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2018 stock. Recorded early 1974 at the SWF-Studio in Baden-Baden, Germany by the same line-up, which recorded at the same time the 2nd Missus Beastly album. Improved versions of older titles and some new titles prove the bands great talent for improvisations. Brilliant sound of brilliant tunes played by refined musicians. This kind of instrumental krautjazzrock is timeless. The musical orientation of the new Missus Beastly rather followed afro-american than European music traditions, but influen…
Available again! Soul Jazz Records new 2018 edition of their long out of print classic first “Deutsche Elektronische Musik – Experimental German Rock and Electronic Music 1972-83” is ‘a near-definitive guide to some of the world’s most extraordinary music’ (The Guardian). Featuring a stunning line-up of groups including Cluster, Can, Faust, Popol Vuh, Neu!, Amon Düül, Harmonia, La Düsseldorf and Tangerine Dream as well as a host of lesser known groups such as Kollectiv, Ibliss, Between and many …
Deluxe full color gatefold 2LP version, volume 1 of 2. Artists: A.R. & Machines, Can Roedelius, Michael Rother, Popol Vuh, Michael Hoenig, Agitation Free, D.A.F. Harald Grosskopf, Amon Duul II, Conrad Schnitzler & Wolf Sequenza, Broselmaschine, Eno/Moebius/Roedelius, Gila and Wolfgang Riechmann.
The first seeds of German rock and experimental electronic music were planted in 1968, as students and workers in Paris, Prague, Mexico and throughout the world demonstrated against mainstream soci…
LP version. Includes insert with liners notes; Includes download card. Continuing with their reissue campaign of the Toby Robinson's Pyramid label catalog, Mental Experience now present Temple's self-titled release. Probably the most "rock" sounding of all the Pyramid titles, Temple were an ad-hoc outfit born out of several late-night sessions at Dierks Studios (where Toby was working at that time), involving local friends of Toby and other musicians from adjoining studios, among them Zeus …
**strictly limited edition of 500 copies** Nik's last album, Zero Gravity (Narco NR123) came under the Nik Pascal name and had a fantastic side long piece on the title track which reminisces of the works of Cluster. B side features four tracks that also bear some Conrad Schnitzler reminiscences. This was to be Nik's last LP before he would sell all his synths to ex car racer and future electronic/ambient music star Steve Roach. Besides his musical explorations, Nik was also an interesting painte…
**strictly limited edition of 500 copies** 1972 saw the release of The Sixth Ear (Narco NR666), this time credited to Nik Pascal. A more complex work than Beyond The End..., it adds consistent rhythmic patterns to the mix with the addition of bongoes and also explores some interesting chord progressions. Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surr…
Beyond The End... Eternity was released in 1971 under the Nik Raicevik monicker as Narco NR102. According to www.twoheadeddog.com, "Raicevic is clearly still in the early learning-curve stages," which it a key LP to understand Nik's evolution and setting the path for more evolved works to follow. Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surrealism, …
'Last', the third LP by krautrock legends Agitation Free, was originally released in 1976 on Barclay in France as a posthumous LP that included tracks from '73 and '74. Agitation Free had been formed in 1967 by Lutz 'Lüül' Ülrich, Michael 'Fame' Günther, Lutz 'Ludwig' Kramer and Christoph Franke. They soon gained the residency as the house band on Berlin's Zodiac Club with their impressive multimedia stage show. By 1973 they had already released two LPs and suffered several line-up changes and …
**180 gr. quality reissue, comes in a gatefold sleeve and includes a printed insert with a photograph of the original master tape box and additional notes and credits** Easily one of Volker Krieger's best albums, Spectrum was remarkably cut in just two days at MPS Studios in 1971 – with a group that includes Peter Baumeister on drums, Cees See on bongos and percussion, Peter Trunk on bass and cello, and John Taylor on Hohner electric piano. It kicks of with the amazing track "Zoom", a ser…
**Remastered from the original master tapes, 180 gram reissue of the original vinyl release with gatefold cover** 1972s Psychonaut, by the Swiss-based Brainticket, is early seventies space rock at its finest. While the bands debut album, 1971s Cottonwoodhill, was a heavily acid-laden affair dominated by droning organ, disturbing vocals and a collection of cacophonic sound effects (causing it to carry a warning label and be banned in several countries) for their second effort, band-founder Joël V…
**Remastered from the original master tapes, 180 gram reissue of the original vinyl release with gatefold cover** A limited edition re-issue of the legendary 1971 debut album by Brainticket that is widely considered a landmark psychedelic masterpiece!Being as LSD was first developed in a laboratory in Basel, it is perhaps no coincidence that one of the most "far out" albums of all time was made by this Swiss band (no small feat, given the competition!). Brainticket's 1971 debut, Cottonwoodhill, …
"Electronic musician Adelbert von Deyen’s debut and sophomore album were released just a year apart from each other. “Sternzeit” was followed by “Nordborg”, which featured only one track on each side. Again, von Deyen took his time crafting a meditative maelstrom of ambient sounds. The B-side, “Iceland”, is actually an acoustic interpretation of a snowstorm in Nordborg, Denmark, as remembered by von Deyen.
