Jazz /
Laboratorio Della Quercia
In the summer of 1978, an ambitious twelve-day experimental jazz project was undertaken at the ancient amphitheatre, Tasso della Quercia, on the slopes of Rome’s Gianicolo hill. The idea was to assemble the leading players from Italy’s avante-garde jazz scene, revolving around members of Grande Elenco Musicisti (or GEM), such as saxophonists Tommaso Vittorini, Eugenio Colombo and Maurizio Giammarco, trumpeter Alberto Corvini and trombonist/composer Danilo Terenzi, together with visiting American…
Spiritual Unity
2023 repress. LP version. 180 gram virgin vinyl, with original artwork restored. Spiritual Unity, recorded on July 10, 1964, is the album that made Albert Ayler and ESP-Disk' famous (or, in some people's eyes/ears, infamous). Mr. Ayler had already recorded in Europe and, in February '64, in New York, but this was the first album on which neither he nor his collaborators held back. It was also ESP's first jazz recording. Spiritual Unity presented a new improvisation paradigm: looser structure, le…
Flaps
**500 copies** Steve Lacy had plenty of fantastic moments on the European scene of the 70s – but this unique album may well stand as one of his best! The set's very different than any of Steve's recordings with his own group – partly because the core energy here comes from trumpeter Franz Koglmann – who sets things up in a really unusual way, by often embracing rhythm – but also setting it free in all these other erratic patterns too – which proves to be a perfect foil for Steve's soprano sax, a…
Opium For Franz
**500 copies** "This gem of a recording has been a collector's dream prize for decades. Recorded and released in the mid-1970s on flugelhorn / trumpeter Franz Koglmann's Pipe Recordings, each copy of Opium For Franz was issued with an original hand painted cover. Back in the day, we wouldn't speak of a limited issue release, even though this one probably came out in an edition of 200. Certainly it was a labor of love, with no such thing as our modern digital capture of sound and pro tools. We're…
New Acoustic Swing Duo
Corbett Vs. Dempsey present a reissue of Willem Breuker and Han Bennink's New Acoustic Swing Duo, originally released in 1967. Late in 1967, saxophonist Willem Breuker and drummer Han Bennink recorded the first LP for the new artist-run free improvised music label, ICP Records. New Acoustic Swing Duo was an instant classic, and remains one of the most enduring documents of Dutch improvised music ever recorded. With Breuker's omnidirectional reed work, which ranges from plaintive to excoriating, …
No Time Left for Sadness
Despite having worked together in innumerable settings, including the longstanding Survival Unit III, with drummer Michael Zerang, cellist Fred Lonberg-Holm and multi-instrumentalist Joe McPhee have never released a CD of duets. In an extra intimate studio setting in upstate New York, where both players reside, No Time Left for Sadness demonstrates their incredible musical understanding. Recalling some of McPhee's landmark records with Marseilles musicians in terms of telepathy and trust, it's a…
Largest Afternoon
One day in the studio, something ridiculously great happened. It was deep Chicago winter, cold as shit. Four musicians assembled for a round-robin set of improvisations -- duets, trios, a few quartets. Approached casually, the late morning bloomed into Largest Afternoon, 15 crackling encounters between guitarist Arto Lindsay, saxophonists Joe McPhee, and Ken Vandermark, and drummer Phil Sudderberg. No expectations -- open minds and creative intent. Lindsay, a brilliant singer and songwriter and …
The Underflow
An übertrio drawn from distinct parts of the creative music spectrum, The Underflow was recorded during a sizzling two-night stand in May 2019. In a series of duets and trios, guitarist David Grubbs, saxophonist Mats Gustafsson, and trumpeter Rob Mazurek met headlong for the first time, converging not only their acoustic and electric instruments, but at times submerging themselves in a tangle of electronics, then emerging into shamanic bell-shaking chant or chest-rattling howl. Ranging from extr…
The Shithole Country & Boogie Band
In 2018, Mats Gustafsson provided raw saxophonic material for the elusive Wendy Gondeln, who sometimes applied a scalpel, sometimes a pneumatic drill, to rework, remix, reimagine all the Swede's squeaks, pops, blats, and tones. In some places, Gondeln adds violent violin to thicken the roux, making Ornette's fiddling seem like Yehudi Menuhin. Uncommon bedfellows: disjunct techno and improvised music. But the Shitholes make it work brilliantly, even inviting minimal techno pioneer and co-founder …
Live in Lesotho
* Brand new extended and remastered version of the original LP from 1981. Gatefold with new photography and liner notes * Slickest Afro-jazz-funk swerve from legendary South African cornet player and anti-apartheid figure Hugh Masakela, recorded at the Maseru Holiday Inn before a small audience during days surrounding his defiant 1981 performance in Lesotho while banned from performing just over the border in SA proper. Newly remastered and recut from the original single LP over a 2LP pressing."…
Théâtre Garonne, 2008
