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1985 Italian re-issue on Debut / Black Saint's "Mythic Cound" series in an edition of 1000 hand-numbered copies of the 1955 album featuring Charles Mingus and Max Roach.
1976 Japanese edition on Stateside/Spotlite's "Jazz Right Now" series of the 1970 compilation with recordings from 1947 featuring Miles Davis and Max Roach. With insert.
All 10 volumes released in 1989 on Black Saint / Mythic Sound's "Francis Paudras Legacy / Cecilia Powell's Heritage" series dedicated to Powell's recordings from 1944 to 1964 featuring Charles Mingus, Max Roach, Lee Konitz, Jay Jay Johnson, Art Blakey, Dizzy Gillespie, Barney Wilen, Zoot Sims and Johnny Griffin among many others.
1975 2LP US compilation on Milestone with tracks from the 1950's albums Brilliant Corners and Five By Monk By Five plus a previously unissued track, featuring Max Roach and Sonny Rollins. With original innersleeve.
1980 US re-issue on Columbia's "Contemporary Masters Series" with different title and cover of the 1961 album featuring Coleman Hawkins and Julian Priester.
August 1961. Van Gelder Studio, Englewood Cliffs, New Jersey. Max Roach - the man who reinvented jazz drumming alongside Charlie Parker and Dizzy Gillespie in the 1940s, the co-leader with Clifford Brown of the definitive hard bop quintet until tragedy struck in 1956 - enters the studio with something to say. Something that cannot wait. Something that demands a new language.
The year before, Roach had recorded We Insist! Freedom Now Suite for Candid Records, a searing response to the Civil Right…
One of the major statements in the history of Jazz and African American liberation movements. Originally released in 1960 on Candid Records, Max Roach’s Freedom Now Suite consists of five original compositions and performances staging and celebrating different moments and aspects of the African American history and culture. Here is a wonderful cast of musicians reunited around Max Roach – drums and Abbey Lincoln – vocals. Throughout the album you can find great contributions from the likes of Bo…
Max Roach wasn't just one of the greatest drummers and percussionists in jazz history; he was also one of the greatest bandleaders in all of jazz, able to adapt his playing to an innumerable array of styles, from bop to free, and blessed with a keen eye and ear for talent. And he always, always kept pushing himself and his bandmates to find new modes of musical expression throughout his six-decade career. Speaking of modes, this 1968 release on the Atlantic label is one of his finest albums, a m…