1001 Est Cremazie
On 1001 Est Crémazie, the self‑titled orchestra of middle‑schoolers and Cégep staff capture the exuberant birth of modern Quebec: raw jazz‑rock, DIY tape lore and Quiet Revolution aftershocks pressed into one unlikely, fiercely alive school‑band artefact.
Poco zucchero
On Poco zucchero, Faust'O sharpens Italian songwriting with new‑wave edge, threading synth‑driven melancholy through eight compact tales of absence and longing, anchored by "Oh! Oh! Oh!", the 1979 Festivalbar hit that made his name stick.
Coffy
On Coffy, Roy Ayers turns Pam Grier’s 1973 vigilante flick into a vibraphone‑driven fever dream, fusing slinky funk, string‑soaked soul and jazz finesse into a soundtrack that’s as deadly on its own as any of the film’s set‑pieces.
Music For Stage & Screen (Volume I)
Tbilisi Records proudly presents its second release – the first volume of a new series titled Giya Kancheli – Music for Stage and Screen.
Woman's Colours
One of the most iconic Italian library music albums ever, Woman’s Colours by the Giancarlo Barigozzi Group (with Sergio Farina and Oscar Rocchi) emerged from Milan’s vibrant studio scene. Originally released in 1974 under the supervision of Fabio Fabor, it’s a refined concept work blending jazz-funk, jazz-rock, bossa nova and exotica, featuring Wurlitzer, Fender Rhodes, fuzz guitars and expressive flutes, balancing groove and elegance. Over time it has attained cult status, now regarded as a cor…
From Ear To Ear
From the streets of Brooklyn comes La Fantástica, a brash, big‑band Latin orchestra whose debut on Joe Bataan’s Ghetto Records produced an underground salsa gem laced with unexpected psychedelic soul. Originally released in 1971, From Ear To Ear pairs hard‑driving Latin rhythms with the beguiling, English‑language slow‑burn of “Latin Blues,” a track that blurs salsa, soul, and psych textures.
Ghetto Records was Joe Bataan’s bold bid for independence — a label born from frustration with an indust…
Change Up The Groove
Dive into the vibrant soundscape of the 1970s with “Change Up the Groove”, a hidden gem from Roy Ayers Ubiquity's early years on Polygram. Often overlooked compared to his more famous records, this work overflows with soul and is a true masterclass in fusing jazz and funk, perfectly capturing Ayers' evolution as he connected his jazz roots with the sharp, driving rhythms of 1970s funk. From the very first track, Ayers' signature vibraphone shines brightly, bringing emotion and rhythm. The album …
Anna Quel Particolare Piacere
Reissue of the OST by Luciano Michelini for the dramatic film Anna, quel particolare piacere (aka Anna: The Pleasure, the Torment and Secrets of a Call Girl), directed in 1973 by Giuliano Carmineo with screenplay by Sauro Scavolini, Francesco Miliazia, and Ernesto Gastaldi, photography by Marcello Masciocchi, editing by Eugenio Alabiso, music by Luciano Michelini, production by Dania CC Champion, distribution by Interfilm, and starring Edwige Fenech, Corrado Pani, Richard Conte, Antonio Casale, …
Kadence
We’re thrilled to announce the 10th release from our label, Atangana Records! After over eight years since we began, we’ve come a long way. We’ve had numerous music releases whilst focusing on preserving the Caribbean cultural heritage, which doesn’t get talked about enough. With the creation of the association Sa Ka Touné, we’ve collected over 15,000 records and organized Tropical Clubbing events in Guadeloupe, where invited DJs dig through our association's collection before performing. ATGN00…
Colori
Quartet Records, in collaboration with GDM and EMI General Music, presents a reissue of Ennio Morricone’s iconic album Colori, celebrating its 55th anniversary. In the summer of 1971, Morricone entered the legendary Orthophonic Studios in Rome alongside his longtime collaborators Bruno Nicolai, Alessandro Alessandroni and Edda Dell’Orso, and recorded a selection of ten tracks drawn from some of his recent film scores, many of which had not yet been released. He remixed some cues and re-recorded …
Drammi E Speranze
Originally released in 1976 on Piero Umiliani’s own Sound Work Shop imprint, Drammi e Speranze -issued under the pseudonym Rovi - stands as a refined example of his late-period library work. Performed by a compact string ensemble and subtly augmented by piano, Hammond organ, Eminent organ, and Rhodes, the album unfolds through a series of classically-informed compositions where melody takes center stage. Each piece is concise, evocative, and purpose-built - reflecting the functional yet highly e…
Il Cacciatore Di Squali
Beat Records is proud to present the world premiere on CD and LP of the complete original motion picture soundtrack for the movie Il cacciatore di squali, directed in 1979 by Enzo G. Castellari. Superstar Franco Nero is Mike Di Donato, an Italian-American with a mysterious past dominated by a terrible event from which he is probably fleeing, leads the life of a good savage on a deserted island with his own version of Friday, played by Marta Miller, the gorgeous Argentinian actress with a prolifi…
5 Bambole per la Luna d'Agosto
To mark the centenary of composer Piero Umiliani, born in Florence in 1926, Cinevox Record is pleased to reissue his fabulous score for the 1970 film 5 Dolls for the August Moon, directed by Mario Bava, on a double CD. To produce this double CD, we were able to access the original mono and stereo sessions once again, which allowed us to discover previously unreleased material. CD1 features the Cinevox MDF 33/33 album released in 1970, with fourteen mono tracks selected by Maestro Umiliani himsel…
Discorsi
Raskovich (Giuliano Sorgini) refines a single idea to a razor’s edge: lean jazz‑funk frameworks animated by flute, Rhodes, electronics and blaxploitation‑style orchestration, finally back in circulation after decades as a cult library secret.
Jazz In Libertà
On Jazz In Libertà, Antonio Riccardo Luciani turns a nameless studio quartet into a lean, cinematic engine: two duelling keyboards, supple bass and drums, and a single Benson‑tinged guitar cameo conjure an entire universe of 70s Italian jazz‑funk and cop‑film tension.
American Bus
On American Bus, Jason Black and Arawak ride a 1977 dream of the U.S. West Coast: lean, blues‑edged funk‑rock cues, honking sax and one off‑route reggae detour, all conceived as Italian library visions of San Francisco from behind a bus window.
Telemusica N. 6
A 1973 library brief of “jazz + experimentation” into a compact film in sound, gliding from lush lounge and tense jazz‑funk to freaked‑out electronics and stark Nuova Consonanza‑style miniatures.
Panorama Vol. 2
On Panorama Vol. 2, Various Artists from the golden age of French cinema and library studios resurface in 11 lush, long‑buried cues, all moody strings, flanged funk drums and prowling basslines wrapped in a deluxe archival edition.
Otoko Onna Kokoro No Aika
Wewantsounds is delighted to continue its extensive reissue program of Meiko Kaji's early discography, originally released by Teichiku Records in Japan between 1972 and 1974. The Quentin Tarantino muse—famous for her starring roles in Lady Snowblood and Stray Cat Rock—was also a gifted singer. Otoko Onna Kokoro No Aika is another collection of superb cinematic songs featuring Kaji's signature mix of Japanese Pop and Groove, backed by lush, atmospheric orchestrations. This includes her rendition …
Batteaux
On their self‑titled 1973 LP, Batteaux turn baroque folk into ocean‑lit folk‑funk: lush West Coast arrangements, sky‑high harmonies and proto‑yacht grooves that feel as Balearic as they do Laurel Canyon, somehow both overlooked and timeless.