1988
*50 copies limited edition* For almost a decade, starting in 1980, I worked almost exclusively with walkman recorders and cheap cassette players. From the beginning, sound recordings were intuitively for me "worlds in themselves", always markedly different from the original "reality", always full of their own thrilling features. I developed my own, very simple -but very efficient- techniques for sound transformation using only cassettes. I couldn't afford the prototypical "experimental" tools of…
1981-1983
*30 copies limited edition* This piece is extremely subtle and contains extensive sections with silence and quasi-silence (obviously intentional and compositional). Virtually all its audio content is completely inaudible through laptop, smartphone or equivalent small speakers. Good quality speakers or headphones –as well as a very quiet surrounding environment– are highly recommended for ideal listening.
World Rhythms
"In late 1975, Annea Lockwood realised her composition World Rhythms. It represents one of the first creative works exploring the potentials of field recordings in a multichannel setting. It is a landmark work and a composition that, on its 50th anniversary, has gently carried forward over the decades, but arguably now is only starting to come into true focus, and be understood for exactly how revolutionary it was. World Rhythms was a work concerned with a practice of sustained listening into th…
Soundwalkscapes (Vol 2)
*2026 stock* In the rural terrain of Prespes, Greece, Viv Corringham emits a croak that mimics both a passing bee and the clucking of a distant chicken, straddling their sonic similarities, drawing both animals into unexpected kinship. In Muenster, Germany, she traces the undulation of air billowing through a train station, suddenly dragging the rhythm to the foreground of our attention. As with the first instalment of Soundwalkscapes, her voice is used to revive a “lost river”, this time focusi…
The Horizon is a Razor
An all-aluminum guitar, 100-watt amplifiers pushed to blowout, two sides charting alternate trajectories through sludge, drone, and ferocious free improvisation.
Soundsphere
Akio Suzuki has always been an artist in search of unexpected sound, and curiosity has been his guiding principle. Whether that be curiosity for objects, spaces or places, his work has been guided by a porousness and pliability which has allowed him to explore an enormous sonic terrain. This freedom has also allowed him to develop a language in sound that remains utterly his own. Nowhere is this more evident than in his approach to instrument creation. During the 1970s Akio Suzuki devised a seri…
![data-cosm [n°1]](https://cdn.soundohm.com/data/products/2026-02/ikedda-data-cosm-1-jpeg.jpeg.500.jpg)
data-cosm [n°1]
Limited to 1000 copies worldwide. Pressed on 180-gram heavyweight black vinyl with die-cut outer sleeve, full colour inner sleeve. Artwork by Ryoji Ikeda. Mastered by Noel Summerville. Manufactured at The Vinyl Factory, Hayes. One of the most uncompromising artists working at the intersection of sound, light and data, Ryoji Ikeda presents the sonic counterpart to his acclaimed installation data-cosm [n°1] - a 17-minute composition that distills the full spectrum of information on nature, from th…
Mimosa Pudica
Mimosa Pudica brings together two works by Luciano Maggiore, both conceived as live performances structured around the presence and behaviour of an audience. In both cases, rhythmic and formal elements arise from acts of observation and listening: eye contact, involuntary sounds, shifts of attention, hesitation, withdrawal.
