close investigation by the more open-eared segment of the jazz audience.” — Scott Yanow, Allmusic
“Vistation breathes as if it were music that was recorded yesterday. Joe McPhee…
This duo, and the resulting album developed out of conversations between Robert and Shirley whilst working on Robert’s Invocation project in 2014. Their discussions explored the varied paths of their respective backgrounds, and different relationships of all aspects of those musical paths to improvisation. Both have a shared classical training, in which the absence of an improvisation became both a frustration and source of inspiration. Part of the story of this album lies in their different for…
"These inspired duets sound so unforced and unconstrained that they blow fresh life into that well-worn image. From the outset, two quite distinct pianists establish common ground, where they interweave and spring surprises. It's wonderfully fertile ground too. Strings of scintillating moments bound seamlessly into musical mesh, now mysteriously chromatic, now alluringly melodic, fractiously dissonant, propulsive or ethereal. Tippett's speaking voice, heard fleetingly, suggests a degree of physi…
Temporary Super Offer! These sessions were recorded exactly two years apart, in early November 1966 and 1968 (both were released in 1969). While they can’t be called “bookends” by any means, they do bracket a remarkable period in Don Cherry’s musical evolution, on his journey from the more strictly jazz environments, as adventurous as they were, of Ornette Coleman, Albert Ayler and others, to a philosophy that embraced many non-Western traditions. While these included various African forms, espe…
Recorded live may 03 2018 at Porgy&Bess, Vienna recorded by Wolfgang Racher & Gerald Domjan mixed and mastered by Martin Siewert
released March 14, 2022 Konrad Bauer - trombone Georg Graewe - piano John Lindberg - double bass
Grey-area LP reissue, exact replica of the original * ldris Muhammad's legendary first album for Prestige, a great synthesis of the disparate elements that went into the era's Spiritual Jazz, Grooves, Soul and Free Experimentation and an indication of the many changes that were to occur in Black Music generally over the immediate years following the end of the 1960s.
"Parts of the second solo album by Prestige Records' house drummer, Idris Muhammad, are an even poppier affair than Black Rhythm…
*2022 stock. Hardcover edition* This is the republication of a book first published in 1973, and as such—and without the benefit of rose-tinted nostalgia—it offers a snapshot of a British jazz scene that was extraordinarily vibrant and diverse. Trumpeter, bandleader and author Ian Carr was ideally placed to chronicle the events and personalities of the era, and his story reveals a scene that was creative despite, rather than because of, the artistic establishment of the day. Discussion of that b…
*2022 stock* Futura Marge presents Live At The Sunset by Other Dimensions In Music (Roy Campbell trumpet, pocket trumpet, flugelhorn, flute, recorder & double flageolet, Daniel Carter alto saxophone, flute, trumpet & voice, William Parker double bass & musette & Hamid Drake drums & skin drum).Recorded in Paris at the Sunset on October 17th & 18th, 2006
*2022 stock* Futura Marge presents Wha's Nine by Trio 3 (Oliver Lake alto saxophone, Reggie Workman doublebass & Andrew Cyrille drums).
Recorded in Paris on October 28th 2007, live at the Sunset.
*2022 stock* Futura Marge presents Shape by Alexandra Grimal (tenor & soprano saxophones ), Antonin Rayon (Hammond & Clavinet) & Emmanuel Scarpa (drums) .
Recorded on June 30th 2008 at the Sunset, Paris. Digipak.