Jazz /
The Music Improvisation Company (LP)
Original 1970 edition on ECM of the landmark first album by the improvisation supergroup with electronics composed of Derek Bailey, Evan Parker, Jamier Muir and Hugh Davies, with Christine Jeffrey. Adventurous and essential.
1968-1971 (LP)
Rare original 1976 edition on Incus of the second and last album, with recordings from 1969/70, by the improvisation supergroup with electronics composed of Derek Bailey, Evan Parker, Jamier Muir and Hugh Davies.
1968-1971 (LP)
Rare original 1976 edition on Incus of the second and last album, with recordings from 1969/70, by the improvisation supergroup with electronics composed of Derek Bailey, Evan Parker, Jamier Muir and Hugh Davies.
February Papers (LP)
Very rare original 1977 edition on Incus of superb classic album of British improvisation with electronics, featuring Ian Brighton, Barry Guy, David Bourne and Philipp Wachsmann.
The Alan Davie Music Workshop 005 /LP)
Very rare original 1975 edition of Davie's own tiny ADMW Records of the outstanding duo's album of world music echoes, folk root allusions, musique concrète and pure improv.
Saxophone Solos (LP)
Original 1976 edition on Incus of Parker's essential first solo album.
Collective Calls (Urban) (Two Microphones) (LP)
Rare second edition on Incus of the very adventurous 1972 first album by the towering imrpovisers' duo using electronics, pre-recordings and homemade instruments.
Drawn Inward (CD)
Excellent 1999 CD-only release by the Enseble featuring a.o. Philipp Wachsmann, Barry Guy, Walter Prati and Paul Lytton. With slipcase.
So, What Do You Think? (LP)
Original and only edition on Tangent of the 1973 album by John Stevens' and Trevor Watts' Ensemble featuring Derek Bailey, Dave Holland and Kenny Wheeler. With rare insert limited to copies exported to France. A classic never re-issued on either CD or LP.
Obliquity
2007 release ** "Obliquity is a free jazz record, if you'll forgive the use of such a hoary, old-fashioned phrase. Its scorching, heads-down momentum, rhythm and drive, places it in direct line of descent from the fierce originators of the genre: Albert Ayler, Pharoah Sanders, Milford Graves, and Frank Wright. It also swings. At times it dances. Obliquity is a free jazz record through the prism of the improvisational movement in Europe, though. This is no attempt at polite revivalism or looking …
Choice-Chase
1995 release ** "Choice-Chase dives into abstract guitar textures, looping soundscapes, and noise-based improvisation. A must-hear for those who appreciate avant-garde music that defies easy categorization."
Cruelty Bacchanal
Cruelty Bacchanal, the second release from guitarist Matt Hollenberg’s group Shardik, is a ferocious statement of intent. Years in the making and issued on John Zorn’s Tzadik label, the album presents a volatile and politically charged fusion of modern classical structure, metal intensity, and free jazz unpredictability. Hollenberg’s compositions are marked by intricate rhythmic architecture and an uncompromising sonic vision, alternating between explosive virtuosity and dark, layered atmosphere…
Polarity 3
The third volume of duos between indefatigable tenorsaxophonist Ivo Perelman and adventurous trumpeter NateWooley is their most intimate encounter to date. Beginningwith mournful, almost undersea drones, it moves through avariety of subtly shifting moods, combining old-school jazzromanticism with the kind of nearly telepathic interaction thatonly a long-term creative relationship can inspire. Anyonewho’s enjoyed the first two volumes of this brilliant series willfind this latest dispatch to be a…
魅せられて = Bewitched
Jinya Disc presents an essential collection celebrating the multifaceted genius of Masayuki Takayanagi, featuring three pivotal recordings that span different periods and approaches in his revolutionary career.
Holy Holly Holly captures Takayanagi's final "Angry Wave's" project in a vital 1985 live recording, featuring twin double basses creating oceanic depths beneath his razor-sharp guitar work. Stardust reunites three Japanese jazz pioneers in an intimate 1979 session, showcasing rare warmth …
Reese and the Smooth Ones
Reese and the Smooth Ones was captured during the same revolutionary Paris session as Message to Our Folks, but stands apart as a two-part, 40-minute odyssey of unchained invention.
Shishiodoshi
Kaze and Koichi Makigami Unleash Musical Mayhem on New Album Shishiodoshi.
Fantasma (Illusions From A Surrealist Mirror)
Zorn’s compositions for classical soloists with rhythm section are among the most successful and powerful meetings of classical and jazz ever conceived—completely notated virtuosic scores for classical players augmented by improvisers who illuminate the music with surprise, support, and an imaginative unpredictability. Mining this magical world since 2010, the project reached its apotheosis in the acclaimed 2021 release “Heaven and Earth Magick.” Here that same quartet divides into different gro…
Impromptus
With “Suite for Piano” in 2022, Zorn began exploring classical forms in the context of the jazz piano trio. The second CD in the series was a beautiful collection of “Ballades,” released in July 2024. This third project presents nine Impromptus—freewheeling forms that unfold like brilliantly imaginative short stories. Brian, Jorge, and Ches outdo themselves here with telepathic interplay, endless creativity, and a courageous ability to go places that have never been discovered before. With each …
Members, Don’t Git Weary
Max Roach wasn't just one of the greatest drummers and percussionists in jazz history; he was also one of the greatest bandleaders in all of jazz, able to adapt his playing to an innumerable array of styles, from bop to free, and blessed with a keen eye and ear for talent. And he always, always kept pushing himself and his bandmates to find new modes of musical expression throughout his six-decade career. Speaking of modes, this 1968 release on the Atlantic label is one of his finest albums, a m…