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CD Version Ash Grey And The Gull Glides On is the new album by Scottish composers Andrew Wasylyk and Tommy Perman. The pair have orbited each others worlds for a number of years through audio visual collaborations spanning record releases, films and sound installations. Wasylyk’s cinematic compositions have been nominated for the Scottish Album of the Year Award and been awarded BBC Radio 6 Music’s Gideon Coe’s Album of the Year. He has collaborated with former National Poet for Scotland, Liz Lo…
Limited Edition 180 Gram Gatefold LP Reissue. Released on the Verve label in 1965, Bumpin' was Wes Montgomery's first album to reach the charts, climbing to #116 on the Billboard 200 chart. In his All Music review, Shawn M. Haney gave the LP four-and-a-half stars (out of five) and praised it by stating that, "Not only is Wes' brilliant command of the six-string present here, so is the vivid color tones of notes and blue notes played between. Backed up by a hauntingly beautiful and mesmerizing or…
Romanian born trombonist, composer/arranger Peter Herbolzheimer led one of the most hard-swinging, innovative, successful European big bands with a heavy roster onboard, including Art Farmer, Palle Mikkleborg, Herb Geller, Philip Catherine, Tony Inzalaco, Dieter Reith and virtuoso latin jazz percussionist Sabu Martinez. His 1973 MPS album, Wide Open, remained unissued since the '70s – this first ever all-analogue 45 7" single features the two brassy big-band funk highlights from the LP – 'Babo' …
Bora Rokovic's MPS album, Ultra Native, is one of the most elusive titles in the catalogue and, until now, remained unissued since its original release in 1971. Inzalaco's 'J.B.W.' is a hard-grooving fusion piece with dark minor chords, opening with an almighty drum break – found here in a new all-analogue mastertape edit for this 45 release. 'Soft Hands Had the Rain' features Trunk strutting his stuff on Fender bass, as well as cello overdubs, with Rokovic's brooding improvisations on electric …
Limited Edition 180 Gram Gatefold LP Reissue. From the early 1960s to the late '80s, A&M was one of the most eclectic and powerful independent record labels in the world. The roster of artists who recorded there includes The Carpenters, Captain Beefheart, The Police, Joe Cocker, Suzanne Vega, Procol Harum and Janet Jackson, among others. Founded as an independent company by Herb Alpert and Jerry Moss in 1962, soon the label garnered interest and success, and was acquired by PolyGram in 1989. Thr…
For this brand new chapter in the highly acclaimed Wamono series, DJ Chintam goes digging into the vaults of one of the most revered Japanese labels, Trio Records, and unearths some killer drum breaks, dope bass lines and funky horns, for an essential selection of jazz funk fusion and rare groove vibes produced on Trio between 1973 and 1981!
Also known as the leader of the jazz trio Inga, Sam Gendel is an L.A. saxophonist who has developed a free and unique sound that has been described as psychedelic, outsider, and meditative, and Shin Sasakubo is a Chichibu-based guitarist. A new album by the duo of Sam Gendel, an up-and-coming saxophonist from LA, and Shin Sasakubo, an uncanny guitarist based in Chichibu, who is also active as a photographer and contemporary artist. The two showed great chemistry in Shin Sasakubo's previous work …
Visionary percussionist and veteran bandleader Kahil El’Zabar leads his Ethnic Heritage Ensemble in celebration of the legendary jazz pioneer Don Cherry and releases new album Spirit Gatherer and previews the first track ‘Don Cherry’. The fifth of a series of Spiritmuse recordings that began with 2019’s Be Known: Ancient/Future Music [Spiritmuse KEZ001], Spirit Gatherer finds the three-person Ethnic Heritage Ensemble joined by two storied guest artists: Dwight Trible, vocalist with the Pan-Afrik…
Altercat proudly presents the definitive reissue of one of the crown jewels of South American jazz. Essentially the brainchild of Argentinian jazz’s leading figure Jorge López Ruiz, the project Viejas Raíces marked Lopez Ruiz’s departure from the traditional forms of jazz.
