Noise /
Kill
Solmania's first album in 18 years: a single 64-minute slab of avant-garde guitar torture from Masahiko Ohno and Katsumi Sugahara, wrung from self-built multi-neck guitars bristling with extra pickups. Not a static wall but a continually evolving storm of feedback and tone. On Alchemy, 2016.
Five Elements
A 2015 collaboration between Jojo Hiroshige on guitar and Haruo Ueda on electronics, structured around the natural elements. The Hijokaidan founder steps away from pure noise into a more textural dialogue, his guitar set against Ueda's shifting electronic fields. On Alchemy.
Little Something
An instrumental solo guitar album from Jojo Hiroshige, founder of Hijokaidan and self-styled King of Noise. Improvisation for solo electric guitar pushed to a dense, heavy extreme that is hard to believe comes from a single instrument. On Alchemy.
Hijokaidan featuring Nasca Car
A 2015 meeting between Hijokaidan and Nasca Car, the Osaka electronic project of Nakaya Koichi. Two studio tracks and two live sets across more than forty minutes, the King of Noise's wall of sound crossed with Nasca Car's pulsing acid-house and new-wave electronics. On Alchemy.
生きている価値なし～The Very Best Of Jojo Hiroshige
Jojo Hiroshige - known and feared throughout the world not only as a member of the legendary ‘‘Hijokaidan,’’ often referred as ‘‘King of Noise,’’ but also as the owner of the prestigious label “Alchemy Records,” which has released countless “Japanoise” masterpieces.
"Words are different to sounds in that the images they create are limited. They’re like a two-edged sword – sometimes they can be used effectively, but sometimes they restrict the range of the images employed. When I was young I read…
Abe Kaii
A 1982 cassette by Abe Kaii, the duo of Jojo Hiroshige and Toshiji Mikawa, named in sly homage to free jazz saxophonist Kaoru Abe. A monolith of free jazz and psychedelic space rock from two future architects of Japanese noise, near impossible to hear for decades, reissued on Alchemy in 2017.
Live! Destroy Noise Symphony
A 2018 live document from Hijokaidan in their definitive musical form: Jojo Hiroshige on guitar, Junko's voice, Toshiji Mikawa on electronics and Futoshi Okano on drums, fusing into a single dense wall of sound. The King of Noise captured live and unrepentant. On Alchemy.
Zouvneree
Harsh noise at full saturation from Incapacitants, the duo of Toshiji Mikawa (Hijokaidan) and Fumio Kosakai. No melody, no rhythm, no let-up, only a dense and strangely psychedelic block of electronics pushed toward ecstatic overload. One of the defining names in Japanese noise, on Alchemy.
Love & Noise
Reemerging three decades on, C.C.C.C.’s Love & Noise hits vinyl for the first time, a still‑devastating artefact where Mayuko Hino’s charged electronics and Hiroshi Hasegawa’s Moog storms turn harsh sonics into something crushing, psychedelic and strangely exultant.
Kinky Tape Collection 1981-1983
K2 is the project of Kimihide Kusafuka, born in Shizuoka, who began his musical activity in 1981 devoting himself entirely to recording noise and experimental music — before the term "noise music" as a genre had even been established. Over the following four years he released around 20 tapes on his own Kinky Tape Collection label (later renamed Kinky Musik Institute), working across several radically different noise styles simultaneously. Alongside Masami Akita (Merzbow), Hijokaidan, and Toshiji…
Zouroku No Kibyou
The first album by the most extreme noise project to ever come out of Osaka, now in a second deluxe edition that borders on insanity: natural birch wooden box, hand-numbered to 99 copies, color print lid reproducing the iconic cover art by manga master Hideshi Hino. Inside: the LP, a 40-page book of raw concert photos, a cassette of six rare studio tracks from April and June 1980 - Hijokaidan's primal first breaths - four postcards, a massive poster, a live photo book, liner notes by Jojo Hirosh…
Tapestry Of Noise
** 2026 Stock ** If Laptop Noise looks forward into the blinding glare of the digital, Tapestry of Noise looks outward and backward, unspooling an expansive grid of analogue and hybrid recordings that show how Merzbow’s classic language was woven together in the first place. Slowdown’s 6CD expansion assembles long, previously scattered or hard‑to‑access works into a single, overwhelming fabric that moves from twitching tape‑loop delirium to fully seared harsh‑noise architectures.