"The David S. Ware Archive Series was launched in November 2015, and AUM Fidelity has marked the anniversary of his birth -- November 7, 1949 -- with a vital new edition therein every year since. David S. Ware was a master saxophonist of the highest order, and an unparalleled sonic alchemist of the modern jazz era. As his distinctly potent sound and vision was an integral inspiration toward the creation / devotion of AUM Fidelity, that mission continues strong with the DSW-ARC series.Théâtre Gar…
Duets
**2019 stock** "This December 1976 recording features two of the most prominent AACM musicians, Roscoe Mitchell and Anthony Braxton. Mitchell’s compositions run the gamut, beginning with the darkly gorgeous opener that features Braxton’s contrabass clarinet nestling evocatively beneath the composer’s earthy flute… Mitchell’s other pieces investigate the sparer, more abstract realm, as the duo’s wide variety of reeds populate the sonic environment with scattered moans, squeaks and pops. Overall, …
![Super Majnoon [East Meets West]](https://cdn.soundohm.com/data/products/036/ahmed-super-majnoon-east-meets.jpg.500.jpg)
Super Majnoon [East Meets West]
[Ahmed], the quartet of Pat Thomas, Antonin Gerbal, Joel Grip and Seymour Wright – make music of heavy rhythm, repetition and syncopation set deep into an understanding of jazz and the obscure depths of its history. Across the 2 LPs which make up Super Majnoon [East Meets West] the group work and rework the music of the late musician Ahmed Abdul-Malik to create a stamping, swinging, relentlessly propulsive record where profundity and physicality root right back to ecstatic feeling.Abdul-Malik wa…
...For Some Reason That Escapes Us
**200 copies** "It could be a forgotten music, unearthed from the vacuum of nonusage, reincarnating into a musical form sounding obscure and nevertheless familiar, human. Vilhelm Bromander and Fredrik Rasten materialize resonant sound with double bass, guitar and subtle vocal shadings. The music puts just intonation on display and explores its potential in improvised as well as composed music. On ...For Ssome Reason That Escapes Us, the instrumental and vocal sounds entwine into a collective bod…
In the Moment - Deluxe Edition
**New 3LP Deluxe Edition** Makaya McCraven's early 2015 offering In The Moment was pared from nearly 48 hours of live, improvised performance recorded at 1 venue over 12 months and 28 shows. Working with instrumental contributions from an array of Chicago jazz players (including Jeff Parker, Joshua Abrams, Marquis Hill, and Matt Ulery), Makaya culled, cut, rendered and remixed the mass of sounds into 19 potent pieces of organic beat music for the original 80-minute, 2xLP issue.At the close of a …
South Moon Under (The Red Hook Concert)
**500 numbered copies, private edition** "Heather Leigh is originally from West Virginia but now lives in Scotland. She is a steel guitar player with an increasing reputation for furthering the unexplored reaches of pedal steel guitar. She combines a physical presence with a playing style which is as spontaneous as it is based on solid musicianship. She is known as a player who combines strength and sensitivity. She has received great reviews from The Wire Magazine, MOJO, Uncut, The Guardian, Th…
Soigne Ta Droite
**500 copies** Audiographic Records proudly announces the release of Soigne Ta Droite, Ken Vandermark’s first large ensemble recording in more than four years. The band is called Entr’acte and is a veritable “who’s who” of the most interesting and important musicians currently working in the field of experimental music: Dieb13, Elisabeth Harnik, Steve Heather, Terrie Hessels, Didi Kern, Mette Rasmussen, Jasper Stadhouders, Joe Williamson, and Nate Wooley.The material was recorded in March of 201…
Momentum 4 : Consequent Duos 2015>2019
**500 copies** A collection of duo recordings featuring Ken Vandermark in collaboration with internationally renowned, and critically acclaimed, musicians: Kris Davis, Hamid Drake, Paul Lytton, Ikue Mori, and William Parker. The material is documented on 5 CDs and was recorded during performances at Vandermark’s second Stone residency in New York City during January of 2018, and at Experimental Sound Studio in Chicago.The improvised music included is remarkably expansive, in terms of instrumenta…
A Paradigm of Suspicion
Threnody is the unmissable force from three prominent improvising musicians: Martin Küchen (saxophone), Johan Bertling (bass), and Steve Noble (drums). Previously established as a trio formation under their full names, the trio has released their first album Threnody, At The Gates on Trost in 2017 (TROST 156CD/LP) and now call themselves Threnody. Personnel: Johan Berthling - double bass; Martin Küchen - retardophone, sopranino-, alto-, and tenor saxophone; Steve Noble - drums. Recording by Dani…
Fifty Years After... (Live at Lila Eule Bremen 26.05.2018)
For the celebration of the 50th anniversary of the legendary Machine Gun recordings at the Lila Eule in Bremen, Peter Brötzmann put together a trio with the Berlin pianist, composer Alexander von Schlippenbach and the percussionist Han Bennink, who already sat on the drums 50 years ago. They were so pleased with the music that they decided to release it and continue to play gigs as the trio. Machine Gun was originally recorded in May 1968 by an octet consisting of influential musicians of new ja…