Mats Gustafsson
Mats Gustafsson, born in Umeå in 1964, is a Swedish saxophonist, improviser and composer whose baritone and tenor playing has the force of a rock band. He leads or co-leads The Thing, Fire!, Gush, Sonore, Swedish Azz and the NU Ensemble, has played in Peter Brötzmann's Chicago Tentet and Barry Guy's New Orchestra, and has worked with Sonic Youth, Merzbow, Jim O'Rourke, Otomo Yoshihide, Yoshimi and Ken Vandermark. Eighteen hundred concerts and more than two hundred records across Europe, Australia, Africa, the Americas and Asia have made him one of the busiest figures in free music, and a collector and advocate of its history through his writing, his label work and the Discaholic Corner website, where he trades records and interviews his heroes.
Mats Gustafsson, born in Umeå in 1964, is a Swedish saxophonist, improviser and composer whose baritone and tenor playing has the force of a rock band. He leads or co-leads The Thing, Fire!, Gush, Sonore, Swedish Azz and the NU Ensemble, has played in Peter Brötzmann's Chicago Tentet and Barry Guy's New Orchestra, and has worked with Sonic Youth, Merzbow, Jim O'Rourke, Otomo Yoshihide, Yoshimi and Ken Vandermark. Eighteen hundred concerts and more than two hundred records across Europe, Australia, Africa, the Americas and Asia have made him one of the busiest figures in free music, and a collector and advocate of its history through his writing, his label work and the Discaholic Corner website, where he trades records and interviews his heroes.
Member of: DUX Orchestra
Watching A Dog Smilling (LP)
2024 album on NoBusiness in an edition of 300 copies by two of the best contemporary free reed instruments players.
But A Cry Of Pain Rolls Up A Mountain (7")
Reeds and fiddle duo by two eminent Swedish improvisers released by Ideal in 2005 in an edition of 300 hand-numbered copies.
Two Balls Are Enough
The debut album from the duo of Finnish accordionist Kimmo Pohjonen and Swedish reedist Mats Gustafsson - both musicians have routinely blown past the rules of the traditions from which first emerged—folk and free jazz, respectively—to explore constantly expanding worlds. It was only a matter of time before these iconoclasts collided to create something wonderfully raw and unexpected.
Vindögæ
*2026 stock* Reed players Mats Gustafsson and Andreas Røysum bonded over common understandings of the physical and political dimensions of music. Across generations and other accountant-like statistics (zzz...), they decided in 2021 to start playing together as a duo, and thus Vindögæ was unleashed on the Norwegian audience. It was on five cold December evenings, during which the country once again was preparing for lockdown, that the sound of Vindögæ opened up to a much-limited club audience. T…
Cuts Cut
Merzbow, Mats Gustafsson and Balázs Pándi, recorded at Victoriaville in 2018 and completed with new recordings in 2025: electronics, bass and baritone saxophones and drums in brutal noise and free jazz.
Traces
*2026 stock* Cosmic Ear is a new group bringing together Christer Bothén, Mats Gustafsson, Goran Kajfeš, Kansan Zetterberg and Juan Romero. Their debut album Traces is released by We Jazz Records on 23rd of May, 2025. Including 6 deep cuts, Traces is an album that sees Cosmic Ear tracking down the "traces" of the legendary Don Cherry's legacy while paving their own way in contemporary creative music expression.
Christer Bothén, a collaborator with Don Cherry during his Swedish period in the 1970…
Ifaname
*300 copies limited edition* Mats Gustafsson meets Jan St. Werner in 2019 when they both perform with Peter Brötzmann and a group of prolific improvisers for three days at Flutgraben in Berlin. Mats and Jan notice their mutual passion for performing not just inside spaces, but also with them, activating environments and shaping sound through diversion. Mats introduces Johan Berthling, whose complex bass explorations complement the frantic jitter of Mats’ saxophone and pedals, and Werner’s digita…
(Fake) The Facts
Special session in january 2013 for Recordstoreday 2013. Recorded at Martin Siewert‘s studio Garnison 7 in Vienna. First and final pressing of 400.