Fela used the cover of Ikoyi Blindness to announce his change of middle name from Ransome, which he now considered a slave name, to Anikulapo, which means “he who carries death in his pouch.” The front cover shows Ransome crossed out and Anikulapo added above it. Fela also used the album cover to announce the Africanisation of Africa 70’s name, changing it to Afrika 70. In the title track, Fela draws attention to the economic chasm separating the haves and have-nots of Nigerian society, contrast…
This edition of Original Sufferhead is a major event. With the release of box set #5, and now on this reissue, the title track of this magnificent album is presented in its full-length, 25 minutes 24 seconds glory. While preparing the master disc for the box set, our engineer Jedi, Colin Young, discovered four minutes of “lost” material on the B-side of the original pressing, including a superb keyboard solo by Fela. This had been omitted from subsequent reissues. The restored version used here …
Overtake Don Overtake Overtake was the penultimate album of newly recorded studio material released by Fela before he passed in 1997. Like its immediate predecessor, Beasts Of No Nation (also 1989), and its followup, Underground System (1992), the album finds Fela continuing to campaign for human rights and social change despite the relentless beatings, jailings and general harassment he had received from successive military regimes since the start of the 1970s.
Huge Tip! Digitally remastered edition of this 1974 album, a true holy-grail for Deep and Spiritual Jazz collectors around the world. This album was originally independently released to raise funds to combat the ongoing drought in the Sahel region of Africa (an area covering parts of Senegal, Mali, Burkina Faso, Nigeria, Chad, Darfur, Sudan and Ethiopia). During his lifetime Roy Brooks released precious few solo albums. Black Survival, the Sahel Concert at the Town Hall was originally released o…
"Favorite Recordings returns with the second edition of its compilation series: Fusion Global Sounds. Comprising eight rare and hidden tracks produced between 1976 and 1984 in various parts of the world, this hot-off-the-plate comp delivers a mighty-fine array of dynamic, soul-feeding jazz, soul, disco, jazz and funk delicacies. As a fine collector of jazz-funk and fusion for many years, curator Charles Maurice can be credited for sourcing the ingredients for and cooking up this fine spread of f…
"The Nigerian establishment labelled Kalakuta Republic inhabitants as — ‘hooligans’, ‘hemp smokers’, etc. Noise For Vendor Mouth is Fela’s indifference to that name calling because, for him, people in Kalakuta are really a bunch of hard working citizens, trying to survive in a society riddled with corruption and mismanagement. He adds that the real hooligans are those in authority who resort to political gangsterism, and sometimes military coups in order to resolve constitutional issues. He cons…
The deepest song here is the second track, ""Mr Grammarticalogylisationalism Is The Boss,” which ridicules the notion that speaking ""proper"" English demonstrates superior intelligence, and bemoans the fact that doing so is, unfortunately, a requirement for upward mobility. As the chorus repeats the line “Him talk oyinbo pass English man” (“He talks English better than an Englishman”), Fela lays it down: “The better oyinbo you talk, the more bread you get, school start na grade four bread, B.A.…
"The Kalakuta Show album release was Fela’s undaunted manner of extracting revenge on the military regime that attacked and brutalized him in 1974. The second of such attacks in a space of eight months, Kalakuta Show was an attempt by the Nigerian police to influence the cause of justice. After the first police raid on Kalakuta in April 1974, Fela was charged to court for: ‘possession of dangerous drugs’, and abduction of ‘minors’. However, the evidence presented by the prosecution was easily ex…
Also featuring Ginger Baker, the title track is among Fela’s first overtly political lyrics. His political perspective had evolved during the 1969 / 1970 tour of the US, largely through his friendship with the black-rights activist Sandra Izsadore, who introduced him to the writings of Malcolm X, Stokely Carmichael, Angela Davis and other revolutionary thinkers. By the time Fela wrote “Why Black Man Dey Suffer,” his songwriting and public statements were becoming increasingly critical of the pow…
Androide Scrip is a jazz record - not mainstream, but plain and simple: piano, drums, bass. Full stop. Influenced by artists such as The Bad Plus, E.S.T., Thom Yorke, Bush and Muse, the debut is not a pop, rock or electro album, even though it repeatedly makes use of song structures from these varieties of current music styles. Together with pianist Florian Kästner and bassist Philipp Martin, the trio led by Jörg Wähner (Apparat, Bodi Bill, The DAS) explores the possibilities in such a way that …