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In Galgenlieder à 3, Christian Morgenstern’s whimsical Galgenlieder merge brilliantly with the haunting musical language of Sofia Gubaidulina. This unique song cycle, consisting of voice, percussion and double bass, brings Morgenstern’s playful and surreal poetry to life. Gubaidulina’s composition captures the essence of each poem through various expressive techniques, from normal singing to whispering and chanting. With imaginative interludes and an inventive use of motifs and intervals, this w…
The second cello concerto, entitled: Y: la fiesta está en pleno apogeo – And: The feast is in full progress (1993), is based on a poem by the Chuvash poet Gennadi Aigi. The vision of a raging mass of people awaiting the last Judgment is transformed into music by the composer with gripping, immediate, expressive force, free of graphic patterns. A moment of glory not for Gubaidulina only, but for David Geringas on cello, too. And as a bonus on this CD: Diez Preludios –Ten Preludes for Cello, in Vl…
Dmitri Shostakovich was to encourage the young Gubaidulina, for instance when he told her in his official function as the chairman of a board of examiners: "Keep on composing on your errant ways." Her intuition was based on her profound religious faith as well as on literature and philosophy. In her String Trio of 1988 she accomplished a particularly impressive motif transfer in the finale. The motif, which has been powerfully completed before, sneaks in again through the first violin, endures, …