Mimosa Pudica reconstructs the conditions of these works in the absence of an audience. The record operates as a displacement: a concert without spectators, a live situation…
Tuning
A pioneer of sound art, Christina Kubisch gathers three compositions transforming "non-musical" sonic phenomena into compositional forms. Electromagnetic waves, medical tuning forks, and abstract textures converge in a work that redefines the boundaries of listening
いっかいこっきりの「日向ぼっこの空間」/ Only Just Once, Space in the sun
2026 stock Space in the Sun was one of Akio Suzuki’s major sound projects, a unique construction completed in 1988 and located on the merdian line, which took around 18 months to build. Its purpose was to allow Suzuki to spend one day, on the autumnal equinox, purifying his sense of hearing in nature. This release comprises a 44 page book containing plans and materials from the time alongside texts, and two CDs of environmental recordings created on site at Space in the Sun. To date only tiny fr…
Battling the Invisible
Edition of 300. Comes with a 8-page booklet. In 1969, while American minimalism was consolidating into its most recognizable forms, Charlemagne Palestine was conducting solitary experiments with oscillators and sine waves that only now reveal their visionary scope. This was the New York of lofts and abandoned industrial spaces, of artists pushing sound toward its physical limits - a city where the boundaries between music, performance art, and bodily endurance were dissolving. Battling the Invis…
Appearance/Music for Solo Performer
Big tip! Beyond Rare! These historical recordings of a 1967 concert at Hope College in Michigan involving John Cage, Toshi Ichiyanagi and David Tudor, performing compositions by Ichiyanagi and Alvin Lucier, were recently discovered in an archive in Japan. The Lucier piece, "Music for Solo Performer", was the first musical composition to utilize human brainwaves; this 1967 performance, released here for the first time, is an early realization of the piece, featuring Tudor, Ichiyanagi and Lowell C…
A Grammar for Listening
2008. Paris and Glasgow. Eric La Casa recording sounds for Luke Fowler's 16mm triptych. Not compositions but investigations into the infra-ordinary - that space-time at low intensity where background noise meets the inaudible. How to create a meaningful dialogue between looking and listening? This question drove Fowler's film cycle. La Casa's answer: find a listening point in relation to everything taking place. The microphones amplify all living substances in motion - from the interior of the b…
Early Works
Bill Fontana investigates the physics of perception itself. Side A: tape collages where sound becomes both material and force. Side B: Wave Spiral for 5 Rin Gongs - a sidelong, 21-minute centerpiece where pure sine waves create interference patterns, frequency made sculptural. Sound spiraling through space, dissolving boundaries between observer and phenomenon.
Beach of the Pliocene
Beach of the Pliocene, a sought-after release by Ken-ichiro Isoda, epitomizes Japanese ambient’s capacity to conjure landscape and memory. The album blends flute, guitar and environmental sounds in a meditative journey that merges gently melodic lines with the resonance of the ocean, functioning equally as a balm for modern anxieties and a portal for contemplative listening.
Is Spring a Sculpture?
"Is Spring a Sculpture?" is a collaboration between David Toop and Rie Nakajima, released as a limited edition CD and book on Lawrence English’s Room40 label. The work consists of a series of sound pieces and text fragments exploring the poetics of objects, ephemeral phenomena, and the ambiguous boundaries between sound, environment, and tactile form. Together, Toop and Nakajima sculpt a listening experience that is elusive and sensorially charged, extending their mutual fascination with the int…
Ebbing Ice Lines
Ebbing Ice Lines is Pablo Diserens’s attentive fieldwork voyage across the Arctic’s melting frontiers—a collection of sonic essays mapping disappearing ice through the sounds of water, animal life, and shifting glacial surfaces, bringing listeners into intimate proximity with an environment in flux.
Tracing Basalt in the Onsernone Valley
Tracing Basalt in the Onsernone Valley by Pablo Diserens and Ludwig Berger transforms the Swiss valley’s basalt terrain into a living instrument, blending environmental recordings and experimental acoustics into a meditative portrait of place and presence.
Near the Bear
Near the Bear is Cheryl E. Leonard’s intimate Arctic meditation, interweaving field recordings and natural objects into five cinematic pieces that speak to both the wildness and vulnerability of Svalbard and Greenland’s landscapes.
Conduite Forcée
** Edition of 300. One time pressing. No digital. ** In 1934, Swiss engineers completed the Chandoline Hydroelectric Plant, channeling Alpine water through 16 kilometers of concrete pipe. By 2023, the turbines had stopped. The plant was empty, silent - a cathedral to obsolete energy with perfect acoustics and nothing left to say. Christian Marclay saw an instrument. For the inaugural Biennale Son in 2023, the artist who made his name destroying vinyl in 1980s New York turned the entire hydroelec…