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Tip! In September 2023, at the Hiventy laboratories in Joinville-le-pont - formerly Pathé - we recorded the film restoration (image and sound) and development processes. Following the mechanical and digital processes, we listened to and interviewed the technicians to understand what goes into restoring a film. How do you restore a film to its original state? To do this, we need to get close to what viewers of the film could perceive in the cinema. The way we look at and listen to a film has evol…
*50 copies limited edition* I selected short parts of "Polymères" (never published in print) because they reminded me of the inner world of David Lynch, to whom this soundtrack is dedicated.. From Polymères excerpts, originally composed between December 2011 and March 2012 for theater - with organ recordings (played by Jean-Luc Gulonnet), field recordings, and electronics Remixed in January 2025
*2025 stock* Seijiro Murayama is a drummer/percussionist/voice performer currently working in Japan again after living for a number of years in France. Éric La Casa is a French sound artist well known for site-specific field recordings with a strong improvisational element. The two have been working together on numerous projects for nearly a decade. For six months starting in January 2012, La Casa and Murayama took portable tape recorders out to parks, subway stations, streets and other public s…
Between 2017 and 2023, while assisting Tarek Atoui with his Waters’ Witness project, I accumulated a series of recordings in maritime ports, which I have used to create this thematic suite. Rooted in documentary reflection, it presents the unembellished sounds of commercial ports and their coastlines.
Recordings 2017 - 2023Editings + Mixings June – December 2024
These ports were constructed across diverse biotopes and climates: in the Gulf of Oman in Abu Dhabi, the harbour of Singapore, the Medi…
2013 release ** "Three pieces recorded live in 2007 but just released. Ultra-quiet approach of electroacoustic improvisation. Guionnet on sax and microphones, La Casa on microphones and laptop, Samartzis on laptop and electronics. All three also play (with) silence. Each sonic intervention is delicated set in relation with what is (and is not) around it. Three sound stories with a thin yet consistent abstract narrative."
1992 release ** "Eric La Casa and Sylvie Larouche's first album of lush, cinematic ambience and unsettling atmosphere from 1992. La Casa's sense of drama and timing might sound familiar to those who know his (entirely excellent) later work with field recordings."
2025 stock ** "On July 10th 2001, Guionnet (alto sax), Warburton (violin) and La Casa (microphones) explored the acoustics of the Pré Saint Gervais Metro station in Paris, riding the elevators, taking the stairs, experimenting real-time music in daily life. A reference, between site-specific improvisation and sound art."
Kindling #1: Parazoan Mapping #2 by Taku Unami and Eric La Casa is the first edition of an ongoing series of artist-run digital+paper sound-art releases, only available as a newspaper plus digital file. Through their individual practices, Taku Unami and Eric La Casa have contributed greatly to what we think about how we listen and practice sound and music, and often indirectly challenging where these two tightly linked categories might collide or overlap. Parazoan Mapping #2 continues their publ…
FO(A)RM no. 4 (topography) treats the movement over, through or across a landscape and the act of documenting, utilizing or noticing an interaction with that landscape. It concerns a mapping of the points between self and space – traversing and/or transforming natural and urban environments. Within these pages, intelligent perspectives find fertile soil.Included within are essays by sound theorist Douglas Kahn (Noise Water Meat) on spherics and and cultural theorist Steven Connor (Dumbstruck) on…
*150 copies limited edition* Parking features two works recorded 14 years apart registering the behaviour and characteristics of environmental and instrumental sound resounding within multiple parking garages. The architectural form and function underpinning the parking garage demands a highly adaptive response to negotiate indeterminate conditions and hidden tensions generated by compressed space, reflective materiality, multipurpose infrastructure, and active thoroughfares. Rather than conside…
*150 copies limited edition* When and how does a gesture leave the domain of the ordinary for that of the extraordinary, and is perceived as such by all ? Where, within each space, is the threshold of the extraordinary, and therefore of the musical ?
Whether playing percussion or recording, when do our gestures become musical ? (...) Where, within each space, is the threshold of the extraordinary, and therefore of the musical ? Isn't this what making an event consists of ? Deliberately interrupt…
*100 copies limited edition* "Following the 2015 attacks, all entrances to public buildings – schools, churches, mosques, synagogues, museums, town halls, police stations, etc. – were reinforced by these metal barriers, without any prior consultation with local residents nor with their being given any indication of how long they would remain in place. The public space has been covered with these barriers, which, over the last decade, summer and winter, day and night, have become the symbols of l…
Two compositions conceived mainly from researches on the inaudible and the unspeakable, as part of a series devoted to the representation of infraliminary sound phenomenons of the reality, of everyday life.
"How does the present time, physically so unspecified, become so unique for us? " - Etienne Klein"During these past years, exploring my daily environment and also my archives, I have discovered a missing part of my listening : beyond the threshold of my hearing, or my measure. I was intereste…
*Limited edition of 300 copies*
During Spring 2015, Eamon Sprod and Eric La Casa spent one week to record on waste grounds, at the north east of Paris, and along the canal Ourcq. Spaces which are somehow both inside yet apart from the city; waiting spaces from which to listen to the threshold of the city.
For two years, Eric La Casa has been recording the urban sonic environment of Paris from the windows of his own apartment. Between a temporary inventory and a musical documentary, Paris Quotidien is the result of this long experiment. Includes a 60-page documentation booklet with photographs.
** 2021 Stock. Book (24 pages 15x15cm) + CD. Limited edition of 250 copies. Texts Français / English. ** Stereophonic versions based on the recordings and mixes used for the 4 sound installations. Surface-témoin / Show surface (2005) by Jean-Luc Guionnet & Eric La Casa. De la dilation du paysage / Enlarging the landscape (2006) by Michaële-Andréa Schatt & Eric La Casa. Double exposition / Double exposure (2010) by Seijiro Murayama & Eric La Casa. Tentative d’épuisement (sonore) d’un lieu / Attem…
**200 copies** Éric La Casa probes his inner sound environment through the recording of his Parisian apartment, an artist's studio and the empty spaces of a museum.
For more than 20 years, while listening to the environment, Éric La Casa (born 1968, Tours, lives and works in Paris) has been questioning the perception of reality and has expanded the notion of what's musical today. Through his aesthetic of capturing sound, his work fits equally into the fields of sound art and music. As a result o…
Three compositions made for films.
1 – 4 . A grammar for listening 2
From Luke Fowler's 16mm film “A grammar for listening part 2”, 2009.
All sounds recorded in Paris, and Glasgow.
5 . A Hemero Phaestos 2 From Christian Jaccard's video “A Hemero Phaestos”, 2013. All sounds recorded in the Foundery Susse, Ivry
6 – 8 . Polymères 2From Marie-Christine Navarro’s drama “Ce pays qui s'appelle Tane”, 2012.With organ recordings (composed and recorded by Jean-Luc Guionnet)Eric La Casa says about his p…