Backengrillen
”Music and art without definite labels is a necessity for a better living - create your own individual genres and open up for more death-jazz-core-noise-metal-poetry to enter your world of destroying the local and global stupidities around us” - Mats Gustafsson "We really hope this slab of stupid, violent death rock will ruin someone’s day. Haha." - David Sandström Backengrillen is a new ensemble with their roots in HC, punk, noise and free Jazz. All members from Umeå, with roots in the original…
Now Jazz Now 100 Essential Free Jazz & Improvisation Recordings 1960-80 (Book)
277 pages. 196 x 268 mm. Open NOW JAZZ NOW and you're not just looking at a book - you're entering the minds of three lifelong obsessives. Byron Coley (music writer and critic), Mats Gustafsson (saxophonist, The Thing, Fire!), and Thurston Moore (Sonic Youth founder, solo artist) have spent decades accumulating, discussing, debating, and above all listening to free jazz and free improvisation. This book is the result of that shared mania. What they've created isn't a conventional history or a ra…
Sustain
"In the quarter century since the members of AALY Trio were last in the studio together there have been countless performances and albums made by the core members of the band. The remarkable parallels that existed between the improvised music scenes in Stockholm and Chicago from 1995 to 2000 extended well beyond the collaboration with AALY and me. Those circumstances are no longer the same due to the shifting sands of the international scene: artists, venues, record labels, writers, radio DJs, a…
Baro 101
"Baro 101" unites Mats Gustafsson, Paal Nilssen-Love, and Masele Asmamaw for an electrifying fusion of Scandinavian free jazz and Ethiopian traditions. The album’s two expansive tracks showcase intense improvisation, with Asmamaw’s krar injecting unique rhythms and melodies, creating a bold, genre-defying musical journey.
Pivot
"The band showed up, four folks from three different spots on the globe -- Chicago (Vandermark, Reid); Nickelsdorf, Austria (Gustafsson); Philadelphia (Taylor). They assembled their gear and sound-checked at the studio. There was a four-way freedom at play, structures but liberties and no need for elaborate explanation. Everyone spoke the same shorthand. Cues were understood; timings were implicit and considered; space was made for chances to be taken. In creative music, you sometimes need to re…
Live At The South Bank
2025 stock ** "On South Bank - the most vital and essential document of Reid and Hebden's five-year partnership-- it feels clear that, at least onstage, they were finally able to go the distance. The invocation "Morning Prayer" opens slowly, circling in space with a meditative calm. For 17 minutes, the pair traces lines around the other's rhythm, Hebden's electronics and keys shaping a cradle for Reid's busy tom-and-cymbal patter, and vice versa. Back in 2006, on Volume 1, "Morning Prayer" felt …
Tarfala
*2025 stock* "Listening to the tapes of this live concert from Culturen Västerås, persuaded me that certain attributes of the playing of Mats Gustafsson and Raymond Strid are indeed bound with “Terroir”. There is probably a useful Swedish word describing this, but the French word nevertheless seems appropriate in describing a sense of place, something earthy and powerful. My thoughts moved to volcanoes and in particular glaciers, which of course abound in Sweden. The explosive power of the volca…
Falling And Five Other Failings
2025 stock Mats Gustafsson plays slide, tenor, baritone, bass saxophones. Christof Kurzmann uses special ppooll software and voice, live processing. Recorded, mixed & mastered at Garnison 7, Vienna by Martin Siewert. Artwork by Jimmy Draht. Liner notes by Ken Vandermark. Limited vinyl edition of 300 with screen-printed covers. Ken Vandermark, from the liner notes: "On the surface, its fundamental components seem to come from the 20th century: the saxophone (invented in 1846, but not coming to th…
Abet?! አቤት?!
Specially released for Record Store Day 2012, April 21th. Recorded during two 'Saxophone' projects of The Ex in Ethiopia. Trio-side December 28 2009 in the Bateau Ivre, Kazanchis, Addis Abeba. Solo-side Februari 22 2011 at Yared Music School, Sidist Kilo, Addis Abeba.
Split
*200 copies limited edition* John Duncan's "SAXMIX" is one massive piece of contemporary experimental music, which lets noise collide with free jazz and extreme minimalism. Duncan is a master when it comes to these things, and he is an artists constantly evolving, mutating and challenging. The sax thing then? JD has invited some of his fav sax players to collaborate with him; Mats Gustafsson, Antoine Chessex, Martin Escalante, Dror Feiler and Ulrich Krieger. Did I say MASSIVE? Well, it is. Schei…
Jag Dricker, Jag Dricker, Alltså Finns Jag
*200 copies limited edition* Gustafsson and Lindsjö had collaborated in the mid-eighties in the Swedish-American group The Bad Quartet. Playing local gigs in both New York and Lund. Lindsjö later moved back from New York City to reunite with Gustafsson in Stockholm, where the ensemble Gush had just begun to establish itself. With their shared American influences in mind, Raymond Strid was recruited on drums to form the trio Maxcolic.
The trio started off in a free improv funk/rock that contraste…
DEG
A live recording of a great performance from Kevin Drumm, Mats Gustaffson and Leif Elggren. Recorded live at Fylkingen Oct 10, 2001 on the Blue Tower Sound System.