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From the early days of electronic experimentation in the pop field, Klaus Schulze's second solo album still today it stands as one of the most powerful examples of ambient pulse music ever conceived. The dense layers of rhythm and synthetic tone colo…
Irrlicht is the solo debut album from Klaus Schulze (originally released in 1972) and is an absolute masterpiece in cosmic, space music. Schulze omitted the use of synthetics for this recording, relying on organ with various electronic effects to …
*300 copies white vinyl, sold-out at sorce* Klaus Schulze is a German electronic music pioneer, composer and musician that needs very little introduction. In the late sixties & early seventies he was a member of several iconic bands such as ‘Tangerin…
‘Agape-Love’ was one of Florian Fricke's favorites, at a point in his life where he was inspired by 13th century Persian poet Rumi. Still utilizing a choir for Gregorian chant-like ethereal intensity -- though they sing in Byzantine scales – the band…
700 copies black vinyl. Born as Florian Fricke’s brainchild, Popol Vuh needs little introduction, the band stayed active between the late 1960s & late 1990s (until Florian’s passing in 2001). Regarded as pioneers in avant-garde German electronic musi…
The artist name and album title are swapped. The back cover states: "produced by Dr. Aftershave And The Mixed-Pickles" and "this record is dedicated to Missus Beastly." A label contractual dispute with Telefunken required that Missus Beastly not rele…
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contribu…
Missus Beastly regroups and blasts into some very dynamic fusion territory with this exceptional album. The usual apparitions of the house-hold names of the mid-seventies jazz apologists can be traced here, but the eventual output will always soun…
Missus Beastly had formed in Herford in 1968 under the name Psychotic Reaction - lifted from the Count Five song - before settling on a name borrowed from a doll on a German children's television programme. Lutz Oldemeier on drums, Reinhard "Atzen" W…
A killer bit of jazz rock from early 70s Germany – an album that should have been right at home on the MPS label, given the sorts of all-star talents in the group! The set was produced by mighty drummer Klaus Weiss – who's at his soulful best here, a…
Jazz Rock ensemble from Munich led by German drummer Klaus Weiss and Austrian pianist Fritz Pauer and found in 1971. When Pauer presented Weiss some new songs, the two of them gathered Belgian guitarist Philip Catherine, Dutch flutist Ferdinand Pove…
On the top of the list of Kraut uderground artifacts, a definite oddity plenty of abstract execution of psychedelic soundscapes, dark Classical textures and Jazz/Fusion, as cohesion is completely absent, however there is a certain charm coming out of…
Panko Musik from West Berlin are somewhat reminiscent of Xhol Caravan or the early Embryo. They mostly presented long jazzy instrumental passages dominated by the transverse flute and alto saxophone, temporarily interrupted by mainly English vocals a…
"Psychedelic music from Wisbaden, with some jazz elements. Recorded in 1969. After the Germanofon bootleg, here is the legal re-release with a 32 page color booklet and their two 7" tracks as a bonus." First legit CD reissue of the legendary first…
"Still with their black singer James Rhodes. A concert from spring 1970 in the lovely town of Altena. The cover shows sax player Tim Belbe in Charles Manson style. Good quality."
2009 release. "With several connections to the early Kraftwerk history and formed in the Rhineland area in 1971, Ibliss was a quintet formed by percussionist Basil Hammoudi (from Organisation, the band before Kraftwerk), drummer Andreas Hohmann (also…
**Picture Disc edition with an insert of 8 pages and is also limited to 1000 hand-numbered copies.** Against its remarkable, sprawling, and lasting influence, it is hard to image the 1960’s and 70’s German sonic counterculture as it was - a truly und…
Dee Brown's Bury My Heart at Wounded Knee, published in 1970, was the first major history of the American West written from the perspective of its Native peoples. Its impact across Europe was considerable - a generation reading it not as distant hist…
With deluxe four-page insert. Limited to 1000 hand numbered Picture Discs. Top sound quality. Nobody liked it at the time. Alfred Kersten, owner of the Kerston label, had discovered Gäa at one of their early gigs in the Saarland and promised them a r…
What you hold is half a record. Three tracks, twenty minutes, one side of an intended LP that never found its other half. Gäa recorded these sessions at Leico Studio in 1975, then ran out of money before the album could be finished. By 1978, the band…