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One or two bumped corners, hence reduced price. ** Black Vinyl edition. Comes in a craft board jacket, including a 12-page liner notes book with archival photos ** Operating out of a small upstairs space just around the corner from the train station in the Kichijoji neighborhood of Tokyo, OZ was a scruffy, DIY affair that lasted not much more than a year. Between June 1972 to September 1973, the café and performance space became the nerve center for the city’s burgeoning underground and counte…
*2023 stock* Like a long journey this record unfolds itself through many layers. Fans of Kikagaku Moyo will be comforted by the soft vocals harmonies and warm Sitar but what sets this release apart is the refinement of the band’s songwriting and their delicate execution. Side A begins with a pair of travelling songs where the interplay between the vocals, guitar, and sitar lift and suspend you on an unexpected journey. The patient listener is rewarded by tracks like “Trad” and “Silver Owl” that …
Kikagaku Moyo here sound anything but lost, their child-like wonder manifested in a confident, courageous exploration of sound. Labels – psychedelic, folk, prog-rock, psychedelic-folk-mixed-with-prog-rock – do little to accurately reflect the spectrum of influences on display, let alone the more impactful realization of completeness in Kikagaku Moyo’s songs.
“The fifth studio album & last euphoric mind-trip to Kikagaku Moyo's imagined island. Best-suited for counting stars, looking at the ocean, and dancing in one’s daydream.”
This record is a nice summary of some of the band's earlier work -- when infamous bassist Moriaki Wakabayashi was still playing before he went and hijacked a plane (he was a member of the "Yodogō Group" of the radical New Left Japan Communist League's "Red Army Faction" that carried out the hijacking of Japan Airlines Flight 351 in 1970, ultimately forcing the plane to fly to North Korea, where Wakabayashi currently resides). A seemingly endless sonic flame-throwers of phased white noise streak …
A counterculture movement united by an expansive, experimental and deeply soulful sensibility, Japan’s rebel protest music challenged the status quo and changed the country’s music industry in the process.
**Deluxe Japanese edition, analog version using a 96khz24bit sound source. The jacket is a single jacket x two, a full-length Obi, a lyric card, etc** Originally released in 1972 on Atlantic and often referred to as Tiger, Speed, Glue & Shinki's second album featured some tracks not found on Eve in addition to some newly recorded material with a radically different musical approach. Joey Smith purchased a synthesizer because he thought it was time to try a new instrument because he could play t…
2023 repress. Black Editions present the first ever vinyl edition of Tokyo Flashback, the legendary 1991 compilation that defined the Tokyo psychedelic movement and first brought it to the outside world. Tokyo Flashback is one of the most iconic compilations in the history of underground music. Originally released by Japan's P.S.F. Records, Tokyo Flashback defined the breathtakingly unique and previously obscured musical movement that had been developing in Japan since the late 1970s. The compil…
"More unearthed demo recordings by the Japanese psychedelic noise legends Les Rallizes Dénudés. Recorded in Azabu, Tokyo 1985." - Take It Acid Is. Vol. 2 of a two-volume set.
Freaked out lo-fi psychedelic noise recordings from 1972 and 1980 by the mythical Japanese psych rockers Les Rallizes Dénudés, including the 23 minute "Guitar Jam" filling the complete A-side, a sort of Stooges riff with Ramones like drumming ending up in a total feedback noise orgy. Recorded on Sept. 9, 1980. Side B starts with the droning 18 minute track "A Tale Of Love," from the same 1980 Mars Studio sessions recorded 3 days before "Guitar Jam" and ends with a 6 minute version of the classic…
** 2CDs housed in a gatefold wallet** In 1991, Les Rallizes Denudes released three full-length albums on CD, the band’s first-ever recordings to be made available since their formation in Kyoto more than two decades prior. In 1993, the band appeared in front of an audience for the first time since 1988. Their February 17 appearance at Club Cittaʼ, which came four days after their “comeback” gig at Baus Theater, turned out to be one of the most notable out of all the Rallizes performances thus …
Black Editions is pleased to present the definitive edition of Dispersion, remixed and remastered from the original master tapes by Asahito Nanjo and released in a deluxe gatefold double LP edition housed in a die-cut slipcase printed entirely with spot colors and featuring spot UV gloss and soft touch finishes.
Japanese country rock act Gypsy Blood must be heard to be believed. Released on Vertigo in 1971, their sole LP showed the group simply bursting with talent, Kiyoshi Hayami’s mandolin exceptional and the masterful soft-rock production courtesy of Miki Curtis; drummer Eiichi Tsukasa had earlier been in the Helpful Soul, organist Katsuo Ohno had been in the Spiders, and guitarist/vocalist Hiroaki Nakamura later played in Buzz with future YMO member Yukihiro Takahashi, while none other than Alan Mer…
A picture disc reissue of the first album from the legendary Japanese rockers, Flower Travellin' Band, fronted by Yuya Uchida. Although an album consisting mainly of cover versions, Anywhere, originally released in 1970, still exhibited many of the musical traits that were to come to the fore on the band's next release in 1971, the classic Satori, an album of original material delivered with panache by the increasingly confident Uchida. An album made memorable by its risqué cover as well as its …
* 180g Blue coloured vinyl * Legendary Japanese rock outfit Les Rallizes Dénudés were formed in 1967 and incredibly, for a group that had only one official release (Oz Days Live, a double vinyl compilation release in 1973), played their last gig almost 30 years later in October 1996. The band's name apparently means "fucked up and naked," which more than adequately describes their music. Formed by band leader Mizutani Takashi, the music remained remarkably familiar over the years, and is best de…
White Heaven’s second album, Strange Bedfellow, is one of the great unsung albums of the 90’s Japanese underground. Released two years after their striking debut, Out, the album reveals the group shifting to a more dynamic and finely honed sound. You Ishihara’s songwriting & arrangements take center stage, leading the group to transmute classic west coast psychedelia and garage into a thrillingly direct collection of songs that span from fuzz drenched, driving rockers to smoldering numbers that …
Few artists have left behind a legacy as enigmatic and captivating as Shizuka Miura. Amidst the Tokyo underground, she was a spectral figure, creating ghostly, childlike dolls and writing haunting, other worldly songs. She formed Shizuka in 1992 with Maki Miura, known for his staggering guitar work in legendary groups Fushitsusha and Les Rallizes Dénudés. Their music bloomed with a fragile, yet explosive mystical power; an atmospheric alchemy of psychedelic rock, folk and noise with Shizuka’s et…
Originally released in 1972, the legendary Soft Rock "Happy End" album is now back on an analog LP!! Written by Hiro Yanagida, Produced by Takashi Matsumoto, Sons Of Sun's first album will be making its return from the label Fuji!! Keyboard Hiro Yanagida Drums Kiyoshi Tanaka E.Guitar Kazuyuki Nagaoka E.Bass Hideaki Takebe Vocal MAO
"Where is space? Is it in our brain? Or is it outside the planet Earth? Dhidalah poetically answers the question with their newest album Sensoria. (Soma, Black Shrine) Two songs are made from their weekly jam session in Tokyo. The band leader, Gotoh usually records the session and shares it with (Masahito aka Bin and Ikuma) the other two members. After listening to the jam recording, they each get inspired by the flow of sounds and find a connection to the outside world. In the following week an…