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Reggie Workman

Out Front To And Friends „Revisited"
"The material on From Out Front To Booker Little And Friend Revisited is Little’s collective chef d’oeuvre. It is exploratory but also strewn with retentions from tradition. The dense yet sonorous dissonance, the graceful tempo and metre shifts, the extended forms that give equal weight to composed and improvised sections, together these „alter the present“ and „direct the past“." – Chris May
Good News Blues
Karen Borca - bassoonRob Brown - alto saxophoneWilliam Parker - bassReggie Workman - bassTodd Nicholson - bassPaul Murphy - drumsSusie Ibarra - drumsNewman Taylor-Baker - drums Track 1-3 recorded May 25, 1998 at the 3rd annual Vision Festival, Angel Orensanz Centre, NYCTrack 4 recorded June 19, 2005 at Vision Festival X, Angel Orensanz Centre, NYCTracks 1-3 recorded and mixed by Alen Hadži-StefanovTrack 4 remastered by Arūnas Zujus at MAMAstudios, Vilnius, LithuaniaPhotos by Peter Gannushkin / D…
Call It Art
5LP deluxe box and a 156-page clothbound book packaged in a custom white-birch wood box, limited to 665 hand-numbered copies The book features music manuscripts and notebook pages from the musicians' archives, an extensive itinerary, the complete history of the NYAQ, artists' bios, and musical analysis.  2013 release. Five LPs of entirely uncirculated music by the New York Art Quartet, featuring Roswell Rudd, John Tchicai, and Milford Graves; the bass chair is alternatively occupied by Lewis Wor…
A Part
*Limited Edition* Embark on a captivating collaboration between Japanese trumpeter Terumasa Hino and avant-garde bassist Reggie Workman. This partnership, from the early 70s, marked a spiritual awakening in Hino's music. The tracks, expansive and expressive, feature a primarily Japanese ensemble, showcasing a departure from Hino's earlier hardbop recordings.
New York Art Quartet "Revisited"
Temporary Super Offer! "If we just could have hung on for another year,” Rudd said of both NYAQ and the Jazz Composers Guild, “things could have turned out much differently. Things were about to flip, in a good way. A lot of government programs were starting up that we could have gotten  grants from. There was a change in perception about the music that was happening. People were starting to consider it as art. The music was moving out of the bars and coffee houses  and into museums and concert …
The Way Ahead - Kwanza - The Magic of Ju-Ju, revisited
Temporary Super Offer! Allow me to expand on a much restated quote from Albert Ayler: "Coltrane was The Father, Pharoah was The Son, and I was...The Holy Ghost.” If we remain with the Christian iconography, that makes Archie Shepp, Simon Peter, or the Apostle Peter whom Jesus called the rock upon which he built his church. Christened by his tenure in the early 1960s with Cecil Taylor, Shepp was baptized into what we now call a modernist approach. In meeting Coltrane, a man always searching for a…
Witch's Scream
*Includes 20 page booklet.* Each with five decades of musical knowledge and experience in free improvisation under their belts, the trio of saxophonist John Tchicai (also heard, for the first time on record, on vocals), bassist Reggie Workman and drummer Andrew Cyrille got together in New York in September 2004 to record Witch's Scream. Although they are all veterans of improvised music going back to the vital free jazz scene of New York City in the early 1960s and have often played together in …
Reflections
Reflections features three giants of improvised music in an open dialogue built on both their shared influences and their different backgrounds: Juhani Aaltonen on tenor saxophone and flute, Reggie Workman on bass and Andrew Cyrille on drums. The album can be seen as a companion to Strings Revisited, which featured the trio together with The Avanti! Chamber Orchestra conducted by Henrik Otto Donner. On Reflections, the music is improvised within only a loose compositional framework. Composed the…
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