Early discs re…
Laptop Noise
** 2026 Stock ** Laptop Noise zeroes in on the period where Merzbow’s long‑running practice of junk‑metal abuse, feedback and tape saturation is rechannelled through the seemingly modest frame of a computer. Across six discs, this edition amplifies the original’s premise into a deep survey of his fully digital soundworld: long‑form works where full‑spectrum distortion, high‑frequency shrapnel and seething low‑end swarm are carved into towering blocks, then eroded into swarms of microscopic detai…
Pendulum
**200 copies, sold out at the label** New single from the undisputed god of Japanese noise. Masami Akita - the man behind Merzbow - returns with two tracks recorded in February 2024 at Munemihouse, his legendary home studio in Tokyo. Two sides of pure sonic assault that swing just as the title suggests - "Pendulum, Part 1" and "Pendulum, Part 2" - masses of frequencies in constant motion, pendulums of noise crossing the sonic spectrum with the violence and precision that only Akita can orchestra…
Paulownia
Paulownia by Merzbow is a 2025 full-length statement comprising two lengthy compositions that fuse intense electronic manipulation with Merzbow’s enduring fascination for natural phenomena. Across both pieces, the album merges organic inspiration and harsh digital process, producing a hypnotic yet confrontational experience.
Early Kinky Works 1983-1988
The ultimate statement from Japanese noise legend Kimihide Kusafuka. A "fake compilation" of tracks recorded under various aliases, originally issued by his Kinky Musik Institute label in 1993. Noise, power-electronics, techno, post-punk, psychedelia... Kusafuka does it all on this compilation. A work of unbounded creativity and a key document of the Japanese cassette underground.
"This is a fake compilation. All pieces in this product were composed and recorded during 1983 to 1988, under the na…
Structured Suicide
** Second reprint limited edition to just 110 hand-numbered copies ** The 1990s were a fascinating moment for music and new idioms of experimental music began to bubble in the underground. While often belonging to highly localized scenes and thus overlooked by a broad listenership in the moment, many of these gestures have proven to be profoundly important and influential and have left an indelible mark on the musical landscapes that have followed in their wake. Particularly notable among others…
Animal Magnetism
*Limited Edition of 299 copies. Black vinyl * Masami Akita has been making noise since before most people understood noise could be made on purpose, and Animal Magnetism is what happens when forty years of sonic terrorism suddenly decides to sit you down and explain itself without raising its voice. Originally released on CD in 2003, this double LP reissue—remastered by Lasse Marhaug and pressed on black or purple vinyl in a gatefold sleeve featuring Akita's own photographs—adds a previously unr…
Shock Rock
Tip! Masonna is the solo noise project of Yamazaki Mazo, who, along with Merzbow and Emergency Staircase, has earned the respect of the entire world as an iconic figure of Japanoise. In 2002, Masonna, Christine 23 Onna, and Space Machine, the three units Yamazaki Mazo is involved with, released three albums simultaneously as the "Yamazaki Maso 15th Anniversary Freakout Triplex Series" to celebrate the 15th anniversary of their activities. The albums of these three units, Masonna, Christine 23 On…
Collection 001-010
Carrying on their longstanding dedication to the seminal output of Merzbow, Urashima returns with what is unquestionably their most ambitious release to date: “Collection 001-010”, a deluxe, 10 LP vinyl box set limited to 299 copies, gathering together the entirety of the project’s first ten releases, originally released in 1981. Encountering the band in its early incarnation of the duo of Masami Akita and Kiyoshi Mizutani, raw, exposed and bristling with energy, foreshadowing numerous trajector…