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Bassist-composer Joe Fonda’s Eyes on the Horizon is a gift—a gift from a former student to his master teacher, Wadada Leo Smith. It is the best possible gift a mentor can receive—it doesn’t imitate Wadada’s own work, it’s entirely in Joe’s voice. Fea…
Live improvised concert by the John Heward Quintet, celebrating drummer John Heward and bassist Barre Phillips, both eighty at the time, with Lori Freedman, Joe McPhee and Dana Reason.
Four-CD box of duo improvisations for saxophones, drums, percussion and electronics by Anthony Braxton and Gerry Hemingway, their first recorded collaboration in twelve years, made at Wesleyan University in August 2007.
Steve Lacy on soprano saxophone and percussionist John Heward in a single long improvisation recorded live in Montreal on 20 June 2003, one of Lacy's last recordings, ending with a tribute to Oliver Johnson.
First reissue of Walter Zimmermann's solo piano work Beginner's Mind, played by Herbert Henck and first released in 1978 on Beginner Records. The CD adds Abgeschiedenheit, after Meister Eckhart, released for the first time.
Beautiful new live document from interdisciplinary artist, composer and bandleader Rob Mazurek and a nine-piece iteration of his long-running Exploding Star Orchestra (ESO). Live at the Adler Planetarium will be released on LP, CD and DD on September…
In process of stocking. In late November of 2018, long-time collaborators (and life-long Los Angelenos) Carlos Niño and Miguel Atwood-Ferguson flew to Chicago to participate in the album release performance of Makaya McCraven’s Universal Beings. Just…
Two first recordings of electroacoustic works by Gerard Pape for 8-channel tape: Vers la lumière II, dedicated to Ana-Maria Avram, and Héliophonie, written for the solar eclipse of 29 March 2006. Binaural release, stereo compatible.
First complete recording of Bernard Parmegiani's Stries (1980) for three synthesizers and tape, reconstructed and performed by Colette Broeckaert, Sebastian Berweck and Martin Lorenz from the original score and tapes in the INA/GRM archives.
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their debut album 'Small Medium Large' began as a collection of long form improvisations re…
Soprano Sarah Maria Sun and The Gurks perform fifteen songs about bad people doing bad things, from Bernstein, Weill, Tom Waits and Joe Walsh to Schubert, including the first recording of Stefan Wolpe's Hitler.
Morton Feldman's For Bunita Marcus (1985), an hour-long solo piano work, played by Aki Takahashi, for whom Feldman wrote all his piano music after Triadic Memories.
First recordings of two Alvin Lucier works centred on the pipe organ: Swing Bridge (2015) for organ, ensemble and pipe wavers, played by the Australian Art Orchestra with Austin Buckett, and Sizzles (1997) for organ and drums.
Expanded 3-CD reissue of Walter Zimmermann's Lokale Musik, first issued in 1982 as a 3-LP set: two CDs remastered from the analog tapes, a third with new supplemental recordings and revised works, and a 60-page book.
All of Morton Subotnick's piano music on one disc for the first time, with four first recordings, including Liquid Strata and The Other Piano with electronics, played by SooJin Anjou and supervised by the composer.
Volume 10 of Mode's John Cage piano series, with Thomas Schultz playing Two Pieces for Piano (1935), Solo for Piano from the Concert for Piano and Orchestra, Two Pieces for Piano (1946) and Swinging (1989).
George Crumb's earliest and most recent piano works on one CD: the first recording of Metamorphoses (Book I), ten pieces after famous paintings written for Margaret Leng Tan, and the Five Pieces for Piano (1962).
Sergio Sorrentino plays American music for electric guitar by Cage, Feldman, Wolff, Lang, Vees, Sharp, Curran, Polansky and Stiefel, including the first CD release of Feldman's The Possibility of a New Work for Electric Guitar.
Three orchestral works by Iannis Xenakis: Metastaseis A in its original version for 65 musicians (first recording), with the Orchestra Sinfonica RAI, and Terretektorh and Nomos Gamma, with the Residentie Orkest The Hague under Arturo Tamayo.
Three long-form works from Joan La Barbara's first decade of recordings, with new stereo and surround mixes from the analogue tapes: As Lightning Comes In Flashes (1981), Autumn Signal (1978) and the previously unreleased CYCLONE (1976-77).