Von Deyens debut album “Sternzeit” had caused quite a stir in 1978 in his home tow…
Mirage is one of Klaus Schulze's best albums. It is certainly among the eeriest e-music sets ever. He created it as "an electronic winter landscape dedicated to Hans Dieter Schulze." It has somewhat of a symphonic structure. There are two main pieces: "Velvet Voyage" and "Crystal Lake." Each piece has six separate movements with experimental sounds serving as the recurring themes. The album has cold and icy textures that take listeners to the brink of the winter solstice. The experimental timbre…
Moondawn is a seminal album. You can hear the transition from his earlier, more drone based work to sequencers right on this record. Each side of the album was a single composition. “Mindphaser” followed on his work on Blackdance and Picture Music with long, sustained chords on the Farfisa and Crumar keyboards, with fleeting solo lines drifting in like wraiths until about halfway through when Harald Grosskopf kicked in with the drums, playing free-form grooves while Schulze created elecKlaus Sc…
X is the tenth album by Klaus Schulze. It was originally released in 1978, and on X Schulze attempted to execute a concept album of six "musical biographies" evoking contemporary or historical intellectuals with an influence on Schulze: Friedrich Nietzsche, Georg Trakl, Frank Herbert, Friedemann Bach, Ludwig II. von Bayern, and Heinrich von Kleist. The work is from the classic era of Berlin School.
"Picture Music" is Klaus Schulze's third solo album recorded in 1973 and released during the early part of 1975 (after the release of "Blackdance"). The album has gone on to be one of the most innovative electronic music releases from the German music scene and paved the way for Schulze's breakthrough opus "Timewind". The original album included two long tracks. The opening track "Totem" is a nearly 24-minute tour-de-force consisting of a hypnotic bubbling sequencer rhythm and cosmic synt…
Blackdance is one of Klaus Schulze's best albums. There are lots of predictors that point to where his career would go. The tempo changes are smooth and sure and the sequences are varied -- some are deep and strong, others are long on atmosphere. Schulze mixes these elements seamlessly with experimental timbres and spatial textures. He adds an organ drone to give the disc a Baroque attitude and sinister overtones. This is more atmospheric than most of his albums. That gives it a nice appeal and …
From the early days of electronic experimentation in the pop field, Klaus Schulze's second solo album still today it stands as one of the most powerful examples of ambient pulse music ever conceived. The dense layers of rhythm and synthetic tone colors melt into a seamless, flowing soundscape of melody, motion and spatial effects. It's a monumental double album of "cosmic music.
Irrlicht is the solo debut album from Klaus Schulze (originally released in 1972) and is an absolute masterpiece in cosmic, space music. Schulze omitted the use of synthetics for this recording, relying on organ with various electronic effects to produce an absolutely mesmerizing and minimalist body of sounds that transform the listener into a total abstracted world full of mysteries within its almost never-ending spiral. With no electronic pulse and rhythms, just a gloomy and distorted a…
*300 copies white vinyl, sold-out at sorce* Klaus Schulze is a German electronic music pioneer, composer and musician that needs very little introduction. In the late sixties & early seventies he was a member of several iconic bands such as ‘Tangerine Dream’, ‘The Cosmic Jokers’ & ‘Ash Ra Tempel’ before launching a solo career consisting of more than 60 albums released across five decades. Collaborations were numerous and highlights include working with Steve Winwood, Brian Eno & Alphaville… jus…